Classical music: YOU MUST HEAR THIS: Samuel Barber’s “Canzonetta” for Oboe and String Orchestra. Plus a FREE one-hour hymn sing in Overture Hall is this Saturday morning at 11 a.m.

ALERT: A FREE one-hour community Hymn Sing will take place this Saturday morning at 11 a.m. in Overture Hall with the Overture Concert Organ played by guest Joe Chrisman. The event is put on jointly by the Madison Symphony Orchestra and the Overture Center for the Arts.

By Jacob Stockinger

Today’s YOU MUST HEAR THIS comes from a recent concert that I attended.

I first heard this work — the Canzonetta for Oboe and String Orchestra by the 20th-century American composer Samuel Barber (below top) — at the concert by the Middleton Community Orchestra (below bottom) on Wednesday night a week ago.

So far as The Ear knows, the piece has never been programmed by the Madison Symphony Orchestra or, more appropriately, by the Wisconsin Chamber Orchestra.

Not that it is too late. It could stand being programmed again and having a wider hearing. I think it would even be welcome at Concerts on the Square.

I also can’t recall ever hearing it at the University of Wisconsin-Madison School of Music, although it seems a perfect choice and could well have been part of a student recital with a piano instead of the orchestra.

In any case, the Canzonetta for Oboe and String Orchestra was a last work -– the middle movement on an unfinished oboe concerto, much like British composer Gerald Finzi’s beautiful “Eclogue” was the middle movement of an uncompleted piano concerto.

The piece has all the hallmarks of Barber, who is best known for his Adagio for Strings. It is neo-Romantic, melodic, tonal and wholly accessible while being unmistakably modern. It is poignant and bittersweet, like many moments in the gorgeous and widely performed Violin Concerto that Barber composed.

In fact, some of the harmonies in the Canzonetta remind The Ear of the sublime and moving “Nimrod” Variation in Sir Edward Elgar’s “Enigma” Variations.

I am not alone in being introduced to this work for the first time. A few very seasoned musicians and music fans in the audience I spoke to had never heard it either.

But it was given a splendid performance by the MCO under conductor Kyle Knox and guest oboist Andy Olson (below), who was trained at the Lawrence University Conservatory of Music in Appleton, Wisconsin, and who now works at Epic Systems near Madison.

Here is a link to a rave review that John W. Barker (below), who normally writes for Isthmus, did for this blog:

https://welltempered.wordpress.com/2015/02/28/classical-music-the-middleton-community-orchestra-under-conductor-kyle-knox-turns-in-its-most-impressive-performance-so-far-the-brass-proves-especially-noteworthy/

So here is a link to a YouTube video of the piece itself — the seven-minute “canzonetta” or little song, as the title announces. It is sadly telling of the work’s fate that you cannot find a version with either a well-known oboist or well-known string orchestra.

Enjoy and let us know what you think of it.

The Ear wants to hear.

 

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Posted in Classical music
Tags: Adagio for Strings, Andy Olson, Appleton, Arts, canzonetta, Chamber music, Classical music, Eclogue, Elgar, Enigma Variations, fight song, Gerald Finzi, hymn sing, Isthmus, Jacob Stockinger, John W. Barker, Kyle Knox, Madison Symphony Orchestra, Middleton Community Orchestra, Music, Nimrod, Oboe, Orchestra, Overture Center, Overture Hall, Samuel Barber, Samuel Hutchison, song, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Wisconsin, Wisconsin Chamber Orchestra, YouTube