By Jacob Stockinger
All around The Ear, even very knowledgeable people were asking:
“What is that piece?”
“Who’s the composer?”
After a recent and superb performance of the Piano Concerto No. 4 by Ludwig van Beethoven with the Madison Symphony Orchestra under its longtime music director John DeMain, the renowned American pianist Emanuel Ax (below), who received a well-deserved standing ovation, played an encore.
And he played it beautifully.
But he was negligent in one way.
He didn’t announce what the encore was.
So most of the audience was left wondering and guessing.
Now, The Ear knew the composer and piece because The Ear is an avid amateur pianist and knows the piano repertoire pretty well.
The encore in question was the Valse Oubliée No. 1 in F-sharp Major by Franz Liszt, which used to be more popular and more frequently heard than it is now. (You can hear it below played by Arthur Rubinstein in a YouTube video.)
On previous nights, Ax – who is a friendly, informed, articulate and talkative guy — also had apparently not announced the encores. But on Friday night it was the Waltz No. 2 in A minor by Frederic Chopin and on Saturday night is was the Nocturne in F-sharp major, Op. 15, No. 2, also by Chopin. Chopin is a composer who is a specialty of Ax, as you can hear in the YouTube video at the bottom, which features his encore in an unusual setting pertaining to the Holocaust.
It’s a relatively small annoyance, but The Ear really thinks that performers ought to announce encores. Audiences have a right to know what they are about to hear or have just heard. It is just a matter of politeness and concert etiquette, of being audience-friendly.
Plus it is fun to hear the ordinary speaking voice of the artist, even if it is only just briefly to announce a piece of music, as you can hear below with Ax discussing the three concerts in Carnegie Hall that he did to celebrate the bicentennials of Chopin and Robert Schumann.
And it isn’t just a matter of big names or small names.
Emanuel Ax is hardly alone.
A partial list this season of performers who did NOT announce encores include violinist Benjamin Beilman, who played with the Wisconsin Chamber Orchestra; violist Nobuko Imai, who performed with the Pro Arte Quartet; pianist Maurizio Pollini in a solo recital in Chicago; and a UW professor who played a work by Robert Schumann that even The Ear didn’t know.
Performing artists who DID announce encores — many of then by Johann Sebastian Bach — included pianist Joyce Yang at the Wisconsin Union Theater; violinist James Ehnes and cellist Sara Sant’Ambrogio, both with the Madison Symphony Orchestra; UW-Madison pianist Christopher Taylor, who played sick but nonetheless announced and commented humorously on his encore by Scott Joplin, “The Wall Street Rag”; and violinist Alexander Sitkovetsky, who played recently with the Wisconsin Chamber Orchestra.
So it seems like there is no consistent standard that concert artists learn or adopt about handling encores. The Ear’s best guess is that it is just a personal habit the performers get used to over time.
But the Ear sure wishes that all performing artists would announce encores, program changes or additions.
It just makes the concert experience more fun and informative as well as less frustrating.
Is The Ear alone?
Do you prefer that artists announce or not announce their encores?
Or doesn’t it matter to you?
The Ear wants to hear.