The Well-Tempered Ear

Classical music: Today is the Winter Solstice. So The Ear offers you Schubert’s “Winterreise.” | December 21, 2015

By Jacob Stockinger

Tonight we turn the corner.

At 10:48 p.m. CST we will experience the Winter Solstice.

winter solstice image

That means that from now until late June, the days will start getting longer and the nights shorter.

True, so far we have not had much cold or snow, thanks to El Nino.

But we still have the coldest months of the season – January and February – to look forward to.

One of The Ear’s winter rituals is to listen to the song cycle “Winterreise” – winter journey – by Franz Schubert  (below) on or around the first day of winter.

Franz Schubert big

It is such a unique and astonishing work, so modern in so many ways.

And there are so many outstanding recorded versions of it that The Ear likes: Mark Padmore with pianist Paul Lewis; Matthias Goerner with Christoph Eschenbach; Thomas Quasthoff with Charles Spencer; Peter Schreier with Sviatolsav Richter; Hermann Prey and Karl Engel; and of course the legendary Dietrich Fischer-Dieskau with Gerald Moore, Joerg Demus and later with Alfred Brendel.

More locally, he also likes the version, complete with black-and-white photographs by Katrin Talbot that was done by UW-Madison baritone Paul Rowe with UW-Madison pianist Martha Fischer. (It is published by the University of Wisconsin Press.)

But probably The Ear’s favorite version of the amazing cycle so far is the one done by British tenor Ian Bostridge with Norwegian pianist Leif Ove Andsnes. The Ear prefers the higher tenor range to the baritone range. He also likes not only Bostridge’s transparent sound and outstanding diction, but also his kind of singing speech style — Sprachstimme – that adds to the storytelling of the cycle.

The complete 70-minute cycle is available from YouTube but only by going  through the 24 different videos, one per song in the cycle.

And there is a preface that features both Bostridge and Andsnes talking about the work and about performing it.

By the way, an excellent companion to the cycle is the book and e-book that Bostridge has published –- a doctoral thesis called “Schubert’s Winter Journey” Anatomy of an Obsession” (Knopf).

It is a comprehensive look at the aesthetic, historical, cultural and the literary aspects of the astonishing work and analyzes each of the 24 songs in the cycle. The Ear has read it and highly recommends this definitive study by someone who knows the famous song cycle inside and out after performing it more than 100 times.

Here is a set-up piece with pianist Jeremy Denk interviewing Ian Bostridge about his book:

And here are Bostridge and Andsnes talking about the cycle:

And “Gute Nacht” (Good Night) here is the opening song of “Winterreise”:

And “Der Leiermann,” the closing song of “Winterreise”:

The Ear urges you to sample many more, in order or out of order.

Let The Ear and other readers know which performers you prefer and which songs in the cycle are your favorite?

 

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2 Comments »

  1. Paul Rowe’s and Martha Fischer’s live performance at FUS in 2011 was spell binding–magical, memorable, haunting–will always be my favorite.

    Comment by Mary Gordon — December 21, 2015 @ 9:06 am

    • Hi Mary
      I was there too and remember that performance as fondly as you do.
      I also wrote and suggested that it become an annual event for the winter solstice.
      I still think it would be a great idea.
      But until it happens, the memory will have to do.
      Best to you for all the times you read and reply to the blog.
      Best,
      Jake

      Comment by welltemperedear — December 21, 2015 @ 6:38 pm


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