The Well-Tempered Ear

Classical music: What classial music do you like to hear to commemorate 9/11? This Sunday promises a lot of UW-Madison opera and chamber music by both alumni as well as current students and faculty. Plus, Edgewood College singer Kathleen Otterson’s recital is SUNDAY at 2:30 p.m., NOT Saturday as was mistakenly stated yesterday. | September 11, 2013

TODAY IS 9/11: WHAT PIECE OF CLASSICAL MUSIC DO YOU LIKE TO HEAR TO MEMORIALIZE THAT TRAGIC DAY IN 2001? LET THE EAR KNOW IN A COMMENT WITH A LINK TO A YOUTUBE VIDEO, IF POSSIBLE.

AN IMPORTANT CORRECTION: Yesterday The Ear mistakenly said that Edgewood College mezzo-soprano Kathleen Otterson will give a recital on this Saturday – which was WRONG. The concert is SUNDAY AFTERNOON AT 2:30 P.M. Otherwise the story and the details are correct. I apologize for the error.

Here is a link to the corrected story:

https://welltempered.wordpress.com/2013/09/10/classical-music-edgewood-college-mezzo-soprano-kathleen-otterson-will-perform-a-recital-of-songs-by-gustav-and-alma-mahler-berlioz-rossini-and-andre-previn-this-coming-saturday-afternoon/

Kathleen Otterson 2

By Jacob Stockinger

True, the new concert season at the University of Wisconsin School of Music officially opened up over a week ago with the 36th annual Labor Day Concert by the Karp Family.

But this is a reminder that this Sunday – really the first busy weekend of the academic year the University of Wisconsin-Madison School of Music – promises to have a lot of music.

Here are the various concerts, as described in press releases:

— Sunday, Sep. 15, 2013 at 1 p.m. in Mills Hall.

UW Professor Les Thimmig will give the first Faculty Concert

Thimmig (below) will present “The Feldman Trios,” Part One. Three lecture-performances of the late-period work of American composer Morton Feldman (below).  The other sessions are on October 27 and February 2, 2014.

Les Thimmig color

The First concert is: “Why Patterns?” It features Prof. Les Thimmig on flutes; Jennifer Hedstrom on keyboards; and Sean Kleve on percussion. (See the YouTube video at the bottom.)

American composer Morton Feldman (1926-1987, below in a New York Times photo from 1985) was first noted for his inclusion in the “Cage School,” a group of four composers, the others being Earle Brown and Christian Wolff, associated with the composer John Cage. The three trios for flute, piano, and percussion included in this series were written for the members of this group during the last nine years of Feldman’s life. During this period, his works radically increased in length, lasting from 30 minutes to multiple hours of single-movement, very slowly unfolding development. At issue were the distinction of “form” and “scale.”

Morton Feldman NYT 1985

— Also on Sunday, Sept. 15, at 3:30 p.m. in Morphy Hall is the Second Annual “School of Music Alumni Association Showcase.” For more information, go to http://uwsomaa.org/and click “alumni recital.”

The program features:

Hornist Alex Weaver playing: Concert Etude for Solo Horn by Esa-Pekka Salonen (b. 1958) and Suite for Horn and Piano by Alec Wilder (1907-1980).

Alex Weaver

Flutist Kristine Rominski (below) playing: “Tenderness of Cranes” by Shirish Korde

Kristine Rominski

Percussionist Michael Mixtacki (below) playing: “Uma Mulher” by Seu Jorge, arr. Mixtacki and “Obbatalá,” Traditional Afro-Cuban, arr. Mixtacki.

Michael Mixtacki

Kristine Rominski and Michael Mixtacki playing duets: “Piedra en la Piedra” by Ricardo Lorenz and “Kembang Suling” by Gareth Farr

Singer Sam Handley (below, in a performance of Benjamin Britten’s “A Midsummer Night’s Dream” at the Lyric Opera of Chicago) performing:  “L’air de Sancho” from “Don Quichotte” by Jules Massenet  (1842-1912); “Bin ich nun frei?” from  “Das Rheingold” by Richard Wagner  (1813-1883); “Her Face” from “Carnival!” by Bob Merrill (1921-1998); and “La Calunnia” from “The Barber of Seville” by Gioachino Rossini  (1792-1868).

