By Jacob Stockinger
The media world today keeps getting, as Lewis Carroll might say, curiouser and curiouser.
Many authors now are self-publishing their first efforts because electronic books, or e-books, make it easier than ever to do so. And if the e-books sell well enough, old-fashioned publishers pick up the rights to make them into real old-fashioned cloth-and-paper printed books.
But one of the ironies is that the process also works in reverse.
Many creative talents use the so-called “new media” — blogs and the Internet — to gain access to and acceptance by so-called “old media.” Books have grown out of blogs, as have movies, such as the hit film “Julie and Julia.”
It also applies to classical music.
Take the case of pianist Valentina Lisitsa (below) who, to the best of my count, has performed in Madison four times: twice as accompanist to violinist Hilary Hahn and twice in solo recitals at Farley’s House of Pianos.
But the Lisitsa phenomenon — and it really is a phenomenon — started about five years when she started posting her performance (of a Rachmaninoff work) on YouTube.
Since then, as the most popular pianist on YouTube (which has a huge number of current and historic piano videos) she has racked up more than 40 million individual hits or visits, as well as some 52,000 subscribers to her YouTube channel, for her many recordings of favorite works by Beethoven, Chopin, Liszt, Schumann, Rachmaninoff and other composers.
Then last week, one of the classic great “old media” outlets – Decca Records, which belongs to the giant conglomerate Universal – signed her to a contract. It will start with a recording her debut recital at Royal Albert Hall on June 19. A digital version will available later in June and a CD will be released July 3.
Surely, Decca officials figured that so much interest on the Internet suggests that Lisitsa is very bankable and has a good chance of making money for the label.
So it will record her upcoming concert at Royal Albert Hall in London.
And guess what?
The 39-year-old Lisitsa, who was born in Ukraine but lives in the U.S., asked her fans for what program she should play – for what their favorite pieces played her are.
Here is a link to her You Tube Channel:
Here is a link to my review of an impressive mostly Liszt recital she played in Madison last summer:
Here are links to stories about her deal with Decca:
And here is a link to her program for the solo recital in Royal Albert Hall (below top shows the unusually shaped exterior, below bottom shows the spacious interior), along with information about tickets, should you want to or be able to attend it:
My question is a simple one: Why would you buy a CD if you can hear the same pieces for free on YouTube?
I suppose so you can hear the artist and those works away from a computer or electronic device – at home or in the car or on an iPod.
Whatever the case, you have to assume the dramatic and temperamental, virtuosic and photogenic Lisitsa knows what she is doing.
She seems as gifted in commercial strategy as in classical piano technique and interpretation.
Below is Lisitsa playing one of my favorite Rachmaninoff preludes — in G major — though by no means one of her most popular videos, some of which have almost 3 million hits. I like the tone and the way the video shows her unusual stroking technique of hitting the keys — which seems to allow her never to strain.