The Well-Tempered Ear

Classical music: Playing musical chairs in The Big Apple: The New Yorker magazine gives you the dirt on who might succeed James Levine at the Metropolitan Opera and Alan Gilbert at the New York Philharmonic.

October 4, 2015
2 Comments

By Jacob Stockinger

They are two of the most high-profile jobs in the world of classical music and they are both in New York City: the music director of the Metropolitan Opera and the music director of the New York Philharmonic.

And right now candidates are being examined as possible successors to their current heads, James Levine and Alan Gilbert respectively.

According to a story in The New Yorker magazine, one major player reportedly is the acclaimed firebrand and openly gay French-Canadian conductor Yannick Nezet-Seguin (below, in a photo by Hiroyuki Ito for Getty Images), who currently heads the Philadelphia Orchestra. Guess which post he is a candidate for?

yannick20141031-04.jpg

Another major candidate seems to be the conductor-composer Esa-Pekka Salonen (below). Can you guess for which post?

esa-pekka-salonen-goes-multimedia-philharmonia-Esa_Pekka_Salonen_Philharmonia

The Ear asks: Whatever happened to American candidates?

Are we going backwards from the Leonard Bernstein achievement of putting American maestros on a par with European or other foreign conductors?

To be fair, though, some report that Bernstein protégée Marin Alsop, currently music director of the Baltimore Symphony Orchestra, could be a contender for the New York Philharmonic post.

Anyway, the recent New Yorker magazine had a very good take on the game of musical chairs being played around the two major vacancies.

The story shows careful research and excellent deep sourcing. But it also reads a bit like an engagingly conversational gossip column.

Maybe that is because it is written not by music critic Alex Ross but by Russell Platt, who is the classical music editor for the Goings On About Town column that starts the magazine.

Here is a link to an excellent read and what seems to be a pretty good crystal ball about the future leaders of the Metropolitan Opera and the New York Philharmonic.

It’s great reading for a Sunday afternoon. Enjoy!

http://www.newyorker.com/culture/culture-desk/musical-chairs-conductors


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