ALERT: It is the first Sunday of the month. That means the Chazen Museum of Art will broadcast its own version of “Sunday Afternoon Live from the Chazen” — abandoned by Wisconsin Public Radio after 36 years — via live streaming as well as FREE and public attendance.
Today’s concert features chamber music starting at 12:30 p.m. with a link directly from the Chazen website. The artists are the UW-Madison’s popular Pro Arte Quartet performing the String Quartet in C Minor, Op. 18, No. 4, by Ludwig van Beethoven; the String Quartet in A Major, K. 414, by Wolfgang Amadeus Mozart; and the String Quartet No. 3 by Belgian composer Benoit Mernier, which the Pro Arte (below, in a photo by Rick Langer) is about to record.
Here is a link to the Chazen for streaming the concert:
http://www.chazen.wisc.edu/visit/events-calendar/event/sal-5-3-15/
By Jacob Stockinger
British pianist, composer, painter, blogger and polymath Stephen Hough is one of the outstanding concert pianists on the scene today. He has performed several times in Madison, with the Madison Symphony Orchestra and at the Wisconsin Union Theater, giving master classes at the UW-Madison School of Music.
Known for both his outstanding technique and his deep musicality, Hough (below) has won numerous of awards and Hyperion will soon release three new CDs that each feature his own compositions as well as other standard repertoire.
So The Ear was pleased to read what Hough recently had to say about the neglected Piano Concerto by Antonin Dvorak (below top) whose Violin Concerto and Cello Concerto have fared much better, to say nothing of his symphonies and chamber music.
After all, the work’s last great champion was the Russian pianist Sviatoslav Richter (below bottom), whose recorded performance you can hear in a YouTube video at the bottom.
Wouldn’t it be fun to hear the Dvorak Piano Concerto performed live by some soloist – maybe Hough himself– and the Madison Symphony Orchestra in a future season? What a chance to resurrect the neglected past and to explore an unknown work by a very well known and beloved composer.
I tend to trust Hough’s judgment, although he is especially close to the work these days as he prepares to record it. After all, he has played and often recorded most of the standard piano concertos and quite a few of the more rarely heard Romantic concertos.
Here are his remarks:
http://blogs.telegraph.co.uk/culture/stephenhough/100076512/probably-my-favourite-piano-concerto/
And here is the famous performance by Sviatoslav Richter:
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