By Jacob Stockinger
Take children’s fairy tales – such as “Sleeping Beauty” (below) — and recast them through adult reinterpretations. You can get some pretty weird and dark and humorous results.
That is not only the formula for Stephen Sondheim’s popular Broadway musical and later Hollywood movie “Into the Woods.”
It also worked for the Pulitzer Prize-winning American poet Anne Sexton, who grew depressed and killed herself at age 45. Her versions then became an opera.
The music, described as tonal and accessible, is by Conrad Susa (below), who taught at the San Francisco Conservatory of Music. The contemporary opera has been popular and widely staged.
This weekend and early next week, University Opera – the opera program at the University of Wisconsin-Madison School of Music – will give three performances in Music Hall of the work on Friday night at 7:30 p.m., Sunday afternoon at 3 p.m. (NOT 3:30 as first posted here mistakenly) and Tuesday night at 7:30 p.m. (NOTE: An ad on Wisconsin Public Radio erroneously lists the performance times on Friday and Tuesday nights as 7 p.m. and 7 p.m., respectively.)
Admission is $25, $20 for seniors and $10 for students.
Members of the cast even posted an invitation video on YouTube:
For more information, visit the A Tempo blog of the University of Wisconsin-Madison School of Music, which features remarks from interim opera director David Ronis (below, in a photo by Luke Delalio), who is based in New York City, and details about the pre-concert discussion on Friday night from 6 to 7 p.m. (There will also be talk back sessions after each performance.):
The music director is graduate student in conducting Kyle Knox (below), who recently conducted Mark Adamo’s “Little Women” for the Madison Opera and who conducts ensembles at the UW-Madison and the Middleton Community Orchestra.
For even more background, visit:
http://www.music.wisc.edu/2016/02/12/university-opera-presents-transformations/
Here is a sample, a YouTube video of the “Hansel and Gretel” section of “Transformations”: