The Well-Tempered Ear

Classical music: The Wisconsin Baroque Ensemble will explore vocal music of the 16th and 17th centuries this Sunday afternoon at a new venue -– Saint Andrew’s Episcopal Church. Plus, music for trumpet, cello and piano is featured at this week’s FREE Friday Noon Musicale at the First Unitarian Society.

October 15, 2014
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ALERT: This week’s FREE Friday Musicale, to be held from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, will feature “Triple Play” — trumpeter David Miller, cellist Amy Harr and pianist Jane Peckham in music of Eric Ewazon, William Schmidt, and Johannes Brahms. The concert is in the historic Landmark Auditorium.

FUS1jake

By Jacob Stockinger

The early music and period instrument group Wisconsin Baroque Ensemble will perform a concert of vocal and instrumental chamber music of largely the 16th and 17th centuries.

Wisconsin Baroque Ensemble composite

PLEASE NOTE: The concert will be performed at 3 p.m. on this Sunday, October 19, at Saint Andrew’s Episcopal Church  — That is a change of venue from the usual Gates of Heaven Synagogue in James Madison Park. The church is located at 1833 Regent Street, on Madison’s near west side across from Randall Elementary School.

St. Andrew's Episcopal Madison Front

Performers are UW-Madison professor soprano Mimmi Fulmer; mezzo-soprano Consuelo Sañudo; recorder and dulcian players Theresa Koenig; traverse, recorder and harpsichord player Monica Steger; viola da gamba and cornetto players Eric Miller; baroque cello player Anton TenWolde; and organist and harpsichord player Max Yount.

Wisconsin Baroque Ensemble 2014

Works by Scarani, Heinrich Schuetz, d’India, J.S. Bach, Bertoli, and Simpson will be featured.

Tickets at the door only: $20 for the general public, $10 for students.

For more information (608) 238-5126 or info@wisconsinbaroque.org, or visit www.wisconsinbaroque.org.

Here is the complete program: Prelude for Solo Viola da gamba by Monsieur de Sainte-Colombe (ca. 1640–1700); “Ancor che col partire” from “French Motets, Madrigals and Songs” by Giovanniu Bassano (ca. 1561-1617) viola da gamba solo; “Music for Two Voices” (1615) by Sigusmondo d’India (ca. 1582-1629); Sonata for Dulcian and Basso continuo by Giovanni Antonio Bertoli (1598-1645); Sonata XII for Traverse and basso continuo by Johan Helmich Roman (1694-1758); INTERMISSION; Sonata decima quarta a tre, duoi canti e basso by Giuseppe Scarani (1628–1641); Two Divisions for the Practice of Learners by Christopher Simpson (1606–1669); “Komm, du süsse Todesstunde” (Come, Sweet Hour of Death, the tenor aria from which can be heard at bottom in a YouTube video), from Cantata 161 by Johann Sebastian Bach (1685-1750); “Tugend ist der beste Freund,” SWV 442, by Heinrich Schütz (1585-1672).

 


Classical music: Two concerts of New Music and Early Music by three local groups will both take place on the Saturday of this very busy weekend.

April 9, 2014
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By Jacob Stockinger

This is a crazy busy weekend for classical music fans in Madison.

On Friday night at 8 p.m. in the Capitol Theater of the Overture Center, the Wisconsin Chamber Orchestra closing out its season with pianist Stewart Goodyear playing his own Piano Concerto and Ludwig van Beethoven’s “Choral” Fantasy (plus the “Eroica” Symphony) on Friday night.

On Friday night at 8 p.m. in Mills Hall is also the University of Iowa Center for New Music in a FREE concert.

Also on Friday night at 7:30 p.m. in Music Hall is the University Opera’s first of three performances of Hector Berlioz’ opera “Beatrice and Benedict.” It is the farewell production of director William Farlow, who is retiring this spring.

Then on Saturday at 3:30 p.m. in Morphy Hall is the University of Wisconsin-Madison School of Music’s Perlman Piano Trio, in a FREE concert of Franz Joseph Haydn, Franz Schubert and Antonin Dvorak. At 8 p.m. in Mills Hall is the UW-Madison Concert Choir and Chamber Orchestra performing Johann Sebastian Bach’s “St. John Passion” under conductor and director Beverly Taylor.

And on Sunday at 10 a.m. and 3 p.m. is the First Unitarian Society of Madison performing Gabriel Faure’s lovely and calming Requiem. Admission is FREE and open to the public. And the on Sunday evening at 7 p.m., the UW Chorale Concert, under Bruce Gladstone, will perform a FREE concert in Mills Hall.

BUT…

But two concerts on Saturday by smaller local groups presenting old music and new music should also not be overlooked.

On Saturday afternoon at 1 p.m. in Luther Memorial Church (below) at 1021 University Avenue, there is a FREE concert featuring new music by two local groups.

luther memorial church madison

“New Music Concert and Conversation” is FREE and OPEN TO THE PUBLIC and features new works for the percussion group Clocks in Motion (below top) and the woodwind quintet Black Marigold (below bottom) by student composers across the country. Two of the four winning composers will be in attendance to speak about their work and answer questions from the audience.

clocks in motion in concert

Immediately following the performance, Clocks in Motion and Black Marigold members will speak about the challenges and rewards of performing new music.

The New Music Concert is part of the 18th annual conference of the Midwest Graduate Music Consortium (MGMC), which will take place at UW-Madison on April 11 and 12. MGMC is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and UW-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate and advanced undergraduate students.

Details about the conference, including a full schedule and list of abstracts, can be found at the MGMC website. The conference includes papers by students from MGMC sister schools and institutions across the U.S. and Canada. Tamara Levitz, UCLA, will give a keynote lecture, “Riot at the Rite: Racial Exclusion and the Foundations of Musical Modernism.” Registration is FREE. Please send an email to kahiser@wisc.edu or mgmc2014conference@gmail.com if you plan to attend. (No registration is necessary for the New Music Concert).

The program includes:

Works for Clocks in Motion:

Kristina Warren, University of Virginia . . . Adelaide

Benjamin O’Brien, University of Florida . . . cadenceStudie

Works for Black Marigold (below):

Kenn McSperitt, University of Oklahoma . . . Eight  

Matthew R. Durrant, University of Utah . . . Quintet No. 2

Black Marigold

Then on Saturday night at 8 p.m. in the historic Gates of Heaven Synagogue (below), located at 300 East Gorham Street, in James Madison Park in downtown Madison, the Wisconsin Baroque Ensemble will perform a concert of vocal and instrumental early music on period instruments.

Wisconsin Baroque Ensemble composite

The program includes:

1.    Wilhelm Friedemann Bach – Duet No. 2 for two flutes in E-flat major, F. 55

2.    Jean Baptiste Barrière – Cello Sonata No. 3, Book 2

3.    Georg Philipp Telemann – Suite 1 from “Six Paris Quartets”

4.    Johann Friedrich Fasch – Sonata for bassoon and continuo in C major

INTERMISSION

5.    Benoit Guillement – Sonata No. 1 for two traversi

6.    Johann Sebastian Bach – “Die Schätzbarkeit der weiten Erde” from cantata BWV 204 (heard at the bottom in a YouTube video featuring violinist Itzhak Perlman and soprano Kathleen Battle.)

7.    Carl Friedrich Abel – Sonata a viola da gamba solo et basso, WKO 160.

8.    Johann Christian Bach – Quartetto for traverso, violin, viola, and bass.

9.    Joseph Bodin de Boismortier – Concerto a cing parties, from Op.37.

Tickets are available only at the door. Admission is $15, $10 for students. Feel free to bring your own chair or pillow. For more information, call (608) 238-5126 or visit www.wisconsinbaroque.org.

Madison Baroque Ensemble

Members of the Wisconsin Barqoue Ensemble are: Theresa Koenig – baroque bassoon; Brett Lipshutz – traverse; Mary Perkinson – baroque violin; Consuelo Sañudo – mezzo-soprano; Monica Steger – traverse; Eric Miller – viola da gamba, baroque cello; Anton TenWolde – baroque cello; and Max Yount – harpsichord.

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Classical music: The Wisconsin Baroque Ensemble will perform instrumental and vocal early music by Vivaldi, Telemann, Monteverdi and other composers this Sunday afternoon.

February 6, 2014
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By Jacob Stockinger

The Wisconsin Baroque Ensemble, the early music group based in Madison, will perform a concert of instrumental and vocal chamber music on Sunday, February 9, at 3 p.m. in the historic Gates of Heaven Synagogue (below), 300 East Gorham Street, in James Madison Park in downtown Madison.

Gates of Heaven

Performers in the Wisconsin Baroque Ensemble include:  University of Wisconsin-Madison Mimmi Fulmer, soprano; Consuelo Sañudo, mezzo-soprano; Theresa Koenig, recorder and baroque bassoon; Brett Lipshutz, traverse and recorder; Mary Perkinson, baroque violin; Monica Steger, traverse and recorder; Eric Miller, viola da gamba and baroque cello; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

Wisconsin Baroque Ensemble composite

Tickets at the door only are $15 ($10 for students). Feel free to bring your own chair or pillow. For more information 608-238-5126 or visit www.wisconsinbaroque.org

The program consists of:

1.    Louis-Antoine Dornel – Sonate en Quattuor

2.    Claudio Monteverdi – “Lamento d’Arianna

3.    Johann Mattheson – Sonata for three recorders, Opus 1, No. 5

4.    Georg Philipp Telemann – Sonata 1 from “Six Quatuors” (Paris Quartets) TWV42:A1

INTERMISSION

5.    Sigismondo d’India – “Dove potro”

“Chi nudrisce”

6.    Michel Corette – Sonata in E minor, Opus 25, No. 4: “Les Amusements D’Appollon Chez Le Roi Admete”

7.    Antonio Vivaldi – “Pianti, sospiri”, RV 676

8.    Joseph Bodin de Boismortier – “Balets de Village en Trio,” Opus 52, No. 1

 

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Classical music: The early music group Eliza’s Toyes celebrates winter this weekend with two performances of Medieval and Renaissance British vocal music.

January 14, 2014
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By Jacob Stockinger

The Madison-based early music group Eliza’s Toyes (below) will be performing British sacred choral music from the Medieval and Renaissance eras in two performances – one FREE and one with admission — this coming weekend.

Eliza's Toyes 2012 1

Here is a press release from the group:

“Titled “A British Winter,” the performances will take place on Saturday, Jan. 18, at 7:30 p.m. at the Chocolaterian Café, 2004 Atwood Ave.; and again on Sunday, Jan. 19, at 4 p.m. at the historic Gates of Heaven Synagogue (below), 302 East Gorham Street in James Madison Park.

Admission is free on Saturday at the Chocolaterian; tickets are $15 ($10 for students) on Sunday, sold at the door.

For more information about the concert, please visit the website of Eliza’s Toyes at toyes.info, or its Facebook page at facebook.com/elizastoyes.

Gates of Heaven

In this program, Eliza’s Toyes revisits its founding mission of a cappella early music. The musicians who will perform are sopranos Deb Heilert and Chelsie Propst; Sandy Erickson, alto; Peter Gruett, alto/tenor; Jerry Hui (below), tenor/bass; and Mark Werner, baritone.

Jerry Hui

A vocal sextet will perform music with Latin and English text composed by William Byrd, Robert Fayrfax, Peter Phillips, Thomas Tallis, Thomas Tomkins, and Christopher Tye. A few anonymous pieces likely of British origin are also included.

The choice of composers spans at least 200 years, and highlights the development of polyphonic British music. Tallis (below) in his early age took works of Fayrfax as a model for his own Latin sacred music; Byrd studied with and worked for Tallis; and both Tomkins and Philips were students of Byrd’s.

Thomas Tallis

Here is the complete program of “A British Winter”:

Anon.: Regina caeli (chant)

Anon.: Regina caeli à 3

William Byrd (1540-1623): Memento salutis auctor

Byrd: O magnum mysterium (sung in a YouTube video at the bottom)

Robert Fayrfax (1464-1521): Magnificat “O bone Jesu”

Peter Philips (1560-1628): O beatum et sacrosanctum Diem (1612)

Thomas Tallis (1505-1585): O sacrum convivium (1575)

Christopher Tye (1505-1573): A sound of angels

Tallis: O nata lux (1575)

Thomas Tomkins (1572-1656): Music Divine (1622)

Anon.: Tidings True

Anon.: There is no rose

Byrd: Sing Joyfully (1641)

Among the selection of music is a rarely heard piece, Magnificat “O bone Jesu” by Fayrfax. Likely composed around 1500-1502, it is a setting of Magnificat text whose musical material is based on Fayrfax’s own motet (survived only in fragments). The piece is a fine example of English choral music of its time: polyphonic settings are only written for the even verses, while the odd verses remain as plainchant; and much of the piece features a trio texture, with intricate rhythmic interactions among voices.

Eliza’s Toyes is a Madison-based early music ensemble specialized in performing vocal and wind music from before 1700. Its creative concert programs often feature geographical or narrative themes, partnering with both music and non-music academic fields. Now in its fifth season, Eliza’s Toyes has been performing at least twice a year, in various venues including UW-Madison Memorial Library, the Chazen Museum of Art, and the Gates of Heaven. It has also been featured on Wisconsin Public Radio’s “Sunday Afternoon Live from the Chazen” concert series.

https://www.youtube.com/watch?v=50zLXx1jxhg

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Classical music: It’s Homecoming Weekend at the UW-Madison. But the classical music scenes doesn’t miss a beat. The Wisconsin Baroque Ensemble performs the music of Telemann, Monteverdi and Corelli plus other less well-known composers on Saturday night. Plus, the Wisconsin Chamber Orchestra opens its new season tonight at 8 with the Britten “Apollo” and Saint-Saens’ “Egyptian” Piano Concerto No. 5 plus Beethoven’s Fifth Symphony – the best of all Fight Songs for Homecoming football

October 11, 2013
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A REMINDER: Going up against both the start of the Madison Symphony Orchestra’s organ series and the University of Wisconsin-Madison Homecoming Weekend won’t be easy. But the Wisconsin Chamber Orchestra shouldn’t be forgotten or dismissed. The WCO opens its new season tonight at 8 p.m in the Overture Center’s Capitol Theater.

On the program, under the baton of the WCO’s longtime  music director Andrew Sewell and with guest piano soloist and synesthesiac Bryan Wallick (below and in the link to my Q&A) in his Madison debut, are Benjamin Britten’s “Apollo” and Camille Saint-Saens’ “Egyptian” Piano Concerto No. 5 plus Ludwig van Beethoven’s iconic Fifth Symphony –- the best of all possible classical Fight Songs for the University of Wisconsin-Madison’s Homecoming weekend (as you can hear in the popular YouTube video with over 17 million hits at the bottom). Talk about winners!

http://welltempered.wordpress.com/2013/10/08/classical-music-qa-american-pianist-bryan-wallick-talks-his-synesthesia-and-about-his-season-opening-concert-this-friday-with-the-wisconsin-chamber-orchestra-under-andrew-sewell/

Bryan Wallick mug

By Jacob Stockinger

It is Homecoming Weekend at the University of Wisconsin-Madison!!!

