By Jacob Stockinger
The black-and-white poster (below) looks fittingly eerie, spooky and creepy for one of the most famous ghost stories ever written. Look carefully at the blurry outlines of people – or are they spirits? The ambiguity is deliberate.
The poster advertises the opera “The Turn of the Screw,” which was written in 1954 by British composer Benjamin Britten (below, in a 1968 publicity photo by Decca Records taken by Hans Wild) and is based on a famous gothic novella by the 19th-century American writer Henry James. (In the YouTube video at the bottom, you can hear an excerpt from the production at the 2007 Glyndebourne Festival.)
The production of Britten’s last chamber opera promises to be exciting, engaging and innovative. That is thanks to the University Opera’s new permanent artistic director David Ronis (below, in a photo by Luke DeLalio), a transplanted New Yorker who recently won national awards for two earlier productions at the UW-Madison when he was the opera company’s guest interim director for two seasons.
Below is a link to the complete story, with links to the awards story and other aspects. It also contains information about the cast and about tickets ($25 for adults, $20 for seniors and $10 for students).
The Ear wants to point out just a few important highlights:
Performances are in Music Hall, at the foot of Bascom Hill, on this Friday at 7:30 p.m., this Sunday at 3 p.m. and next Tuesday night at 7:30 p.m.
After each performance, a talk-back for the audience to ask questions of the cast and the artistic staff will be held.
The running time is two hours with intermission.
The opera will be sung in English, but will also feature supertitles so the audience can easily understand the poetic libretto and follow the story.
The talented and experienced UW-Madison graduate student Kyle Knox (below) will conduct members of the UW Symphony Orchestra. Knox has conducted the UW Symphony and the University Opera many times before, and has also conducted for the Madison Opera and the Middleton Community Orchestra. Some mention him as a serious candidate to succeed his retiring and acclaimed teacher, Professor James Smith.
Here is the link to the full story, with many more details including cast members, on the UW-Madison Mead Witter School of Music’s website:
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