Sam Handley in Britten A Midsummer Night's Dream at the Lyric Opera of Chicago

— The third concert, the Opera Props Showcase, on this Sunday will held at 3 p.m. NOT on the UW campus but instead at the historic landmark and Frank Lloyd Wright Unitarian Meeting House (below), 900 University Bay Drive. For information, visit:

http://cpanel101.mulehill.com/~uwoperap/

FUS exterior  madison

Opera Props annual fall Showcase Concert will introduce University Opera’s extraordinary singers in a program of celebrated arias. This benefit event includes several new singers who will be featured in the upcoming season’s productions. 

University Opera Director William Farlow has selected eight young singers and a program of favorite arias for Opera Props’ fall Showcase Concert this year.

It includes several new singers who will be featured in the upcoming season’s productions. Opera Props is a booster group for the UW School of Music’s opera program, and acts as liaison between the program and the local community. So a valued part of this annual event is the reception, which follows the concert:  Singers and their teachers enjoy sharing discussion with the audience, along with lavish chocolate and other treats.

Tickets are $25 per person ($10 for students) and may be purchased at the door.  Proceeds will help recruit and fund young artists for the University Opera program.

Here is more information: The student singers (below is a photo of Opera Propos singers in 2011) will sing arias by George Frideric Handel, Jules Massenet, Giocchino Rossini, Erich Wolfgang Korngold, Wolfgang Amadeus Mozart and Peter Ilyich Tchaikovsky, accompanied by pianist Thomas Kasdorf.

Opera Props 2011

One of the singers is mezzo-soprano Lindsay Metzger (below), who will sing the aria “Parto, ma tu ben mio” from Mozart’s “La Clemenza di Tito.”

Metzger hails from Chicago, where she studied with Jane Bunnell at DePaul University. Last year she was an Apprentice Artist with the Des Moines Metro Opera, and this past summer she sang the role of Cherubino in Mozart’s “The Marriage of Figaro” with Musica Lirica in Novafeltria, Italy.

Mezzo Lindsay Metzger

Metzger is now completing the second year of a Master’s degree at the UW-Madison where she holds a Paul Collins Fellowship. She already is rehearsing the title role of “Ariodante” for this semester’s production on campus of George Frideric Handel’s opera.  Next semester she is scheduled to sing Béatrice in Hector Berlioz’s opera “Béatrice et Bénédict.” 

For more information about Opera Props and University Opera productions and events, visit:

http://cpanel101.mulehill.com/~uwoperap/


6 Comments »

  1. Looking ahead to our upcoming busy Sunday, what to do when you love vocal music and the singing of UW alums Kathy Otterson and Sam Handley, as well as the slate of current UW students all singing mid-afternoon: Edgewood’s St. Joseph’s Chapel at 2:30, UW’s Morphy Hall at 3:30, or the Unitarian Meeting House at 3:00? Take your pick and try not to grieve at what you’re missing a few blocks away – classic Madison!

    As an organizer of one of the events, I have no choice – I’ll apologize to the others when I see them next. This decision may not be so easy for the rest of you,
    Good Luck!

    Comment by Dan Shea — September 12, 2013 @ 1:36 am

  2. I’d play “Rhapsody in Blue,” which always has seemed to me to express the soul of New York City.

    Comment by Ron McCrea — September 11, 2013 @ 11:02 pm

  3. Tonight, my XM Radio was playing John Adams’s “On the Transmigration of Souls”, which I found moving, haunting and beautiful. I can remember one year when I heard it live– maybe in Minneapolis –close to Sept. 11.

    Comment by Ann Boyer — September 11, 2013 @ 8:35 pm


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,201 other followers

    Blog Stats

    • 2,077,101 hits
%d bloggers like this: