Well, the hometown maestro was guest conducting a week-long production of Kurt Weill‘s opera “Lost in the Stars” for the Washington National Opera at the Kennedy Center for the Performing Arts in Washington, D.C.
A number of critics didn’t particularly like the opera itself, which is based on the famous anti-apartheid novel “Cry, the Beloved County” by Alan Paton, and some criticized the theatrical aspects of the production.
But music director and conductor DeMain received praise for his part.
Here are links to various reviews:
There is more praise in a mention on Page 2:
By Jacob Stockinger
Calling it piano abuse it would be a stretch. That sounds too accusatory and too sensational.
But calling it piano neglect certainly seems justified and fair.
From a distance, and under the glare of stage lighting, the piano (below) seemed more or less OK.
But when he went up close, The Ear saw just how chewed up the wood was in so many places.
Now some wear-and-tear seems normal, especially for a piano that gets so much use for solo recitals and chamber music. And truth be told, it probably plays pretty well and is maintained in good shape internally.
But the outer condition of this piano nonetheless seemed as if it had indeed been neglected over the years — though maybe there are other reasons.
There were eye-catching scrapes and gouges that just look junky.
Now The Ear knows that the talented piano technician at the University of Wisconsin-Madison School of Music is very busy. After all, there are a lot of pianos to tune and regulate.
And The Ear also knows that budget cuts are presenting challenges to the School of Music and its staff.
But that seems all the more reason to take care of the pianos the school has. The likelihood of replacing it with a new one seems little to none.
After all, these days a Steinway concert grand Model D sells for pretty close to $125,000.
If you had a car worth that much, you would surely not neglect its maintenance and upkeep. So why would you do it to a piano, especially one that gets so much use and is in the public eye so frequently?
So on the eve of more student degree recitals, which will only increase as the end of the spring semester draws closer, here is The Ear’s plea:
Please use the padded covering that can protect the piano when it gets moved, and try to be careful about bumping or scraping into things that can cause permanent damage.
Also, if there are times that the piano’s finish gets marred, please use that specially made piano dye to restore the ebony finish and please repair any chipped keys, which are plastic not ivory, by the way.
The Ear doubts other instruments — strings, brass, woodwinds — would be allowed by their owners to fall into such a state.
If you doubt all this or think it is overstating the case, here are some close-up photos that The Ear took.
It hurts The Ear to see such a fine instrument neglected and deteriorate. He assumes that the students who use it feel the same way – and he hopes the public does too. Owning such a fine musical instrument imposes a certain responsibility on the owner, and it should be repaired.
Is The Ear being too hard or fussy?
He would like to know what students who play the piano and what other audience members think.
Use the COMMENT section to let him know.
The Ear wants to hear.