The Well-Tempered Ear

Classical music: Three performances of choral music this weekend by the Madison-based Cecilia Singers will commemorate the 50th anniversary of the assassination of President John F. Kennedy. | November 19, 2013

By Jacob Stockinger

The Madison-based Cecilia Singers will begin its 2013-2014 season with three performances of a special concert marking the 50th anniversary of the assassination of JFK.  “Remembering John Fitzgerald Kennedy (below):  A Choral Tribute” can be heard on this Friday, Saturday and Sunday. 

WH/HO Portrait 

Here is a schedule: Performances are on Friday, Nov. 22, at 7:30 p.m., at St. James Catholic Church (1204 St. James Court.); on Saturday, Nov. 23, at 7:30 p.m. at Luther Memorial Church (below is its interior, 1021 University Ave.); and at 3 p.m. on Sunday, Nov. 24, at St. Stephen’s Lutheran Church in Monona.

luther memorial church madison

Tickets can be purchased in advance at the Willy St. Co-op (east and west), Orange Tree Imports, and The Pink Poodle for $12 general admission, or $10 for seniors; or at the door for $15 and $12, respectively.

The program includes: “French Choruses” from “The Lark” by Leonard Bernstein; Four Motets by Aaron Copland; “To Be Sung On The Water” by; Samuel Barber; “New England Frostbite” by Robert Kreutz (below top, 1923-1997); “Ave Maria” by  Edwin Fissinger (1920-1990); “Songs of Hope and Deliverance” by Robert Kreutz (1923-1997); “Improperium” by  Robert Kreutz, who began composing this piece the night JFK was assassinated as a very personal response to the tragedy; “In Paradisium: by Edwin Fissinger (heard at bottom in a YouTube video).

Robert Kreutz

Edwin Fissinger

Group founder and director Joseph Testa, who used to direct choral music at Edgewood College until 2008, says he conceived the program as a way to recognize and celebrate a man of great intelligence and charm coupled with a deep appreciation for the arts and the role they play in a free society.

Joseph Testa color

To underscore the theme, an all-American a cappella program of music by composers of JFK’s generation was chosen, Testa says.

Testa adds: “Some of the works simply represent the creative endeavors of composers active during President Kennedy’s lifetime; other were selected because they seemed to hold a poignant connection to JFK:  for example, a Latin-texted work with a clear nod to his Catholicism, or a work utilizing a text of his favorite poet, or in one case a collection of works that speak to the struggles of Communism in Eastern Europe during the 1980’s — something very real and of great concern at the time of his own presidency.   

“President Kennedy and First Lady Jacqueline Bouvier Kennedy brought a sophisticated awareness of the arts to our national attention, hosting poets, musicians, artists, composers and Nobel Prize winners for State Events at the White House, thereby elevating the image of artist and intellectual in American life.  This aspect of his presidency is certainly one for all Americans in the arts to celebrate as we pause on this 50th anniversary.

“At the same time, we also celebrate the composers whose works are being performed, thereby again honoring the life of JFK and the legacy he envisioned for an America as a country rich in culture for having embraced the arts.”

About the Cecilia Singers (below, in rehearsal, in a photo by Joseph Testa): Joseph Testa founded Cecilia Singers in 2009 as a professional choir based on a four-prong mission:  advance the choral art form, advance choral artistry, be an educational entity for the choral arts through lecture and performance, and to create employment opportunities for gifted and talented singers.

Cecilia Singers rehearsing

The personnel and size of the ensemble vary based on the needs of the given repertoire. Singers completing a successful audition are offered a contract for a specific set of concerts and the requisite rehearsals. Each singer receives the music several weeks prior to the first rehearsal and is expected to come to that rehearsal with all the music learned. This format allows the rehearsal time to be truncated to just three weeks prior to a performance, at which point a series of extended rehearsals are held in close succession to work on ensemble.

 


1 Comment »

  1. As Mr. Purcell would say, “Hail, bright Cecelia!” An excellent posting and a well thought-out program.

    I was a junior in college the weekend of the assassination and I sang another “In Paradiso,” Faure’s, with the concert choir at a hastily-rehearsed memorial service. We also sang Brahms’ “How Lovely Is Thy Dwelling place” from the German Requiem. But the theme music of that weekend, played constantly on the radio in Michigan, was the Bach Air from the 3rd orchestral suite, and the Barber Adagio for Strings, both of which were new to me. It was a grim, sorrowful time which only grew more bizarre and grotesque as the days passed and more horrifying events unfolded.

    Comment by Ron McCrea — November 19, 2013 @ 8:06 am


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