That mean Badger football and beer, and social gatherings and beer, and dinners out and beer.

But it also means some fine classical music.

The Wisconsin Baroque Ensemble (below top) opens its new season tomorrow night, Saturday, October 12, at 8 p.m. in the historic Gates of Heaven Synagogue (below bottom) at 300 East Gorham Street, in James Madison Park in downtown Madison on the shore of Lake Mendota.

Wisconsin Baroque Ensemble composite

Gates of Heaven

Tickets at the door are $15 ($10 for students). Feel free to bring your own chair or pillow to soften hard wooden pews.

For more information 608 238-5126 or visit www.wisconsinbaropque.org

Performers includes: UW School of Music alumnus Gerrod Pagenkopf, countertenor; UW professor Mimmi Fulmer, soprano; Consuelo Sañudo, mezzo-soprano; Theresa Koenig, recorder; Monica Steger, traverso, recorder; Brett Lipshutz, traverse; Eric Miller, viola da gamba; Anton TenWolde, baroque cello; and Max Yount, harpsichord and organ

Gerrod Pagenkopf

The program includes: Trio Sonata from “Tafelmusik,” TWV 42 DS, by Georg Philipp Telemann (1681-1767); Two madrigals, “La giovinetta pianta” and “Vattene pur crudel” (both form Book 3) by Claudio Monteverdi (below, 1567–1643); the Sonata No. 2, Op. 2, by Benoît Guillemant (1746-1757); Three Madrigals from Claudio Monteverdi, “Occhi un tempo” (book 3), “Poi che del mio dolore (book 1), and “Lumi miei cari” (book 3); the Airs et Brunettes by Jacques-Martin Hotteterre (1674-1763); Sonata No. 3 for Recorder and Basso Continuo by Arcangelo Corelli; and “La Calisto,” Act 2, Scenes 1 and 2 by  Francesco Cavalli (1602 –1676).


Classical music: A vocal concert this Saturday night and Sunday afternoon by the early music group Eliza’s Toyes will explore the world of 17th century Venice. Plus, the Wisconsin Gazette compares the Madison Opera’s production of Mozart’s “Don Giovanni” this weekend with “The Marriage of Figaro” in Milwaukee in May.

April 25, 2013
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ALERT: In the latest issue of Wisconsin Gazette, Madison arts writer Mike Muckian, with some help from The Ear, has written a contrast-and-compare story about two of Mozart’s finest operas:  “Don Giovanni” and “The Marriage of Figaro.” The first is being staged this weekend in Madison by the Madison Opera, and the second in May in Milwaukee by the Florentine Opera. Kathryn Smith, the general director of the Madison Opera, discusses her production of “Don Giovanni” — which she calls her favorite opera. (Below is a rehearsal photo by James Gill from a rehearsal of Madison Opera’s “Don Giovanni.”) Performances are this weekend in Overture Hall on Friday night at 8 p.m. and Sunday afternoon at 2:30 p.m. Here are links, first to the story and then to the Madison Opera’s website with information about the opera, the production and tickets:

http://www.wisconsingazette.com/music/dueling-mozartsbreaktwo-operas-show-contrasting-sides-of-the-master.html

http://www.madisonopera.org/performances-2012-2013/don_giovanni/

madison opera don giovanni 1 James Gill

By Jacob Stockinger 

Today’s posting is by guest blogger Jerry Hui (below).

Jerry Hui

Few young musicians in Madison, or anywhere for that matter, are as talented or as diverse in their interests as Jerry Hui. He directs and sings in an early music vocal group Eliza’s Toyes and also sings with the Madison Bach Musicians. He is a founding member and director of New MUSE (New Music Everywhere), a University of Wisconsin-Madison student group that performs and promotes new music and stages flash mobs. And he is a composer who wrote and produced an Internet opera, “Wired For Love,” as his doctoral thesis at the UW School of Music. He also incorporates the more modern aesthetic of using art to promote social progress.

For more information about Jerry Hui, visit: http://jerryhui.com

Jerry recently offered to write a preview of the concert by Eliza’s Toyes this weekend – an offer too good to refuse. Here is it, complete with links to YouTube videos so you can sample much of the repertoire:

By Jerry Hui

This weekend, the Madison-based early music group Eliza’s Toyes (below) will be presenting a new and ambitious early music concert that will showcase secular music by various composers from Venice of the early 17th century, all tied together in dance and semi-improvisatory comedy theater, in a program titled “Casino Royale: A Venetian Music-Comedy.”

Eliza's Toyes 2012 1

Two performances will take place on the same weekend: On this Saturday, April 27, at 7:30 p.m. at the historic Gates of Heaven Synagogue (below) in downtown Madison at James Madison Park, 302 East Gorham Street; tickets at the door are $15 for the public, $10 for students); and the on Sunday, April 28, at 4 p.m. at the Chocolaterian Café, 2004 Atwood Ave.; free admission, with donations accepted accepted).

Gates of Heaven

Venice (below, in a map from the 17th century) was a thriving city-state. Its unique geographical location in the Mediterranean guaranteed its success from maritime trade, and the wealth that was bestowed upon countless merchants.

