The Well-Tempered Ear

Classical music: Here are 7 reasons why Madison’s Bach Dancing and Dynamite Society is Big League and The Ear can’t wait for their next season. | July 3, 2012

A REMINDER: Tonight (July 3) at 7 p.m. in Olbrich Gardens, on Madison’s far east side, the Youth Orchestra (below) of the Wisconsin Youth Symphony Orchestras, will perform a free concert. (A $1 donation is suggested to benefit the gardens.) The concert is a preview of the group’s concert tour to Vienna, Prague and Budapest July 7-17.

By Jacob Stockinger

Every fall, concert-goers look forward to the opening of The New Season by such big-name local classical music groups as the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater and the University of Wisconsin School of Music – to name just a few of the most prominent.

Over many years, those seasons have become recognizable landmarks in our cultural landscape.

But more than ever, The Ear is convinced that that same kind of reception, that same excitement and anticipation, should await the annual three-week summer season of Madison’s Bach Dancing and Dynamite Society (below, pianist Jeffrey Sykes, violinist Axel Strauss and cellist Jean-Michel Fonteneau perform Mendelssohn’s Piano Trio No. 2 in C Minor ).

With no more than six or eight players on the stage at any one time, BDDS is a small group that makes big and beautiful music.

Between June 15 and July 1, BDDS played six programs in four different venues, and once again proved remarkable for the quality of its programs, performers, performances, venues and audiences.

Everything it did showed that BDDS is indeed Big League, despite being a modestly sized chamber music ensemble and despite performing after the close of the main concert season and the arrival of The Heat of Summer.

So after thinking about the four programs I heard in the past three weeks, let me offer seven reasons why BDDS deserves gets my respect and support, and deserves yours. (You can help by attending, but also by going to the donation site www.power2give.org  and to BDDS’ home page: www.bachdancinganddynamite.org)

1. BDDS takes chances and risks, and so succeeds in allowing listeners to have fun with serious music. Their enthusiasm is contagious.

BDDS advertises itself as offering “Chamber Music with a Bang.” And they mean it.

Sometimes they do it through sheer affability and cordiality. Sometimes they do it through the doors prizes, which this season ran from a gift card for cocktails to homemade pies. Sometimes they use an unusual Mystery Guest like the Yiddish singer Henry Saposnik or the Madison Hoop Team or a black leather jacket cello duo (below) furiously playing a Michael Jackson song.

But even the music they play takes chances. BDDS did its own arrangement (below) of Stravinsky’s popular and jauntily tuneful neo-Classical “Suite Italienne” or “Pucinella Suite,” which is normally heard in a violin and piano arrangement. They used eight players and turned it into a kind of modern-day Brandenburg Concerto, a Baroque concerto grosso in which each “section” or individual got a chance to show off – including twirling two cellos and mixing the modern grand piano and the harpsichord in the same program. Guess what? It all worked superbly. And it is completely within the aesthetic that Stravinsky was shooting for. Igor would be pleased.

2. BDDS gets you to hear music you otherwise wouldn’t hear.

There were many examples this season. Some of my favorites are the orchestral miniatures. They included Salomon’s chamber arrangements of Haydn’s late symphonies, of which they have done three out of 12. (This year’s offering, below, was Symphony No. 85, “La Reine.”) Then there was the Hummel’s similar arrangement of Mozart’s Piano Concerto in D minor. And when was the last time you heard a complete Couperin Suite?

3. BDDS plays masterpieces masterfully. All the untraditional shtick and stuff could serve to compensate for other shortcomings. But that is decidedly NOT the case with the BDDS. If you heard the BDDS perform Schubert’s sublime Cello Quintet or Brahms’ driving Piano Quintet in F Minor (below), you heard fiery and committed as well as subtle performances that rival or surpass any performances you will hear live and even recorded.

BDDS doesn’t need to rely on gimmicks or make any excuses. Just because it chooses to stray from the beaten path doesn’t mean it isn’t a first-rate guide to take you down that beaten path and let you see – and hear – new things about old and familiar music.

4. BDDS takes the music – NOT themselves – seriously and teaches the audience new things.

We went to hear the rarely performed “The Apotheosis of Lully” by Couperin, and ended up getting a mini-lesson in the French Baroque style versus the Italian Baroque style. And pianist Jeffrey Sykes hammed it up just right as the pseudo-pious narrator (below left). The audience listened, laughed and learned.

5. BDDS gets away from the celebrity culture of the contemporary classical music scene and brings us great artists from outside whose names are unknown.

Sure, you can pay $100 or more to hear superstar violinist Itzhak Perlman or cellist Yo-Yo Ma. But I’ll take BDDS. I don’t think any local group does a better job of finding and presenting low-profile but absolutely first-rate musicians than BDDS.

