By Jacob Stockinger
It’s Saturday — time for another reader survey.
A few weeks ago, The Ear asked: Which composer or piece you really cannot stand or consider overrated, for whatever reason.
A lot of readers responded and their responses were very interesting, even unexpected. They included such composers as Haydn, Mozart, Beethoven, Brahms, Scriabin and Mahler.
It was a question of personal taste and of course was subjective – like music itself.
Here is a link to that blog post:
Today, The Ear wants to know:
What piece could you listen to over and over and over again without getting tired or bored by it?
Of course, it may not have to do with the quality of the piece, but rather with how forcefully it speaks to you.
And the piece you name now may not be the one you would name next week or next month or next year.
Right now, for example, The Ear is on a kick with the Ballade No. 4 in F minor, Op. 52, by Chopin (below). He loves the work for its development and counterpoint as well as its titanic emotion, which is both Classically restrained and Romantically effusive. That’s why The Ear sees it as Chopin’s response to Beethoven’s “Appassionata” Sonata.
The Ear has tried to play the Ballade and loves comparing different interpretations. (You can hear it played by Arthur Rubinstein in the YouTube video at the bottom. And there are a lot other versions on YouTube.)
As to your choice:
It could be larger work like a Beethoven symphony or a Rachmaninoff concerto or a Verdi opera. Or it could be smaller work, like a Schubert song or a Bach prelude or a Puccini aria.
Anyway, let us know what piece you are focused on right now. It might even serve as a recommendation to other readers.
And in the Comment section, tell us what you like about it and why, and include a YouTube link to a performance if you can.
The Ear wants to hear.
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