The Well-Tempered Ear

Classical music: What is your favorite Easter music? There is so much to choose from. Here are two samplers. | March 27, 2016

By Jacob Stockinger

Today is Easter Sunday, 2016.

Easter Sunday

You don’t have to be a believer to know that the events of Easter have inspired great classical music, especially in the Baroque era but also in the Classical, Romantic and Modern eras.

Easter lily

Of course, there is the well-known and much-loved oratorio “Messiah” by George Frideric Handel, who wrote it for Easter, not Christmas as is so often assumed because of when it is usually performed. (NOTE: The Madison Bach Musicians will perform “Messiah,” with period instruments and historically informed performance practices, at the First Congregational United Church of Christ on Friday and Sunday, April 8 and 10.)

There is a lot of instrumental music, including the gloriously brilliant brass music by the Venetian composer Giovanni Gabrieli and the darker Rosary sonatas for violin by Heinrich Ignaz Franz Biber and the “Lamentation” Symphony, with its sampling of familiar tunes and intended to be performed on Good Friday, by Franz Joseph Haydn.

Heinrich Biber

Easter music cuts across all kinds of nationalities, cultures and even religious traditions: Italian, German, English, Scottish, American, Russian, French and Austrian.

But the occasion — the most central event of Christianity — is really celebrated by the huge amount of choral music combined with orchestral music – perhaps because the total effect is so overwhelming and so emotional — that follows and celebrates Holy Week, from Palm Sunday through Maundy Thursday and Good Friday and then ultimately to Easter and the Resurrection from death of Jesus Christ.

For The Ear, the pinnacle is the music of Johann Sebastian Bach (below), especially his cantatas, oratorios and passions.

Bach1

But today The Ear wants to give you a sampler of 16 pieces of great Easter music, complete with audiovisual clips.

Here is one listing that features music by Johann Sebastian Bach, Thomas Tallis, Nikolai Rimsky-Korsakov, Gustav Mahler, Francis Poulenc and James MacMillan:

http://www.classical-music.com/article/six-best-pieces-classical-music-easter

And here is another listing that features music by Antonio Vivaldi, Hector Berlioz, Gioachino Rossini, Heinrich Ignaz Franz Biber, Franz Joseph Haydn, Ludwig van Beethoven, Bach’s “Easter Oratorio” (rather than his “St. Matthew Passion” or “St. John Passion”) and “The Resurrection” oratorio (other than “Messiah”) by Handel.

http://www.theimaginativeconservative.org/2015/04/ten-classical-music-pieces-for-easter.html

Curiously, no list mentions the gorgeous and haunting “Miserere” (below) by Gregorio Allegri. It was traditionally performed in the Vatican’s Sistine Chapel on the Wednesday and Good Friday of Holy Week, but was kept a closely guarded secret. Publishing it was forbidden. Then a 12-year-old Wolfgang Amadeus Mozart heard it and copied it down from memory.

Finally, The Ear offers his two favorite pieces of Easter music that never fail to move him. They are the passion chorale and final chorus from the “St. Matthew Passion” by Johann Sebastian Bach:

What piece of music is your Easter favorite?

Do you have a different one to suggest that you can leave in the COMMENT section, perhaps with a link to a YouTube video?

The Ear wants to hear.

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6 Comments »

  1. Mahler’s “Resurrection” Siymphony

    Comment by Frank Stowers — March 28, 2016 @ 9:32 am

  2. I’ll cheat and say the Hallelujah chorus from Handel’s Messiah, since it was written for Easter. But of course the Bach St. Matthew and St. John passions and Beethoven’s concluding “Hallelujah” chorus from Christ on the Mount of Olives, Op. 83.

    Comment by Ron McCrea — March 27, 2016 @ 1:07 pm

  3. The St. John. I wish I could play it every day of my life.

    Comment by Marika Fischer Hoyt — March 27, 2016 @ 9:27 am

  4. Brahms’ Deutsches Requiem — that jubilant 6th movement chorus always lifts my heart.

    Comment by slfiore — March 27, 2016 @ 9:10 am

  5. Any of the great requiems, with Mozart’s at the top, followed closely by Faure’s.

    But please, nothing by the very boring Mr. Haydn. Hear one of his works and you’ve heard them all.

    Comment by fflambeau — March 27, 2016 @ 6:52 am

  6. Grechaninoff’s The Seven Days of Passion is a new favorite.

    Comment by Guy Stalnaker — March 27, 2016 @ 6:44 am


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