The Well-Tempered Ear

Classical music: The University of Wisconsin’s Pro Arte String Quartet opens its new and very busy season this week with two FREE concerts of music by Mozart, Milhaud, Fritz Kreisler and Brahms plus a taping for Wisconsin Public Television.

By Jacob Stockinger

The Pro Arte String Quartet (below in a photo by Rick Langer) – which became the world’s first artists-in-residence in the world when they agreed to stay at the University of Wisconsin-Madison in 1940 — kicks off its new season with two FREE concerts this week and much more this fall.

On Sunday, the Pro Arte Quartet returns to “Sunday Afternoon Live From the Chazen” from 12:30 to 2 p.m. in a live broadcast over Wisconsin Public Radio.

The Pro Arte – which celebrated its historically unprecedented centennial two seasons ago — will perform Wolfgang Amadeus Mozart’s “Prussia” String Quartet in D Major, K 575, Darius Milhaud’s Quartet No. 7 and the rarely heard Quartet in A Minor by the Viennese violinist and composer Fritz Kreisler who is best known for his miniature works, transcriptions and pastiches.

Then at 7:30 p.m. on next Thursday, Oct. 3 in Mills Hall, the Pro Arte will perform a FREE and MUST-HEAR concert in Mills Hall. It will perform the same Mozart and Kreisler quartets as above, but the Milhaud will be replaced by the String Quartet No. 1, Op. 51, No. 1, by Johannes Brahms.

Also, stay tuned for word about an airing date for the program that the Pro Arte is recording this coming Monday night for Wisconsin Public Television.

The by-invitation-only TV concert has a program that features a prelude by Ernest Bloch (at bottom in a YouTube video) and the famous “Adagio for Strings” quartet movement – later transcribed for string orchestra at the request of famed conductor Arturo Toscanini (below top)  — by Samuel Barber (below bottom).

Many people forget that the Pro Arte Quartet gave the world premiere of the famous “Adagio for Strings” — the slow movement of Barber’s String Quartet in B Minor, Op. 11 —  in Rome in 1936.

Also watch for news this fall of an Albany Records CD release — with a local release party — of the four commissions (two string quartets and two piano quintets)– that the Pro Arte Quartet commissioned for its centennial two seasons ago. The CD was engineered by the multiple Grammy Award-winner Judith Sherman (below).

The two string quartets were composed from Walter Mays (below top) and John Harbison (below bottom), who is also the co-director of the Token Creek Chamber Music Festival.

The two piano quintets were composed by Paul Schoenfield (below top) and William Bolcom (below middle) and featured the celebrated UW-Madison pianist Christopher Taylor (below bottom).

Then at its FREE concert in Mills Hall at 8 p.m. on Friday, Nov. 22, 2013, the Pro Arte will give the world premiere of its fifth centennial commission: a String Quartet by the contemporary Belgian composer Benoit Mernier (below). The Pro Arte originally started, you may recall, at the conservatory in Brussels.

And finally, next May, the Pro Arte Quartet travels to Europe – to its home city of Brussels, Belgium, as well as London and maybe Paris – to perform works from its centennial commissions.

And there is still more to come, including a book about the Pro Arte Quartet by the retired UW-Madison historian turned music critic and guest writer for Isthmus and for this blog John W. Barker (below).

 

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