Map of 17th century Venice

As the capital city of the Republic of Venice — a state so prosperous that it was known as La Serenissima (“the most serene”) — Venice was well-known for its treasures and splendors. Naturally, this city of riches would attract people from all walks of life: merchants, bankers, aristocrats, artists, craftsmen, thieves and gamblers.

Gambling is an ancient activity as old as human history. Some civilizations, like the Romans, permitted social gambling during holidays and festivities, and otherwise forbade it. But who was to forbid what many desired? More than a friendly diversion, it could be a shortcut to luxury, a chance to change, an opportunity to enter the highest of society. (Below is a painting by Caravaggio portraying a dishonest card game.)

Caravaggio Cardsharps

Venice, being the city of all things sumptuous, was among the first in Europe to be swept by the popularity of playing cards and lottery. Dice games were played on the squares, in street corners, in stores, and in private homes. Noblemen, even when gambling was explicitly banned, ran games in their private spaces, known as the “ridotti” (from ridurre, meaning to reduce, close or make private).

In 1638, after decades of inability to rein in the betting, the Venetian Great Council finally chose a creative solution. Not only would they legalize gambling, they would also open the Ridotto: the first legal, state-sanctioned public gambling house ever in Europe.

Our program draws its inspiration from the opening of Ridotto. All musical pieces were written by composers working in Venice in the first few decades of the 17th century, including: Ippolito Baccusi, Giovanni Gabrieli, Claudio Monteverdi, Giovanni Antonio Rigatti, Salamone Rossi and Marco Uccellini.

We are performing two pieces from Monteverdi’s Eighth Book of Madrigals, subtitled the “Madrigals of War and Love,” published in 1638:  “Non partir ritrosetta” (http://youtu.be/C31WBUOax3M) is a passionate trio, imploring a lover to stay. “Dolcissimo uscignolo” (http://youtu.be/njOBmL1DBCM), on the other hand, is an introspective lament of unrequited love.

Monteverdi 2

Giovanni Gabrieli (below), the composer and famous organist of San Marco, needs no introduction. However, our selection comes not from his more frequently performed sacred music. Instead, we chose his lesser-known secular madrigals. “Quand’io ego giovinetta” is a funny story about an old man’s misadventure in love. “O che felice giorno” (http://youtu.be/khXVHY7k3No?t=7m20s) depicts a celebratory wedding party, written with splendid double-choir counterpoint that is more common in his sacred music.

Giovanni Gabrieli

Many pieces in our program are by Salamone Rossi, a Jewish-Italian composer and violinist. (Below is a score by Rossi from Venice, the same city where Shakespeare set “The Merchant of Venice” with it theme of how Jews were treated in Renaissance Italy.) Whereas music history classes often bring up his unusual polyphonic setting of Song of Solomon in Hebrew, we will showcase many of his short madrigals written for 2-3 voices (such as “Volò ne tuoi begli’occhi” http://youtu.be/0MkUOVuWWvw). His instrumental pieces are playful and fiery; we’ll be playing many of his dances and sonatas, such as this “Gagliarda detta la Turca” (http://www.youtube.com/watch?v=CrkWHxpvibw&feature=share&list=PL9CECBC6113A4F7F9), or “Sonata settima sopra ‘Aria di un Baletto” (http://youtu.be/3jpNlwJTb7M).

salomone rossi score

In addition, we are venturing into the uncharted area of comic theater: all the music is tied together in a skit, semi-improvised in the Italian street-performance tradition of commedia dell’arte (below).

commedia dell'arte cast

In this style, drama is driven by stock characters in masks: Pantalone the miser; Il Dottore the know-it-all; Harlequin the deviant servant; the young lovers and so on. Our scene takes place in one of the ridotti of Venice. Come to our concerts, and join them in their wild and funny adventures through music, comedy, and dance!

Eliza’s Toyes (below) is a small ensemble of singers and instrumentalists focusing on sharing the joy of early music in unusual and creative programs.

Eliza's Toyes 2012 2

Started as an ad-hoc group during Madison Early Music Festival (http://madisonearlymusic.org), Toyes has recently performed at Wisconsin Public Radio’s  “Sunday Afternoon Live From the Chazen” series, and is now in its fifth season as a regular performance ensemble.

The musicians include: Deb Heilert (soprano); Chelsie Propst (soprano; as “Isabella” in this production); Sandy Erickson (alto, recorder); Peter Gruett (alto/tenor; as “Il Dottore”); Jerry Hui (director, tenor/bass, recorder; as “Ottavio”); Mark Werner (bass; as “Pantalone”); Melanie Kathan (recorder; as “Harlequin”); Doug Towne (lute/theorbo); and Eric Miller (viol).

For more information, visit: http://toyes.info


Classical music: April is jam packed with classical music — and this weekend is no exception for chamber music, brass music, baroque vocal and instrumental music, plus piano trios and string trios.

April 10, 2013
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By Jacob Stockinger

In “The Wasteland,” poet T.S. Eliot wrote that “April is the cruelest month.”

Well, for classical  music-lovers, the cruelty lies in the abundance of riches. It is hard to keep up with it all this month, or even this week.

