The Well-Tempered Ear

Classical music news: How much do top symphony orchestra CEO’s get paid? Is ASCAP biased in favor of describing member composers as “adventurous”? The New York Philharmonic cancels summer parks concerts. And how do you write down sounds?

June 18, 2011
3 Comments

By Jacob Stockinger

I admit it. The news roundup today is a mish-mash with some gossip appeal for trivia fans.

If there is a common thread, it is probably the way summer affects classical music and how one’s attention towards away from repertoire and regular season concerts to other matters, including public service and money.

ITEM: Art is business too, and leading a big symphony orchestra can be like leading a Fortune 500 company. So, how much do some orchestra CEOs like the Los Angeles Philharmonic‘s Deborah Borda (below, who leads the list, I suspect, for landing Gustavo Dudamel) – NOT the “maestro” conductors or music directors – make? Wanna find out? Be sure to click on the second page at the bottom:

http://articles.philly.com/2011-06-09/news/29638733_1_allison-b-vulgamore-james-undercofler-orchestra-ceo

ITEM: Is there any connection between the top paid CEOs of orchestras and groups and their programming “successes” as pioneers? Which individuals and groups won ASCAP’s (the American Society of Composers and Publishers) awards for adventurous programming? And what is “adventurous programming”? Could it be for groups that programmed contemporary composers that ASCAP might represent? Take a look for yourself and decide:

http://www.ascap.com/press/2011/0609_AdventurousProgramming.aspx?rss=1

ITEM: Hot town, summer in the city! The New York Philharmonic (below) has canceled Concerts in the Parks for this summer. Makes you appreciate your own local orchestras and groups that will perform outdoors in the hot weather:

http://blogs.wsj.com/speakeasy/2011/06/07/new-york-philharmonic-cancels-park-performances/

ITEM: But there is more to the indoors story: The New York Philharmonic, under its director Alan Gilbert, will record the complete cycle of symphonies by Danish composer Carl Nielsen (below), even though it is NOT for a major label:

http://www.gramophone.co.uk/classical-music-news/new-york-phil-to-record-nielsen-cycle-for-dacapo

ITEM: Want to celebrate the 100th anniversary of “Petroushka” and the legacy of modernist pioneer Igor Stravinsky (below):

http://www.npr.org/blogs/deceptivecadence/2011/06/13/137154534/stravinskys-petrushka-at-100-a-composer-finds-his-voice

ITEM: There are more kinds of music notation than you might imagine (below, an autograph of Schubert‘s song cycle “Winterreise”):

http://www.npr.org/blogs/deceptivecadence/2011/06/14/136822623/music-to-be-heard-and-seen

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Posted in Classical music

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