By Jacob Stockinger
Here is that post:
But no one seemed to know which works by Bach and which performers of Bach he favored.
Now, the mystery is solved and we do know and even have strong suspicions (the Cello Suites?)
It related to the new and bestselling biography of Jobs by former Time editor Walter Isaacson (below), who has been on a book tour and making the rounds of radio, TV, the Internet and other interviews about Jobs.
Isaacson rarely discusses Jobs’ taste in music in the media.
But one reader of the biography – our friend Michael Lawrence — has found out the answers.
Here is his e-mail to this blog:
“I have been reading the new bio on Steve Jobs and found this reference to Bach. Thought you might be interested.
Here is Steve Jobs on J.S. Bach from the book “Steve Jobs” by Walter Isaacson (below):
“As for classical music, there were a few recordings of Bach, including the Brandenburg Concertos, and three albums by Yo-Yo Ma (below). One afternoon we sat in his living room as he scrolled through the songs on his new iPad.
“Bach, he declared, was his favorite classical composer. He was particularly fond of listening to the contrast between the two versions of the “Goldberg Variations” that Glenn Gould recorded, the first (below top) in 1955 as a 22-year-old little-known pianist and the second (below bottom) in 1981, a year before he died.
“They’re like night and day,” Jobs said after playing them sequentially one afternoon. “The first is an exuberant, young, brilliant piece, played so fast it’s a revelation. The later one is so much more spare and stark. You sense a very deep soul who’s been through a lot in life. It’s deeper and wiser.”
“Jobs was on his third medical leave that afternoon when he played both versions, and I asked which he liked better. “Gould liked the later version much better,” he said. “I like the earlier, exuberant one. But now I can see where he was coming from.”
Mike’s Steve Jobs Tribute can be found at: http://www.mlfilms.com/productions/m_and_i
Which of Glenn Gould’s two versions (below, of the opening aria theme) of the “Goldberg” Variations by J.S. Bach do you prefer and why?
The Ear wants to ear.