By Jacob Stockinger
Here is the news I have heard from cellist Karl Lavine, who heads the expanding chamber music program (below) for the Wisconsin Youth Symphony Orchestras. It is good news for many reasons, but especially to pianists who often remain stuck as soloists and never experience the joy of collaborative work in chamber music. (Below is a piano quartet from a WYSO chamber music concert last spring in Morphy Hall at the University of Wisconsin-Madison School of Music.)
Karl Lavine (below top) is as congenial and cooperative as he is accomplished, and that is saying something. He is the principal cellist with both the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and he also plays in the MSO’s Rhapsodie String Quartet (below bottom).
Writes Karl:
“We are interested in having pianists for the WYSO Chamber Music Program. We have not had any formal auditions to date as most of the pianists have previously come from WYSO or they have been students of Karen Boe (below), who is the WYSO Chamber Music Program piano ensemble coach.
“We also have only had two or three pianists — all advanced musicians capable of learning and performing chamber works by Wolfgang Amadeus Mozart, Ludwig van Beethoven or Johannes Brahms — per semester working with our groups. (At bottom is a YouTube video of violinist Kyung-Wha Chung playing one of The Ear’s favorite chamber works, the piano part of which he wishes he himself could play with a violinist: Mozart’s dramatic and tuneful Violin Sonata No. 21 in E minor, K. 304.)
“The history so far has been one that involved our more advanced players, mostly string players, with these pianists. However, we have had wind players join us as well. Doing both their main instrument and the piano can stretch them pretty thin.
“We have not opened collaboration with pianists up to our younger string and wind players primarily because the level of technique and experience necessary make it very difficult to assign repertoire.
“I am not opposed to considering younger WYSO instrumentalists to collaborate with pianists, but it creates a whole new set of parameters for coaching and rehearsing.
“Frankly, it is tough enough to get the more experienced pianists up to speed on the standard chamber repertoire — even though they might be very accomplished as soloists — given we only have 10 coaching sessions per semester. Many of the pianists that have participated in the program have never worked in this type of collaboration before.
“We are open to the idea of having an audition of prospective pianists. In addition, a letter of reference from their private teachers would be required. We would also limit applicants to pianists who have advanced to the Wisconsin School Music Association State Level with the “A” list repertoire, or participated in Wisconsin Music Teachers Association or Federation competition in piano.
Here is another tidbit for the blog: We are opening up participation in the WYSO Chamber Program to string and wind players who are NOT a part of WYSO. We have a separate brochure/application for these folks. This is a pilot project this year and we will see what our numbers turn out to be.
So, It would be most helpful if you could write about WYSO’s Chamber Music Program offering openings for those instrumentalists who are not current members, orchestral musicians (string and wind Players) AND pianists:
“1. Membership is open to those between the ages of 10 and 18 and currently in Middle School or High School.
“2. For pianists, a letter from your current private teacher recommending you for the program.
“3. A WYSO Chamber Music Program Brochure can be obtained from the WYSO office. You can find information about the coaching sessions and performance possibilities offered as well as expectations.
“4. For more information, contact the WSYO office: (608) 263-3320, OR send an email to wyso@wyso.music.wisc.edu OR by contacting Program Director, Karl Lavine at (608) 239-4131; email is karllavine@gmail.com
The WYSO Chamber Music Program offers 10 coaching sessions a semester and public recitals in December and May.
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