By Jacob Stockinger
Is it a mark of the times that the piano news this week seems more about sex and superstardom than about substance?
You may recall that last week on Tuesday, I posted an alert about the links at the New York City radio station WQXR so that readers could listen LIVE to the Carnegie Hall recital of Bach, Schubert and Chopin by the Chinese superstar pianist Lang Lang (below, in photo from that recital by Ian Douglas for The New York Times).
Here is a link to that post, where you can still stream that concert and listen to it for yourself:
This time the reviewer who roasted the pianist was Vivien Schweitzer (below), though in the past I seem to recall that all of the Times’ critics have had their turn, and all pretty much agreed: Lang Lang has made some progress from being the flamboyant and flashy virtuoso to being a serious musician, but he still has a long way to go.
Here is a link to that review that shows that Lang Lang’s tricks are getting a little stale, tiresome and dated for someone who is almost 30:
Speaking of making progress:
You may also recall several posts I had regarding the fashion plate and leggy pianist Lola Astanova (below top) and whether she would challenge the controversial but popular micro-skirted Yuja Wang (below bottom).
I also pointed out that a lot of the critics didn’t particularly like Astanova’s playing when she made her Carnegie Hall debut — in a program billed as a Tribute to Horowitz — at a benefit for the American Cancer Society.
But good luck recently smiled on Astanova.
No one less than the famed pianist Byron Janis (below), the virtuoso and former pupil of Vladimir Horowitz who had to curtail his career because of arthritis, recently picked Astanova as the only pianist to play at an event marking his receiving an lifetime achievement award from the Yahama Music and Wellness Institute at the Walter Reade Theater in Lincoln Center.
No word that I can find from critics yet about how well she played. But here is a story with the particulars:
Janis, by the way, has a new compilation (below) of his older and out-of-print Chopin recordings – shorter and less virtuosic or technically demanding works like mazurkas, waltzes and nocturnes – reissued by EMI, with a flashy red cover and sexy Jean Cocteau-like or Matisse-like swirling drawing , to celebrate the event. It is a fine compilation and one well worth having.