The Well-Tempered Ear

Classical music: What is your favorite Sousa march for the Fourth of July? What other classical music celebrates the holiday? | July 4, 2017

By Jacob Stockinger

Today is the Fourth of July, Independence Day, when we mark the day and the Declaration of Independence when the U.S officially separated from Great Britain to become not a colony but its own country.

Over the past decade The Ear has chosen music from many American composers to mark the event – music by Edward MacDowell, Charles Ives, William Grant Still, George Gershwin, Aaron Copland, Samuel Barber, Leonard Bernstein, William Schuman, Joan Tower, John Adams and so many others.

And of course also featured around the nation will be the “1812 Overture” by Peter Tchaikovsky.

You will probably hear a lot of that music today on Wisconsin Public Radio and other stations, including WFMT in Chicago and WQXR in New York City.

Here is a link to nine suggestions with audiovisual performances:

http://www.classical-music.com/article/nine-best-works-independence-day

But The Ear got to thinking.

It is certainly a major achievement when a composer’s name becomes synonymous with a genre of music. Like Strauss waltzes. Bach cantatas and Bach fugues. Chopin mazurkas and Chopin polonaises.

The Ear thinks that John Philip Sousa is to marches what Johann Strauss is to waltzes. Others have done them, but none as well.

So on Independence Day, he asks: Which of Sousa’s many marches is your favorite to mark the occasion?

The “Stars and Stripes Forever” — no officially our national march — seems the most appropriate one, judging by titles. “The Washington Post” March is not far behind.

But lately The Ear has taken to “The Liberty Bell” March.

Here it is a YouTube video with the same Marine Band that Sousa, The March King, once led and composed for:

And if you want music fireworks in the concert hall to match the real thing, you can’t beat the bravura pyrotechnical display concocted and executed by pianist Vladimir Horowitz, a Russian who became an American citizen and contributed mightily to the war effort during World War II.

Horowitz wowed the crowds – including fellow virtuoso pianists – with his transcription of “The Stars and Stripes Forever” in which it sounds like three or four hands are playing. Judge for yourself. Here it is:

Of course, you can also leave the names of other American composers and works to celebrate the Fourth. Just leave a word and a link in the COMMENT section.

The Ear wants to hear!

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3 Comments »

  1. “Wisconsin Forward Forever” (which Scott Walker has made hash of).
    http://www.angelfire.com/ks/landzastanza/jpswff.html

    Comment by bbead — July 4, 2017 @ 8:45 am

  2. “Under the Double Eagle” is a favorite of mine.

    Comment by James Rhem — July 4, 2017 @ 7:57 am

  3. For the duck may be somebody’s brother . . . 🙂
    I also like “Liberty Bell.” In high school I loved playing “El Capitan” and “The Thunderer” and the “U.S. Field Artillery March” (when those caissons go rolling along).
    “King Cotton” and “The Black Horse Troop” are also wonderful. At the latter’s premiere in 1924 in a Cleveland auditorium, cavalrymen rode their burnished mounts up the aisles to take their place onstage.
    My favorite non-Sousa, non-American march is Teike’s “Alte Kameraden” (Old Comrades).

    Comment by bbead — July 4, 2017 @ 7:27 am


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