The Well-Tempered Ear

Classical music: Which opera villain would Vladimir Putin be? Plus, the Madison Symphony Orchestra’s last performance of its acclaimed opening concert is TODAY at 2:30 p.m. | September 29, 2013

A REMINDER: The last performance of the season-opening concert by Madison Symphony Orchestra (below in a photo by Greg Anderson) takes place at 2:30 p.m. today in Overture Hall. The program of Aaron Copland’s dance suite “Appalachian Spring,” Richard Wagner‘s “Love Death” (Liebestod) from the opera “Tristan und Isolde” and Nikolai Rimsky-Korsakov‘s symphonic tone poem “Scheherazade” celebrates the 20th anniversary of conductor John DeMain‘s tenure. And the performances have received rave reviews. Here are links to reviews by John W. Barker of Isthmus and Greg Hettmansberger of Madison Magazine:

http://www.thedailypage.com/daily/article.php?article=41041&sid=7853c5de52499cbd8d735576acaa10e0

http://www.madisonmagazine.com/Blogs/Classically-Speaking/September-2013/Demonstrating-What-All-the-Fuss-Is-About/

John DeMain and MSO from the stage Greg Anderson

By Jacob Stockinger

You may recall that last weekend I asked whether we should boycott the performances and recordings of superstar soprano Anna Netrebko (below top) and globe-trotting conductor Valery Gergiev (below bottom) because they supported the election of Vladimir Putin, the thuggish former KGB agent who is the scheming and vicious President of Russia.

anna netrebko

Gergievin NY

There is a lot to complain about Vladimir Putin (below, pictured on a poster in a pro-=gay rights protest) and his record of injustice, human rights and political intrigues. In particular, putting aside questions of Syria and internal Russian dissent, I chastised Netrebko and Gergiev for not standing up to and not speaking out about Putin’s support of extremely harsh and oppressive anti-gay laws in Russia, especially both musicians no doubt work with and depend on gay and lesbian colleagues in performing artists.

pro-gay march in russia with putin poster

The comments led to some pretty heated responses from various readers.

Here is a link so you can see for yourself:

https://welltempered.wordpress.com/2013/09/22/classical-music-lets-boycott-them-if-music-superstars-anna-netrebko-and-conductor-valery-gergiev-dont-enlighten-vladimir-putin-about-gays-and-lesbians/

Then a god friend and loyal, knowledgeable reader of the blog, who is on a bicycling tour of Hungary, checked in and sent on a link to a piece about how opera houses – including the famed Metropolitan Opera in New York City — have been asked to sign petitions and at least dedicate their opening night performances against Putin and his supporters.

The Met’s general director Peter Gelb (below) refused, pleading that the arts are separate from politics, and some other opera leaders agreed with him. Well, what do you expect from management?

Peter Gelb

Here is a link to that fascinating story in the Wall Street Journal:

http://on.wsj.com/176cPgk

The whole idea of Vladimir Putin (below) as an opera villain got me thinking: Which villain in the opera repertoire best parallels or embodies Vladimir Putin, seen as a parody of himself as a real-life bare-chested macho man in the photo below top? (The beef-cakey baritone Nathan Gunn, below bottom) would be an ideal choice to cast int the role no?)

vladimir putin barechested

Nathan Gunn barechested in Billy Budd

Could Putin be the infamous Scarpia (below, as sung by Dmitri Hvorostovsky in a popular YouTube video) who tortures and kills opponents in Giacomo Puccini’s “Tosca”?

Could he be the notorious Duke of Mantua who betrays his friend in Giuseppe Verdi’s “Rigoletto”?

Or maybe Mephistopheles in Charles Gounod’s “Faust”?

Perhaps Modeste Mussorgsky’s Boris Godunov as leader who runs astray of the law and the people?

And there many other villain who kill, torture and betray.

In fact, to help you decide here is a list – by no means complete – of the Top 10 opera villains as provided by the famed radio station WQXR FM in New York City.

http://www.wqxr.org/#!/story/167716-top-10-opera-villains/

Maybe you can think of others?

And just maybe we will see a contemporary opera composed that is based on Putin. Why not, The Ear asks, since recently world premiere of a commissioned opera ‘”Anna Nicole” based on the glittery and totally superficial life of the trashy Anna Nicole Smith recently took place at the Royal Opera in London?

anna nicole opera

Anyway, which opera villain do you think best embodies Vladimir Putin?

And could the real Vladimir Putin himself serve as a villainous role in a new and contemporary opera?

The Ear wants to hear.


2 Comments »

  1. I thought of Scarpia, I confess. If Putin were to star in his own opera, I think it would have to center around relations with Georgia or the Ukraine – or the earlier conflict with the annexation of Chechnya, perhaps. Thanks for keeping us abreast of this. Management’s response: predictable indeed.

    Comment by Mikko Utevsky — September 29, 2013 @ 12:15 am


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