The Well-Tempered Ear

Classical music: April is jam packed with classical music — and this weekend is no exception for chamber music, brass music, baroque vocal and instrumental music, plus piano trios and string trios. | April 10, 2013

By Jacob Stockinger

In “The Wasteland,” poet T.S. Eliot wrote that “April is the cruelest month.”

Well, for classical  music-lovers, the cruelty lies in the abundance of riches. It is hard to keep up with it all this month, or even this week.

I have already posted some big events. But there are other concerts to attend – almost all FREE — especially at the UW-Madison School of Music.

Here is a round-up of ones I haven’t yet covered:


The weekly FREE Friday Noon Musicale Friday from noon to 1:15 p.m. at the First Unitarian Society Meeting House, 900 University Bay Drive, features Mozart’s Divertimento in E-flat, K. 563, with Eugene Purdue, violin (below); Rami Solomonow, viola; and Tom Rosenberg, cello.

Eugene Purdue 1 Thomas C. Stringfellow


Saturday from noon to 1 p.m. in Grace Episcopal Church (below), “Grace Presents” will offer a FREE concert featuring the Madison-based wind quintet “Black Marigold.”

The program will feature excerpts from the program for the three Spring concert dates: Anton Reicha’s Quintet in E-flat, Op. 88, No. 2; Robert Muczynski’s Quintet for Winds; György Ligeti’s Six Bagatelles; and Bill Douglas’ “Suite Cantabile.”

MBM Grace altar

For the Madison dates (April 13 at Grace Episcopal and Friday, April 19, the FREE Noon Musicale from 12:15 to 1 p.m. at the First Unitarian Society, 900 University Bay Drive) the group will be selecting from this program. For the Platteville concert at 7:30 p.m. on April 22 at the UW-Platteville, the program will be performed in its entirety. The Overture EngAGES programs are still To Be Determined but the dates are May 15 at Madison Senior Center at 1:30 p.m.; May 16 at Attic Angels West at 10 a.m.; and May 17 at Oakwood Village West, 7 p.m. 

Members of Black Marigold are Elizabeth Marshall, flute; Laura Medsiky, oboe; Bethany Schultz, clarinet; Kia Karlen, horn; and Cynthia Cameron Fix, bassoon.

Find more information at

Black Marigold 2

On Saturday night at 8 p.m. in Mills Hall, the UW Concert Choir (below), under Beverly Taylor and her assistant Brian Gurley, will present its Spring Concert. Admission is FREE. 

The concert will include a motet group of works by Philips, Mouton, Bruckner and Vulpius,  a group of Debussy works, Britten works, Poulenc works and a mixture of Americana including works by Barber, Copland, and folksong arrangements.

The top-tier choir of 45 members sings a variety of primarily a cappella choral literature from all eras. Singers in Concert Choir have significant vocal and choral experience, as well as high sight reading ability, and many are voice majors. In late May, the group will embark on a performance tour of France.

Concert Choir

The Wisconsin Baroque Ensemble will close out its current season this Saturday night at 8 p.m. in the historic Gates of Heaven Synagogue (below) in James Madison Park, 300 East Gorham St., in downtown Madison.

The program features music of the 17th and 18th centuries, specifically Baroque vocal and instrumental chamber music.

Tickets are at the door only: $15 for the public, $10 for students.

Gates of Heaven

The musicians in the Wisconsin Baroque Ensemble (below) are: Eric Miller – viola da gamba, cello; Chelsie Propst – soprano; Monica Steger – harpsichord; Anton TenWolde – cello, viola da gamba.

The program includes selections from “Pieces de Viole,  Book 2” by Main Marais; “Dulcis amor” by Isabella Leonarda; Sinata in E minor for cello and basso continuo by Giovanni Battista Bononcini; “Susanne” by Elisabeth-Claude Jacquet de la Guerre;

Madison: “Canzon prima a 2 bassi” by Giralamo Frescobaldi; and “L’Astratto” by Barbara Strozzi.

For more information, call (608) 238-5126 or visit

Wisconsin Baroque Ensemble composite


This week’s “Sunday Afternoon Live from the Chazen” – broadcast live by Wisconsin Public Radio from 12:30 to 2 p.m. from Brittingham Gallery 3 of the Chazen Museum of Art — features the Wisconsin Brass Quintet (below), which is celebrating its 40th anniversary as artists in residence at the UW-Madison.

