The Well-Tempered Ear

Classical music: Handel operas are hot again and his “Ariodante” opens University Opera’s fall season this Friday and Sunday, and next Tuesday. | October 22, 2013

By Jacob Stockinger

Here is a terrifically informative press release about the opening production — with three performances — this coming weekend of the new season at University Opera, an opening that features George Frideric Handel, the famous and prolific Baroque composer who has undergone a major revival and is perhaps the hottest opera composer being performed these days.

“One of the most virtuosic operas by George Frideric Handel (below) takes the stage in University Opera’s fall production of Ariodante. (Editor’s note: At bottom is a YouTube video with an aria from the opera “Ariodante” sung by Anne Sophie von Otter.)

Handel etching

“Sung in Italian with English surtitles by Christine Seitz, the work will be given three performances — Friday, October 25 at 7:30 p.m., Sunday, October 27 at 3: p.m. and Tuesday, October 29 at 7:30 p.m.  All shows will be presented at the Carol Rennebohm Auditorium in Music Hall (below) on the University of Wisconsin-Madison campus at the base of Bascom Hill.

MusicHall2

“Although Ariodante has a happy ending it is a complex, dark work,” says director William Farlow (below, in a photo by Kathy Esposito), who will retire at the end of this season. “Stunningly beautiful music accompanies the characters as they search for the truth. It is a captivating story of betrayal and reconciliation.”

William Farlow by Kathy Esposito

“Farlow’s cast includes undergraduate and graduate students from the University of Wisconsin-Madison School of Music, supported by the UW Chamber Orchestra under the direction of James Smith (below).

Smith_Jim_conduct07_3130

“The role of Ariodante is shared by Lindsay Metzger (October 25 and October 29) and Susanna Beerheide (October 27). The role of Ginevra is also double cast with Anna Whiteway (October 25 and October 29) and Caitlin Ruby Miller (October 27), as is the role of Dalinda, performed by Christina Kay (October 25 and October 29) and Lydia Rose Eiche (October 27). Spencer Schumann (October 25 and October 29) and guest artist and IW alumnus countertenor Gerrod Pagenkopf (below bottom, October 27) share the role of Polinesso. Other cast members include Daniel López-Matthews as Lurcanio, Erik Larson as the King, and William Ottow as Odoardo.

Gerrod Pagenkopf

“Production and music staff includes assistant conductor Kyle Knox (below), costume designers Sydney Krieger and Hyewon Park, technical director Greg Silver, lighting designer Steven M. Peterson, set designer and scenic artist Liz Rathke, vocal coach and musical preparation Thomas Kasdorf, and chorus master Susan Goeres.

Kyle Knox 2

“Tickets are $22 for the general public, $18 for senior citizens and $10 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at music.wisc.edu.  Tickets may also be purchased in person at the Wisconsin Union Theater Box Office Monday-Friday, 11:30 a.m.–5:30 p.m. and Saturdays, noon–5 p.m. and the Vilas Hall Box Office, Monday-Friday, 11:30 a.m.–5:30 p.m., and after 5:30 p.m. on University Theatre performance evenings. (Below is a photo by Brent Nicastro of singers in title roles in the opera. They are Lindsay Metzger as Ariodante, Anna Whiteway as Ginevra, and Spencer Schumann as Polinesso.)

Ariodante photo Brent Nicastro 1

“Because shows often sell out, advance purchase is recommended.  If unsold tickets remain, they may be purchased at the door beginning one hour before the performance.  The Carol Rennebohm Auditorium is located in Music Hall, at the foot of Bascom Hill on Park Street.

“In an effort to help patrons find parking on campus, the Campus Arts Ticketing office is offering prepaid parking permits for a guaranteed parking spot on the evenings of ticketed UW arts events for $5.  Preorder your permit online at http://arts.wisc.edu/map (5 days or more in advance; $1 handling fee) or call (608)-265-ARTS (3 days or more in advance; $1 handling fee). “

For more information, including links to interviews, background stories and samples, visit Public Relations Director and Concert Manager Kathy Esposito’s outstanding blog “Fanfare” at the UW School of Music. Look for the Oct, 10 posting.

Here is a link: http://uwmadisonschoolofmusic.wordpress.com/2013/10/10/ariodante/

University Opera is a cultural service of the School of Music at the University of Wisconsin-Madison.  Its mission is to promote professional training and practical performing experience for student singers, conductors and pianists and, when possible, provide opportunities for student designers, actors and dancers.  For more information, please contact Benjamin Schultz at bhschultz@wisc.edu or (414) 899-9570.  Or visit the School of Music’s web site at music.wisc.edu.


4 Comments »

  1. Come see this. It’s a wonderful opera, and of a sort rarely staged around here of late. (Full disclosure: I’m in the pit.)

    Comment by Mikko Utevsky — October 24, 2013 @ 12:02 am

  2. […] Classical music: Handel operas are hot again and his “Ariodante” opens University Opera&… (welltempered.wordpress.com) […]

    Pingback by The Ladder to the Stars: Who Inspires Me Most? | Beth Margaret Taylor — October 23, 2013 @ 7:22 pm

  3. Thanks for this classic Handel aria: “Scherza infida” gloriously sung by Ariodante/von Otter. This score is full of such gems and here is another, much different, aria sung by the evil pretender Polinesso – here personified by contralto Ewa Podles,

    The UW production will use the excellent
    countertenors Spencer Schumann (Friday, Tuesday) and Gerrod Pagenkopf (Sunday) in this male role.
    We have a rare opportunity to hear one of Handel’s greatest operas, this is not to be missed!

    Comment by Dan Shea — October 22, 2013 @ 1:32 am


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