I have already posted some big events. But there are other concerts to attend – almost all FREE — especially at the UW-Madison School of Music.

Here is a round-up of ones I haven’t yet covered:

FRIDAY

The weekly FREE Friday Noon Musicale Friday from noon to 1:15 p.m. at the First Unitarian Society Meeting House, 900 University Bay Drive, features Mozart’s Divertimento in E-flat, K. 563, with Eugene Purdue, violin (below); Rami Solomonow, viola; and Tom Rosenberg, cello.

Eugene Purdue 1 Thomas C. Stringfellow

SATURDAY

Saturday from noon to 1 p.m. in Grace Episcopal Church (below), “Grace Presents” will offer a FREE concert featuring the Madison-based wind quintet “Black Marigold.”

The program will feature excerpts from the program for the three Spring concert dates: Anton Reicha’s Quintet in E-flat, Op. 88, No. 2; Robert Muczynski’s Quintet for Winds; György Ligeti’s Six Bagatelles; and Bill Douglas’ “Suite Cantabile.”

MBM Grace altar

For the Madison dates (April 13 at Grace Episcopal and Friday, April 19, the FREE Noon Musicale from 12:15 to 1 p.m. at the First Unitarian Society, 900 University Bay Drive) the group will be selecting from this program. For the Platteville concert at 7:30 p.m. on April 22 at the UW-Platteville, the program will be performed in its entirety. The Overture EngAGES programs are still To Be Determined but the dates are May 15 at Madison Senior Center at 1:30 p.m.; May 16 at Attic Angels West at 10 a.m.; and May 17 at Oakwood Village West, 7 p.m. 

Members of Black Marigold are Elizabeth Marshall, flute; Laura Medsiky, oboe; Bethany Schultz, clarinet; Kia Karlen, horn; and Cynthia Cameron Fix, bassoon.

Find more information at www.blackmarigold.com

Black Marigold 2

On Saturday night at 8 p.m. in Mills Hall, the UW Concert Choir (below), under Beverly Taylor and her assistant Brian Gurley, will present its Spring Concert. Admission is FREE. 

The concert will include a motet group of works by Philips, Mouton, Bruckner and Vulpius,  a group of Debussy works, Britten works, Poulenc works and a mixture of Americana including works by Barber, Copland, and folksong arrangements.

The top-tier choir of 45 members sings a variety of primarily a cappella choral literature from all eras. Singers in Concert Choir have significant vocal and choral experience, as well as high sight reading ability, and many are voice majors. In late May, the group will embark on a performance tour of France.

Concert Choir

The Wisconsin Baroque Ensemble will close out its current season this Saturday night at 8 p.m. in the historic Gates of Heaven Synagogue (below) in James Madison Park, 300 East Gorham St., in downtown Madison.

The program features music of the 17th and 18th centuries, specifically Baroque vocal and instrumental chamber music.

Tickets are at the door only: $15 for the public, $10 for students.

Gates of Heaven

The musicians in the Wisconsin Baroque Ensemble (below) are: Eric Miller – viola da gamba, cello; Chelsie Propst – soprano; Monica Steger – harpsichord; Anton TenWolde – cello, viola da gamba.

The program includes selections from “Pieces de Viole,  Book 2” by Main Marais; “Dulcis amor” by Isabella Leonarda; Sinata in E minor for cello and basso continuo by Giovanni Battista Bononcini; “Susanne” by Elisabeth-Claude Jacquet de la Guerre;

Madison: “Canzon prima a 2 bassi” by Giralamo Frescobaldi; and “L’Astratto” by Barbara Strozzi.

For more information, call (608) 238-5126 or visit

www.wisconsinbaroque.org

Wisconsin Baroque Ensemble composite

SUNDAY

This week’s “Sunday Afternoon Live from the Chazen” – broadcast live by Wisconsin Public Radio from 12:30 to 2 p.m. from Brittingham Gallery 3 of the Chazen Museum of Art — features the Wisconsin Brass Quintet (below), which is celebrating its 40th anniversary as artists in residence at the UW-Madison.

The program includes Gesualdo’s Suite of Madrigals, arranged by Mark Hetzler; John Harbison’s “Magnum Mysterium”; Macmillan’s “Adam’s Rib”; and Daniel Grabois’ “Grabois: Gravilord.”

Wisconsin Brass Quintet Cr Katrin Talbot

Founded in 1972, the Wisconsin Brass Quintet is a faculty ensemble-in-residence at the University of Wisconsin–Madison School of Music.

The quintet’s musical expertise has been acknowledged by Verne Reynolds, Jan Bach, Karel Husa, John Harbison, Daron Hagen and many other composers.

In addition to performing with the WBQ, the players have also been members of the American Brass Quintet, Empire Brass Quintet and Meridian Arts Ensemble.

Quintet members John Stevens and Daniel Grabois and former member Douglas Hill have also composed many works for the group.

With extensive performances throughout the Midwest and nationally, including appearances at New York’s Carnegie Recital Hall and Merkin Concert Hall, the quintet’s educational programs and master classes have been presented in such prestigious settings as The Juilliard School and the Yale School of Music.

