By Jacob Stockinger
This is not a happy time for many symphony orchestras around the country.
They face budget deficits, declining endowment, curtailed seasons, labor strife and lower attendance.
Here are some links to follow — especially to stories about the famed, world-class Cleveland Symphony (below) . They make you realize how relatively healthy things seem in Madison’s classical music scene:
http://www.nytimes.com/2010/01/19/arts/music/20orchestra.html
But before the Cleveland Orchestra strike was settled, a good piece with a lot of ominous background and context appeared:
http://www.nytimes.com/2010/01/19/arts/music/19orchestra.html
On a more personal or human note, longtime conductor Seiji Ozawa has cancer:
http://en.wikipedia.org/wiki/Seiji_Ozawa
http://www.nytimes.com/2010/01/08/arts/music/08ozawa.html
http://search.japantimes.co.jp/cgi-bin/nn20100108a2.html
And despite a burgeoning population in the Southwest, the Tucson Symphony faces cutbacks:
http://azstarnet.com/news/article_4117392c-68fc-5cd6-ac27-6c2dbc27a58d.html
Here’s a link the artsjournal web site, which has other stories about orchestras going bankrupt — the Honolulu Symphony (below) and others:
http://www.artsjournal.com/music.shtml
What do you think of the financial and attendance problems of symphony orchestras?
Do you know of other problems at other symphony orchestras?
What is a solution?
Should they turn to more contemporary program?
Or should they go back to basics — like Beethoven’s Fifth Symphony — to reach a new audience that hasn’t been educated into liking classical music?
The Ear wants to hear.