Here are some examples: Harpsichordist Layton James (below) was the principal harpsichordist of the renowned St. Paul Chamber Orchestra for an astonishing 41 years (1969-2010). Animated violinist Carmit Zori founded and directs the Brooklyn, New York Chamber Music Society. San Francisco-based violinist Axel Strauss and cellist Jean-Michel Fonteneau joined pianist Jeffrey Sykes in piano trios performances that are consistently outstanding. Percussionists Dane Richeson (from Lawrence University in Appleton) is as interesting and accomplished to me as the world-famous Evelyn Glennie. And you won’t find a better piano partner than Randall Hodgkinson from the New England Conservatory of music.

And this year The Ear finally got his wish: To hear BDDS co-founder and co-director pianist Jeffrey Sykes (below) perform a solo work, Haydn’s Piano Sonata No. 49. There is no better ensemble pianist than Sykes, but I hope we get to hear him in some solos again in future seasons.

6. BDDS is refreshingly unapologetic and candid in its down-to-earth approach. Because they have fun, we feel we can have fun.

Co-founder and co-director flutist Stephanie Jutt publicly admitted one night that she herself gets bored when she goes to concerts and all there is to watch are the musicians. Wow! She is just like a lot us!

So BDDS commissions on-stage installations and backgrounds to maintain audience interest. They get local artists from the UW-Madison — Carolyn Kallenborn, Teresa Getty and Michael Villequette – to design and construct wondrously beautiful and inexpensive sets of that can be subtlety changed with lights, with little trinkets like plastic glasses and cut-outs, and with pieces of abstract dyed fabric to match different concerts, different moods and different works. The effect is original, welcoming and civilized.

7. BDDS is militantly eclectic and likes to mix it up. You won’t find purism or snobbery here!

Consider just the range of repertoire: from the 18th century, they played works by Couperin, Haydn, Mozart and Beethoven; from the 19th century, works by Schubert, Mendelssohn, Brahms and Tchaikovsky; from the 20th century, works by Bartok, Barber, Bernstein, Rorem, Jolivet and Stravinsky; and from the 21st century, a piece by Kenji Bunch.

Put it all together and you realize that, as I said in another recent post, when you go to one BDDS concert, you always end up wanting to hear others.

I can’t wait for next June and BDDS’ 22nd season next summer.

And neither should you.

Do you have COMMENTS to leave about any BDDS programs you heard this season?

The Ear wants to hear.


8 Comments »

  1. I am a huge BDDS fan and completely agree with your assessment. Another reason it’s so enjoyable to attend a BDDS concert: the musicians have spent a week together practicing, practicing, practicing, eating (they like to emphasize this), laughing, etc. It’s clear that in that short time they have formed a musical community, and the bonds they form are communicated to the lucky audience.

    Comment by Margaret Irwin — July 4, 2012 @ 3:42 pm

    • Hi Margaret,
      Thank you for reading and replying.
      I think you are right.
      With BDDS, the intimacy of making chamber music starts long before the players walk on stage, and carries over into the performance.
      You see it and you hear it.
      You even share in it.
      That kind of involvement by an audience is indeed.
      Best,
      Jake

      Comment by welltemperedear — July 4, 2012 @ 9:41 pm

  2. This posting is right on the mark. BD&D is truly world class, and you have done a great job of explaining why. Barbara

    Comment by Barbara Furstenberg — July 4, 2012 @ 12:17 pm

    • Hi Barbara,
      Thank you for reading and replying.
      Thank you especially for your very kind praise.
      I couldn’t agree with you more.
      And the ultimate reason I like BDDS so much? They always leave me feeling so good, great even, and always reaffirm the the healthy state of classical music in their hands.
      Best,
      Jake

      Comment by welltemperedear — July 4, 2012 @ 12:52 pm

  3. The Ear has it right. We’ve gone to Taliesen to see/hear BDDS for the past five years (including this past Sunday might), and we love what they do. They play such amazing stuff, bring in *great* musicians from all over, and add an extra layer of energy and fun (the “bang”) that you’d have trouble finding anywhere else. Support BDDS!

    Comment by P. Weil — July 3, 2012 @ 7:27 am

    • Thanks for reading and replying and for your vote of confidence.
      Spread the word!
      Best,
      Jake

      Comment by welltemperedear — July 3, 2012 @ 10:42 am

  4. I went to Stoughton this past Friday night and Taliesen Sunday night. Totally wonderful. I can’t agree more with the Ear. Love BDDS!

    Comment by R Anderson — July 3, 2012 @ 12:15 am

    • Thanks for reading and replying and attending BDDS.
      The Stoughton concert, which will air on Wisconsin Public Television from 9 to 10 p.m. on Monday, July 23, was indeed a terrific event.
      And thanks too for the vote of confidence.
      The BDDS players are first-rate.
      Best,
      Jake
      Jake

      Comment by welltemperedear — July 3, 2012 @ 10:44 am


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