Members of the Chazen Museum of Art or Wisconsin Public Radio can reserve seats for Sunday Afternoon Live performances. Seating is limited.

All reservations must be made Monday through Friday before the concert and claimed by 12:20 p.m. on the day of the performance. For reservations or membership information contact the Chazen Museum at (608) 263-2246.

A reception will follow the performance with coffee, tea, and treats donated by local businesses. Donors this semester include Fresh Madison Market, Steep & Brew and the University Club.

A free docent-led tour in the Chazen galleries begins every Sunday at 2 p.m.

SAL3

On Sunday night at 7:30 p.m. in Mills Hall, the Trio Antigo will present a FREE concert of music by Shostakovich and Mendelssohn.

This trio (below) is comprised of cellist Stefan Kartman of UW-Milwaukee; Felicia Moye, UW-Madison Professor of Violin; and pianist Jeannie Yu.

(Note: Kartman and Moye also will present a master class on Saturday at 3 p.m. in Humanities Building, Room 1341.)

The program will include Piano Trio, Op. 67 by Dmitri Shostakovich and Priano Trio in C minor, Op. 66 by Felix Mendelssohn. (A sample of the beautiful Mendelssohn trio performed by cellist Yo-Yo Ma, violinist Itzhak Perlman and pianist Emanuel Ax can be heard in the YouTube video below.)

Trio Antigo

This concert is part of a reciprocal residency between UW-Madison and UW-Milwaukee, funded in part by a Bolz grant for Faculty Research. The trio will be in residence at UW-M April 19-21, and will present a concert at the Peck School of the Arts on April 21.

The trio also received a Dane Arts grant to present outreach concerts in Dane County, which will be taking place on April 27 and 28. In fact, the April 28 concert will be a fundraiser to benefit local nonprofit Music Con Brio, Inc., which provides high-quality, low-cost music lessons to underprivileged children on Madison’s East Side.

Felicia Moye (below) is currently Professor of Violin at the University of Wisconsin-Madison and a member of Trio Antigo. She has also served as Professor of Violin at The Glenn Gould School of The Royal Conservatory of Music in Canada, the University of Oklahoma, the New World School of the Arts in Miami, Florida and the pre-college division of The Juilliard School as Ivan Galamian and Margaret Pardee’s assistant.

Felicia Moye color

Stefan Kartman (below) has served on the faculties of Drake University, Illinois Wesleyan University and Rutgers University, and is currently Associate Professor of Cello and Chamber Music at the University of Wisconsin-Milwaukee.

Here is a link to his site:

http://stefankartman.com/Stefan_Kartman_Website/Concert_Schedule.html

Stefan Kartman cello

Pianist Jeannie Yu was awarded first prize in the Frinna Awerbuch Piano Competition in New York, the Flint Symphony International Concerto Competition, the Portland Symphony International Concerto Competition, and the Kingsville Piano Competition in Texas. She also earned the prestigious Gina Bachauer Memorial Scholarship Award, a full scholarship for the master’s degree program at The Juilliard School of Music where she also received the bachelor’s degree. Subsequently she was awarded an accompanist fellowship at the Peabody Conservatory of Music where she received her Doctor of Musical Arts Degree.


Classical music: The period-instrument, early music ensemble Wisconsin Baroque Ensemble will give two performances of 17th and 18th century chamber music this weekend.

November 23, 2012
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By Jacob Stockinger

The period-instrument, early music ensemble Wisconsin Baroque Ensemble (below) will give two performances of 17th and 18th century chamber music this weekend.

The program includes music by Vivaldi, Bon, Telemann, Schenck, Monteverdi and Strozzi.

Performances are this Saturday, November 24, at 8 p.m. with repeat performance on Sunday, November 25, at 3 p.m. at the historic landmark Gates of Heaven Synagogue (below), 300 East Gorham Street, in downtown Madison.

Tickets at the door only: $15 for the public, $10 for students.

Feel free to bring your own chair or pillow.

Performers (below) are Consuelo Sañudo, mezzo-soprano; Monica Steger, traverse flute; Eric Miller, viola da gamba and cello; Anton TenWolde, cello and viola da gamba; and Max Yount, harpsichord.

For more information, call (608) 238-5126 or email info@wisconsinbaroque.org  or visit www.wisconsinbaroque.org.


Classical music: Gustavo Dudamel conducts Mahler’s 8th for “LA Phil Live in HD” on Saturday; and the Wisconsin Baroque Ensemble continues its long tradition of championing early music in the Madison area.

February 17, 2012
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Alert: Gustavo meets Gustav again this Saturday at 4 p.m. at the Eastgate and Point Cinemas, when the “LA Phil Live in HD” broadcast features the 31-year-old superstar conductor Gustavo Dudamel (below) with the combined Simon Bolivar Youth Orchestra in Venezuela and the Los Angeles Philharmonic, plus soloists and choirs,  performing Gustav Mahler‘s famous Symphony No. 8, the “Symphony of a Thousand.” Tickets are $20 for adults, $16 for children. For information, here is a link to a New York TImes story: http://www.nytimes.com/2012/02/15/arts/music/gustavo-dudamel-and-los-angeles-philharmonic-hailed-in-caracas.html?pagewanted=all

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show every other Sunday morning on WORT 88.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

By John W. Barker

The Wisconsin Baroque Ensemble (below) has established such high standards of programming and performance that it is easy to take them for granted.

