The Well-Tempered Ear

Classical music: It is commencement weekend at the University of Wisconsin-Madison and at many other schools. Here are two pieces by Brahms and Elgar to celebrate the event | May 13, 2017

By Jacob Stockinger

School is out!

This weekend is Commencement Weekend at the University of Wisconsin-Madison, the University of Wisconsin System and many other colleges and universities across the nation.

Undergraduates will graduate in Camp Randall Stadium (below) today starting at noon.

And continuing students can at last put the hard work of classes and final papers and semester-end papers behind them.

So some celebration seems in order.

The Ear knows of two pieces that are surefire in the way they capture the spirit of the event.

For overall mood, The Ear thinks it is hard to top the upbeat energy of the “Academic Festival” Overture — heard below conducted by Leonard Bernstein in a YouTube video — which Johannes Brahms wrote on the occasion of receiving an honorary degree. It even includes an old Latin student drinking song.

The other piece is the “Pomp and Circumstance” March No. 1 (of 5) by Sir Edward Elgar — heard below in a YouTube video with a chorus singing “Land of Hope and Glory.”

Sure, it is overplayed for everything from elementary school to graduate school. But that is only because it fits the occasion so perfectly and captures the stately poignancy of the moment when you leave one life behind and turn to face another.

Are the two pieces “warhorses”?

Probably.

Make that certainly.

But The Ear thinks some old standards remain standards because they are just that good, not just that old.

Yet if you have other favorite works or you know of other worthy pieces – say, Franz Joseph Haydn’s “Oxford” Symphony that he wrote when he received an honorary degree –please leave word and a YouTube link in the COMMENT section.

Cheers and congratulations to all!

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2 Comments »

  1. Stately processionals used to be matched with joyous, explosive organ recessionals.Two that I heard that always stayed with me were Eugene Gigou’s Tocatta and Charles-Marie Widor’s Toccata from the Fifth Organ Symphony. Here is the Gigou:

    Comment by Ron McCrea — May 13, 2017 @ 7:56 am

  2. At the high school I attended in Baltimore, we always marched into Commencement to the strains of the Grand March from Aida, played on the piano in rousing fashion by my piano teacher, Mrs Maevers.

    Comment by Ann Boyer — May 13, 2017 @ 5:50 am


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