By Jacob Stockinger
Will the outcome be tragedy?
In case you haven’t heard about it, the famed Met is negotiating new contracts with its labor unions. The Met currently has a debt of $2.8 million.
According to the Met’s general director Peter Gelb (below), major reductions totaling some $30 million, in salaries are required to put the Met back on a financially sustainable course.
Those are easy words to say for Gelb, whose own salary is reported to be $1.4 million and whose tenure has emphasized extremely expensive productions that have taxed the Met’s budget.
On his behalf, Gelb also is the manager who initiated the “Met Live in HD” that have been so popular in movie theaters around the world – including the Eastgate and Point cinemas in Madison — and have generated a lot of income. (You can see the coming season in a YouTube video at the bottom, although the November broadcast of “The Death of Klinghoffer” by John Adams has been cancelled under a controversial agreement to pacify Jewish and Israeli protest groups and lobbyists who see the opera as too focused on humanizing terrorism and Palestinian terrorists, and who threatened to withdraw much needed needed underwriting for the Met.)
The original deadline for an understanding or agreement was this past Sunday. But that deadline has been extended until Tuesday, today, apparently because negotiations continued and presumably continued in a positive way, despite the appearance of an overall deadlock.
Mediators were called in and apparently an independent audit of the Met’s books is under way.
So by the end of the day we should hear more about the results –- or lack of results. That, in turn, will tell us more about the short-term future and long-term future of the Met.
Here are some links mostly to websites for newspapers and radio. The Ear has heard NOTHING – at least nothing that I recall – on the major TV outlets and network, commercial or cable. Well, maybe they are too busy doing features about dogs and children who raise money for good causes. I am sure they have polling and surveys to back up their story selection.
To learn about the major players in the Met drama – or the Cast of Characters, so to speak, here is a story:
How the negotiations were going? Read this:
If you want an overview of the situation, try these:
And here in another selection of stories from The New York Times:
Here is the latest news from The Wall Street Journal about an independent audit of the Met’s books:
Do you have an opinion on the matter?
Given the recent bankruptcies and closings of American symphony orchestras and the City Opera of New York, what do you think the Metropolitan Opera drama signifies or means for the classical music scene in the U.S.?
The Ear wants to hear.