But their mid-season concert at The Gates of Heaven on last Sunday afternoon, Feb. 12, in the historic Gates of Heaven Synagogue (below) in James Madison Park was another opportunity to appreciate what musical riches they bring to us.

The program was a typical mixture of genres and national styles.

Two works for low stringed instruments provided focal points. One was played adroitly by Anton TenWolde (below, front left): an early example of a cello sonata, by the late-17th century Bolognese master Domenico Gabrielli (no relation to the Venetian Gabrielis: note difference in spelling!). The other was the third of Bach’s sonatas for viola da gamba, given a bracing reading by Eric Miller.

On the vocal side, soprano Mimmi Fulmer and mezzo-soprano Consuelo Sañudo (below) joined in two examples of the small-scaled sacred pieces (with German texts) by Heinrich Schütz, with both blending of, and contrast between, their fine voices. Later, they took turns at the verses making up one of Lalande’s settings of the Latin Lamentations for Good Friday, powerfully emotional expressions of sacred anguish.

Climaxing each of the program’s two halves were demanding chamber works.

From François Couperin, one of the concerts from his set of Les Goûts-réunis (“The Tastes Reconciled”), endeavoring to reconcile the Italian style of Corelli with the French mode of ensemble writing. Violinist Edith Hines (below) had ample opportunity to shine in its eight contrasting movements.

And, as a grand finale, all the instrumentalists joined together (with harpsichordist Max Yount (below), the anchor throughout the entire program) for Marin Marais‘s extravagant fantasy on bell-pealing, the “Sonnerie de Sainte Geneviève du Mont” (at bottom) wherein Hines and Miller brought further virtuosity to bear.

The Wisconsin Baroque Ensemble was, from 1990, the pioneer regional group devoted to exploring early music and historical performance practices.

Its survival this long is one of the demonstrations of Madison’s exciting yet mature nurturing of literature beyond the conventional. We continue to be in the WBE’s debt.


Classical music: It’s time to catch up on obituaries for early music pioneer Gustav Leonhardt; African-American opera pioneer Camilla Williams; and left-handed Finnish conductor Paavo Berglund.

February 11, 2012
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An alert: This Sunday at 3 p.m. at the historic Gates of Heaven Synagogue in James Madison Park, in downtown Madison, the Wisconsin Baroque Ensemble (below) will perform 17th and 18th century music on authentic period instruments, The program features works by Schutz, Gabrielli, Couperin, J.S. Bach, Lalande and Marin Marais. Tickets are $15 at the door. For more information including future concert dates, visit www.wisconsinbaroque.org

By Jacob Stockinger

We’re not long into the new year and already there have been some important deaths in the classical music world that are worthy taking note of.

One of those deaths – that of the controversial pianist Alexis Weissenberg (below) – I covered somewhat in depth and with personal comments.

Here is a link:

http://welltempered.wordpress.com/?s=Weissenberg

But I have to admit I have some catching to do, largely to devoting blogs to other topics, including the sudden burst of concerts and events at the beginning of the concert season’s second half after its winter holiday intermission.

Perhaps the most important death was that of the Dutch harpsichordist and early music pioneer Gustav Leonhardt (below).

Leonhardt was an important and curious figure who once wore wig to play the part of J.S. Bach in a movie (at bottom).

I had a friend who referred to him, jokingly but with affection, as “machine-gun fingers Gus.”

And it is true that Leonhardt was a terrifically virtuosic keyboard artist with unbelievable facility when it came to playing solo or in an ensemble. And he obviously learned fast, mastering a lot of music. An Amazon.com search reveals some 320 CDs with him that are available. Clearly, he was as prolific as he has good.

Still, there was an element of truth to the jest. Leonhardt, who certainly helped train many of the major figures today in the revival of early music and historically informed performance practices, seemed in his own music-making stiffer, stricter, more severe and less expressive that later generations, who have emphasized the musical and emotional content of the music over the questions of authentic instruments and period technique.

But no one can doubt that Gustav Leonhardt was a giant.

That comes across in the obituaries, and there were many. Here are two of the best:

http://www.guardian.co.uk/music/2012/jan/17/gustav-leonhardt

http://www.nytimes.com/2012/01/18/arts/music/gustav-leonhardt-harpsichordist-dies-at-83.html?scp=2&sq=leonhardt&st=cse

Speaking of pioneers, here is an obituary that is especially timely considering that February is Black History Month in the U.S.

Camilla Williams is not as famous as Marion Anderson, Leontyne Price, Shirley Verrett or Jessaye Norman. But she set the stage for them by being the first African-American singer to secure a contract, in 1946, from an American opera company.

http://www.classical-music.com/news/camilla-williams-1919-2012

Another loss is that of the widely admired Finnish conductor Paavo Berglund, who was known for conducting left-handed (and playing the violin left-handed) as well as championing the music of his fellow countryman Jean Sibelius:

http://www.gramophone.co.uk/classical-music-news/conductor-paavo-berglund-dies-at-82


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