The Well-Tempered Ear

Classical music: New contemporary percussion group Clocks in Motion will makes its FREE concert debut this Saturday night. The famed Saint Thomas Choir sings at Overture Friday night. | September 26, 2012

 

REMINDER:  The 2012-13 season of the Overture Concert Organ opens Friday night at 7:30 p.m. in Overture Hall with the Saint Thomas Choir (below) from New York City. at 7:30 p.m. in Overture Hall. The Saint Thomas Choir of Men and Boys is considered to be the premiere choral ensemble of the Anglican music tradition in the United States and among the finest in the world. The program will include a variety of styles from the 16th century to the present day by composers including Thomas Tallis, J.S. Bach, William Byrd, James MacMillan, Benjamin Britten, Charles Parry, among others. Two organ solos by J.S. Bach and Dan Locklair complete the program.

Tickets are $19.50 at http://www.madisonsymphony.org and the Overture Center box office at (608) 258-4141. For more information, visit www.madisonsymphony.org/thomas or the the choir’s website, http://www.saintthomaschurch.org/music/choir where you can listen to performance videos.

 This season the Overture Concert Organ Series also includes The Westminster Choir on Sat., Jan. 12, at 7:30 p.m.; Felix Hell, organist and Madison native and Baltimore Symphony principal trumpet Andrew Balio on Feb. 23 at 7:30 p.m.; and David Briggs on Sat., Mar. 23, at 7:30 p.m.

By Jacob Stockinger

Madison’s new contemporary percussion ensemble, Clocks in Motion (below, rehearing a work by Steve Reich in a photo by James McKenzie, is kicking off its 2012-13 season this Saturday night, Sept. 29, at 8 p.m. in Mills Music Hall on the UW-Madison campus.

Consisting of current music students and recent graduates of UW-Madison, Clocks in Motion is dedicated to the performance of modern repertoire and the commissioning of new works for percussion ensemble. Members (below, from left, in a photo by Megan Aley) are: Joseph Murfin, Brett Walter, Neil Sisauyhoat, Dave Alcorn, Elena Wittneben, Michael Koszewski and Sean Kleve.  James McKenzie is also a member.

Not only a group of exclusively percussionists, Clocks in Motion also includes pianist Jennifer Hedstrom (below top, in a photo by Dean Santarinala and conductor Matt Schlomer (below bottom, in a photo by Laura Zastrow). Scholmer, now at the Interlochen Academy, has previously worked at the UW-Madison and Edgewood College.

This FREE concert entitled “New Beginnings” features some early pieces of Steve Reich, a look towards the future with the world premiere performance of a new composition by Madison composer John Jeffrey Gibbens  entitled “Allhallows” (Prelude), and the unveiling of a new instrument, the quarimba.

Composer Gibbens (below, in a photo by Milt Leidman) wrote the following program notes:

“Allhallows (Prelude) for three Percussion is scored for Marimba supplemented by a second Marimba tuned a quarter-step flat, or Quarimba, Vibraphone, and seven tuned Gongs.  It was composed in July and August 2012 at the request of Clocks in Motion for performance in the fall of 2012.

“The title is an archaic synonym for the feast of All Saints on November 1, and for me evokes associations with the onset of winter in Wisconsin, including the commercial holiday of Halloween, the beginning of the new year in the Celtic calendar, the liturgical function of All Saints, elections, and Armistice, now Veterans’ Day.  These occasions address our sense of the closeness of uncanny events to everyday life.

“Each section of the Prelude is like a number in the program of an imaginary ceremony.  Each player gets an opportunity to address the crowd in a solo, before joining together and filing out.  I invented a nonsymmetrical pitch shape which in combination with the scoring goes beyond the limitations of both the equal tempered scale and its quarter-tone double.”

This program also features a unique composition written by Herbert Brun called “At Loose Ends.”  Written in 1974, this piece uses a large orchestra of percussion instruments including timpani, tuned cowbells, quarimba, xylophone, 12 snare drums, tam-tams, cymbals, piano, celesta, and chimes.  

With a passion for instrument building, the ensemble has constructed micro-tonal aluminium keyboards called sixxen for Xenakis’ “Pleiades” and continues to look for more opportunities to discover new expressive sounds within the percussion world.

Future concerts this season – all FREE –  by Clocks in Motion include (posters are by Dave Alcorn):

Saturday, Oct. 5, at 7 p.m.: Live at the Lobby of the Madison Museum of Contemporary Art in the Overture Center.

Sunday, Oct. 21, 2 p.m. in Mills Music Hall: George Crumb‘s “American Songbook VI: Voices from the Morning of the Earth.”  FEATURING vocal soloists Jamie Van Eyck (below top) and Paul Rowe (below bottom, in a photo by Katrin Talbot).

Saturday, Dec. 8, at 7 p.m. in Music Hall: “A Dream of Darkness” featuring the music of Karlheinz Stockhausen, Franco Donatoni, and a world premiere of a new piece by Filippo Santoro.

For a complete list of upcoming concerts, events, media, and detailed performer biographies, please visit clocksinmotionpercussion.com.

Here is a video previewing the upcoming season of Clocks in Motion:

 


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