ALERT 1: Here are the results from last night of the Madison Symphony Orchestra‘s Final Forte competition of teenage concerto performers: The two Honorable Mentions go to pianists Liam Mayo and Audrianna Wu; the second prize goes to violinist Tabby Rhee; and the winner’s prize goes to marimbist Robert Rockman.
ALERT 2: The UW-Madison Choral Union has moved its one-time only performance of the oratorio “The Creation” by Franz Joseph Haydn from Sunday, April 24, to 8 p.m. on the previous night, Saturday, April 23. At the same time, the separate concert by the UW Chamber Orchestra that was scheduled for Saturday, April 23, has been CANCELLED because it will instead accompany the Choral Union that same night.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
The infinitely versatile and irrepressibly enterprising Mikko Rankin Utevsky (below) has come up with another project to pursue: the Impresario Student Opera.
Impresario Student Opera made its debut in Mills Hall last Sunday night.
The program was all-Mozart.
It began with an orchestral work, the Symphony No. 35, the “Haffner.” There was a 24-player orchestra, which did commendable work, though the strings were really rather thin. But Utevsky again proved himself a savvy conductor.
The rest was Mozart opera.
A recitative and duet from Act II of Così fan tutte, “Il coro vi dono,” has Guglielmo (Gavin Waid) scoring success in wooing his comrade’s sweetheart, Dorabella (Meghan Hilker). For these, co-director Dennis Gotkowski conducted. (You can hear the scene in a YouTube video at the bottom.)
After the intermission came the main event — appropriately, the eponymous comedy Der Schauspieldirektor (The Impresario). This was very freely adapted by turning the title character into a woman — by no means what Mozart expected.
Five singers (below top) were mustered: Waid and Hilker, with Anna Polum and Nicole Heinen as the dueling sopranos (below bottom), and Jiabao Zhang as the sugar daddy of one of them.
The dialogue was rewritten and given in English, the musical numbers sung in what purported to be German — but diction lessons are badly in order.
In their star roles, Polum was powerful, if a little unsteady at moments, while Heinen was a quite sprightly soubrette. Utevsky conducted, but had some parts in the comedy too. Stage director Alannah Spencer showed imagination in her staging.
There were a lot of in-group jokes, aimed at a rather rowdy claque of voice students.
All in all, though, despite a bumpy start, this project bodes well as expanded opportunity for the splendid vocal talent that the University of Wisconsin-Madison School of Music attracts.