ALERT: Next Saturday night, Dec. 8 — NOT Sunday, Dec. 9. as originally and mistakenly posted –, at 7 p.m. in Capitol Lakes Retirement Community, 333 West Main Street, Candid Concert Opera (below) will perform a concert version (edited and without costumes or sets) of Mozart’s opera “The Abduction from the Seraglio.” The concert is FREE, although a donation of $12 is suggested. Codrut Birsan will conduct and English supertitles will be used. For more information and reviews, visit www.candidconcert.org.
Sure, you sometimes see and hear successful performances by chamber orchestras without a conductor, though it often seems they have a principal violinist or someone else who gives cues and maintains control or balance.
But the question remains: Do symphony orchestras really need conductors to perform at their best?
And if they do, what kind of conductor do they need most? A more authoritarian one? Or a more laid-back and collaborative one? (Below is a photo by James Garrett of The New York Daily News and Getty Images of Leonard Bernstein conducting a rehearsal of the Cincinnati Symphony in 1977 in Carnegie Hall.)
Famed maestro Herbert von Karajan once said he only need to convey four words to conduct: faster, slower, louder, softer.
But music is complex and symphony orchestras are big organizations.
NPR recently did a comparison study that was reported by its science reporter – which is a nice way to bring science to bear on the arts.
Here is the story – the unidentified music, by the way, comes from the first movement on YouTube of Mozart’s Symphony No. 40 in G Minor (at bottom in a performance by famed perfectionist conductor George Szell) — and what the experimenters found:
http://www.npr.org/blogs/deceptivecadence/2012/11/27/165677915/do-orchestras-really-need-conductors