The program includes Gesualdo’s Suite of Madrigals, arranged by Mark Hetzler; John Harbison’s “Magnum Mysterium”; Macmillan’s “Adam’s Rib”; and Daniel Grabois’ “Grabois: Gravilord.”

Wisconsin Brass Quintet Cr Katrin Talbot

Founded in 1972, the Wisconsin Brass Quintet is a faculty ensemble-in-residence at the University of Wisconsin–Madison School of Music.

The quintet’s musical expertise has been acknowledged by Verne Reynolds, Jan Bach, Karel Husa, John Harbison, Daron Hagen and many other composers.

In addition to performing with the WBQ, the players have also been members of the American Brass Quintet, Empire Brass Quintet and Meridian Arts Ensemble.

Quintet members John Stevens and Daniel Grabois and former member Douglas Hill have also composed many works for the group.

With extensive performances throughout the Midwest and nationally, including appearances at New York’s Carnegie Recital Hall and Merkin Concert Hall, the quintet’s educational programs and master classes have been presented in such prestigious settings as The Juilliard School and the Yale School of Music.

Members of the Chazen Museum of Art or Wisconsin Public Radio can reserve seats for Sunday Afternoon Live performances. Seating is limited.

All reservations must be made Monday through Friday before the concert and claimed by 12:20 p.m. on the day of the performance. For reservations or membership information contact the Chazen Museum at (608) 263-2246.

A reception will follow the performance with coffee, tea, and treats donated by local businesses. Donors this semester include Fresh Madison Market, Steep & Brew and the University Club.

A free docent-led tour in the Chazen galleries begins every Sunday at 2 p.m.


On Sunday night at 7:30 p.m. in Mills Hall, the Trio Antigo will present a FREE concert of music by Shostakovich and Mendelssohn.

This trio (below) is comprised of cellist Stefan Kartman of UW-Milwaukee; Felicia Moye, UW-Madison Professor of Violin; and pianist Jeannie Yu.

(Note: Kartman and Moye also will present a master class on Saturday at 3 p.m. in Humanities Building, Room 1341.)

The program will include Piano Trio, Op. 67 by Dmitri Shostakovich and Priano Trio in C minor, Op. 66 by Felix Mendelssohn. (A sample of the beautiful Mendelssohn trio performed by cellist Yo-Yo Ma, violinist Itzhak Perlman and pianist Emanuel Ax can be heard in the YouTube video below.)

Trio Antigo

This concert is part of a reciprocal residency between UW-Madison and UW-Milwaukee, funded in part by a Bolz grant for Faculty Research. The trio will be in residence at UW-M April 19-21, and will present a concert at the Peck School of the Arts on April 21.

The trio also received a Dane Arts grant to present outreach concerts in Dane County, which will be taking place on April 27 and 28. In fact, the April 28 concert will be a fundraiser to benefit local nonprofit Music Con Brio, Inc., which provides high-quality, low-cost music lessons to underprivileged children on Madison’s East Side.

Felicia Moye (below) is currently Professor of Violin at the University of Wisconsin-Madison and a member of Trio Antigo. She has also served as Professor of Violin at The Glenn Gould School of The Royal Conservatory of Music in Canada, the University of Oklahoma, the New World School of the Arts in Miami, Florida and the pre-college division of The Juilliard School as Ivan Galamian and Margaret Pardee’s assistant.

Felicia Moye color

Stefan Kartman (below) has served on the faculties of Drake University, Illinois Wesleyan University and Rutgers University, and is currently Associate Professor of Cello and Chamber Music at the University of Wisconsin-Milwaukee.

Here is a link to his site:

Stefan Kartman cello

Pianist Jeannie Yu was awarded first prize in the Frinna Awerbuch Piano Competition in New York, the Flint Symphony International Concerto Competition, the Portland Symphony International Concerto Competition, and the Kingsville Piano Competition in Texas. She also earned the prestigious Gina Bachauer Memorial Scholarship Award, a full scholarship for the master’s degree program at The Juilliard School of Music where she also received the bachelor’s degree. Subsequently she was awarded an accompanist fellowship at the Peabody Conservatory of Music where she received her Doctor of Musical Arts Degree.

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