Classical music: Pianist Aldo Ciccolini, who popularized the music of Erik Satie, is dead at 89.

By Jacob Stockinger

Did I come to know the pianist Aldo Ciccolini through the music of Erik Satie?

Or did I come to know the music of Erik Satie through the playing of pianist Aldo Ciccolini (below in his later years)?

It says something to me – something very Sixties and very dear – that the two were, and remain, inextricable for me. (Once discovered, the more soulful music of Erik Satie (below) even found its way into popular culture and rock music through groups like ‘Blood, Sweat and Tears.”)

And the public’s taste for Satie continues. Satie, as played by Pascal Roge, was recently featured on the soundtrack to the documentary film “Man on Wire,” about Philippe Petit and his historic tightrope walk between the Twin Towers in New York City.)

And maybe it was that way for you too.

Last Saturday night, Aldo Ciccolini, a prize-winning concert pianist, a prolific recording artist and a renowned teacher whose students included Jacques-Yves Thibaudet, died in his sleep at the age of 89.

There is not much for The Ear to say except that Ciccolini did for me what the greatest artists do: Use beauty to hijack me from the ordinary world and elevate me in an unforgettable way.

I am pretty sure that I and many others did not know the beautiful, graceful and contemplative “Trois Gymnopedies” until the young and handsome Ciccolini’s perfectly paced recordings of those pieces, and of Satie’s complete works, received worldwide circulation and acclaim.

Perhaps the same goes for the music of Camille Saint-Saens, another of Ciccolini’s specialties.

Ciccolini was Italian, but he had an uncanny flair for French music, which remains under-appreciated even today — including the music of Francois Couperin, Jean-Philippe Rameau and Gabriel Faure — even if the works of Maurice Ravel and Claude Debussy have fared much better.

I think Ciccolini understood that special French hybrid of clarity and mystery, of rationality and passion, of Descartes and Baudelaire. (You can hear Ciccolini’s incomparable playing of Satie in a popular YouTube video at the bottom which has a lot of reader comments.)

Anyway, here are three obituaries with lots of great background information.

From NPR (National Public Radio):

http://www.npr.org/blogs/deceptivecadence/2015/02/02/383253499/aldo-ciccolini-an-italian-pianist-with-a-french-soul

From The New York Times:

http://www.nytimes.com/2015/02/04/arts/music/aldo-ciccolini-dies-at-89-pianist-interpreted-satie.html?_r=0

From the BBC:

http://www.classical-music.com/news/aldo-ciccolini-1925-2015

 

 

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Posted in Classical music
Tags: Aldo Ciccolini, Arts, Asnières-sur-Seine, Baroque, Baudelaire, BBC, Chamber music, clarity, Classical music, Claude Debussy, Compact Disc, concerto, Couperin, Debussy, Descartes, Erik Satie, Faure, France, French music, grace, graceful, Italy, Jacob Stockinger, Jean-Yves Thibaudet, Long-Thibaud-Crespin Competition, Madison, Man on Wire, Music, Music conservatories of Naples, mystery, New York Times, NPR, Pascal Roge, Passion, Philippe Petit, Piano, popular culture, Rameau, rationality, Ravel, reason, Rock, rock music, Saint-Saens, soul, Twin Towers, YouTube