ALERT and REMINDER: A new chamber group in the area, the Black Marigold wind quintet (below) performs its second feee concert tomorrow, on Friday, Aug. 24, at 7:30 p.m. in the Grand Hall of Capitol Lakes Retirement Center, 333 W. Main St. For more informaiton about the performers and the program, go to: http://host.madison.com/calendar/music/black-marigold-summer-concert-series/event_0b76af2a-e0b3-11e1-9f8f-1777522ac029.html#.UCFecwfQz_A.facebook
By Jacob Stockinger
Most classical music fans know about the so-called Curse of Beethoven’s Ninth, which seems to have intimidated many composers who cam later and kept them from completing more than nine symphonies. (A small number compared to Haydn’s 104 and Mozart’s 41, no?)
But Fifth Symphonies also mark a sea change in a composer’s career and inspire a certain kind of awe and legend, also going back to Beethoven (below).
Baltimore Symphony Orchestra conductor Marin Alsop (below), who has recorded for Naxos Prokofiev’s Fifth Symphony with her new additional orchestra, the Sao Paulo Symphony Orchestra in Brazil. She discussed Fifth Symphonies with NPR’s Scott Simon.
It is an illuminating talk with great audio clips that help her explain the music. Here is a link:
Curiously, my favorite fifth symphony – after Beethoven’s Fifth, that is – was never even mentioned: Sibelius’ Fifth Symphony, with its great final movement featuring brass and strings plus an unbeatably dramatic finale punctuated by silence (at bottom).
I also don’t recall hearing them talk about Tchaikovsky’s Fifth, which is also a great one, though Shostakovich’s great Fifth Symphony gets a nod.
Do you have favorite Fifth Symphony?
Let The Ear know what it is.