The Well-Tempered Ear

Classical music: Cellist Joel Krosnick will retire from the Juilliard String Quartet and is one more example of how musicians love their careers and how teacher-performers deserve more respect.

June 2, 2015
4 Comments

By Jacob Stockinger

The Ear knows a lot of musicians.

And he considers them among the most privileged of people and workers.

That’s because he has never met a musician who regretted being a musician, even if they don’t get the job they want or earn as much as they need.

Musicians are happy, The Ear thinks, because they speak a higher language and never get tired of it.

We who listen are envious of those who play.

The latest example of it comes in a wonderful interview with cellist Joel Krosnick (below) that appeared on the Deceptive Cadence blog done by NPR (National Public Radio).

Joel Kroskick1

Krosnick is the longtime cellist of the legendary Juilliard String Quartet (below). He never thought he would retire, but now, after 42 years, he says he will indeed retire at the end of the 2015-16 season, although he will continue to teach at the Juilliard School.

Getting old, he explains, means that he can do one full-time career but no longer two. That should bring new respect to teacher-performers who are too often portrayed more as failed performers who have to teach by default.

Juilliard String Quartet copy

Read or listen to the interview for yourself and see what I mean.

http://www.npr.org/sections/deceptivecadence/2015/05/18/406687266/after-42-years-juilliard-string-quartet-cellist-to-step-down

And here, in a YouTube video at the bottom, is a slow movement from one of the late “Prussian” Quartets that Wolfgang Amadeus Mozart composed for the King of Prussia, who played the cello quite well. So Mozart gave the work a prominent role to the cello.


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