Classical music: How well did Western classical music fare in China during the Cultural Revolution compared to today?

By Jacob Stockinger

Western classical music seems to be thriving in the new China.

The Ear sees Lang Lang — the world’s highest paid classical pianist — and Yundi Li and all the Chinese winners of major competitions, and he reads that there are more piano students in China than in all of Western Europe, North America and South America combined.

But the path to such success wasn’t easy.

In fact it was downright tragic during the Cultural Revolution waged by Chairman Mao Zedong – with dramatic stories and figures that may be worthy of an opera or two. (Below is a poster from the Cultural Revolution.)

Anyway, weekends are a good time for reading longer pieces.

So here is a fine and eye-opening story The Ear liked. It comes from The Guardian newspaper in the UK. It even ponders the question of whether the more cerebral and intellectual Johann Sebastian Bach will soon replace the more dramatic and emotional Ludwig van Beethoven as China’s favorite classical composer.

https://www.theguardian.com/music/2016/jul/08/after-the-cultural-revolution-what-western-classical-music-means-in-china

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Posted in Classical music
Tags: "Goldberg" Variations, Arts, Bach, Baroque, Beethoven, cerebral, Chamber music, China, Classical music, counterpoint, Cultural Revolution, drama, dramatic, emotion, fugue, intellectual, Jacob Stockinger, Johann Sebastian Bach, Lang Lang, Ludwig van Bethoven, Mao Tse-Tung, Mao-Zedong, Mozart, Music, North America, opera, Orchestra, Piano, Poster, South America, tragedy, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, Western Europe, Wolfgang Amadeus Mozart, Yundi Li