The Well-Tempered Ear

Classical music: Can young performers do justice to great and mature masterpieces of music?

January 8, 2015
7 Comments

By Jacob Stockinger

There are so many gifted young professional musicians on the concert stage today.

And yet many of them have doubts about performing mature and late masterpieces by such great and profound composers as Ludwig van Beethoven (below top) and Franz Schubert (below bottom and at the bottom in a YouTube video of Alfred Brendel playing his last piano sonata).

Beethoven big

Franz Schubert big

Do young performers really have to wait longer or suffer more in order to enhance their understanding of profound music that derives from maturity and the composer’s own suffering?

That was the topic of a recent story by critic Vivien Schweitzer in The New York Times. The story had a great headline: “Wait, you have to suffer some more.”

It was an interesting question that was put to some of the great young performers today, including pianists Jeremy Denk (below top, in a photo by Hiroyuki Ito for The New York Times), Leif-Ove Andsnes (below middle, in a photo by Tina Feinberg for The New York Times) and Yuja Wang (below bottom, in a photo by Hiroyuki Ito for The New York Times).

Jeremy Denk playing CR Hiroyuki Ito NYTImes

Leif Ove Andsnes at Carnegie CR Tina Feinberg for NYT

Yuja Wang at Carnegie Hall CR Hiroyuki Ito NYT

But it also covered string players, including the legendary cellist Pablo Casals (below) and Beethoven’s late string quartets as well his late piano sonatas and the “Diabelli” Variations as well as the bigger instrumental works, like the “Goldberg” Variations and solo cello suites of Johann Sebastian Bach.

Casals

And one performer, pianist Leif Ove Andsnes, made the case that Frederic Chopin (below) was the most difficult composer to play well, even harder than Beethoven. Curiously, no mention was made of the often knotty late piano music by Johannes Brahms. And conductors were not mentioned.

Chopinphoto

Here is a link to the story:

http://www.nytimes.com/2015/01/04/arts/music/musicians-grapple-with-beethoven.html?_r=0

The Ear thinks it all depends on the performer. Some young performers are deeply capable of profundity. And yet there is no denying that age, maturity and experience often bring new points of view or perspective on great art.

But some older performers also remain pretty superficial.

What do you think?

The Ear wants to hear.


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