By Jacob Stockinger
Recently, senior New York Times music critic Anthony Tommasini wrote a column in which he praised the intensity and intimacy that listeners feel in a smaller concert hall.
His remarks come in the context of the $500-million remodeling of David Geffen Hall at Lincoln Center and the opening of the Mostly Mozart Festival.
And he offers the suggestions as a solution not only for solo recitals and chamber music performances but also for symphony orchestras and operas.
The Ear compares, say, the intensity of the Bach Dancing and Dynamite Society (below top), with the audience at the edge of the stage) in the Playhouse at the Overture Center to the Wisconsin Chamber Orchestra in the Capitol Theater to the Madison Symphony Orchestra (below bottom) and Madison Opera in Overture Hall.
You can indeed hear intense performances in all three venues. But overall The Ear has to agree that being closer to the musicians also brings you closer to the music.
Here is a link to Tommasini’s column:
What does your own experience tell you?
What is your favorite concert hall or venue?
Let us know.
The Ear wants to hear.