By Jacob Stockinger
World-famous avant-garde stage director Peter Sellars (below, in a photo by Christian Carisius for the European Press Photo Agency) is known for his unorthodox recasting of operas and Bach cantatas.
But one of his productions, done almost 30 years ago, has proven especially prescient.
The plot centers on the medieval “droit du seigneur” that allowed a nobleman to be entitled by law to have sex with a servant on her wedding night before the husband did. (In the YouTube video at bottom is the famous and so breathtakingly beautiful Forgiveness scene, featured in the Oscar-winning film “Amadeus,” with the faithful Countess and the philandering Count that ends the masterpiece opera.)
In 1988 Sellars set the opera on the 52nd floor of the luxurious Trump Tower (below), as the equivalent of an aristocratic estate, of net-feudalistic excess and wealth.
With great insight and articulateness, Sellars recently discussed with The New York Times the inspired settings in light of the past history, campaign and recent election of President-elect Donald Trump.
The Ear found the interview both enlightening and entertaining, and he hopes you do too.
Here is a link:
It makes you wonder: How will other forms of art deal with the new administration?
Could it be that we are in for more activist protest art, something of a return to the 1960s and such efforts as Barbara Garson’s 1967 “MacBird,” which recast Shakespeare’s tragedy “Macbeth” as a theatrical satire of President Lyndon Baines Johnson, or LBJ, and First Lady Lady Bird Johnson as the Macbeths following the assassination of President John F. Kennedy or JFK?
What do you think?
Can you think of other works that lend themselves to such an approach to contemporary affairs?
The Ear wants to hear.