By Jacob Stockinger
At a time when so many classical music programs are striving desperately for commercial success and popularity with the public, one program stands out as phenomenally successful: The Metropolitan Opera’s “Live From the Met in HD” broadcasts.
Those broadcasts reach hundreds of cinemas around the world in North America, South America, Europe, Africa and Asia. Here is a list of the international showings:
http://www.metopera.org/season/in-cinemas/international-locations/
The new season of the live broadcasts by the Metropolitan Opera (below) opens this Saturday.
The broadcasts in Madison will take place at two Marcus Corporation cinemas: at the Point Cinemas on the far west side and the Palace Cinemas in Sun Prairie on the far east side.
The first of 10 operas in the season is a new production of Vincenzo Bellini’s Druid-based bel canto opera “Norma.”
The outstanding cast of singers and actors includes Sondra Radvanovsky, Joseph Callejo and Joyce DiDonato. Carlo Rizzi is the conductor. (You can hear a preview of this production in the YouTube video at the bottom.)
The running time is 3 hours 30 minutes.
Tickets are $18.
Here is a season trailer:
The live performance is this Saturday, Oct. 7, at 11:55 a.m.:
http://www.marcustheatres.com/movies/met-norma-live
Encore presentations and rebroadcast are on Wednesday, Oct. 11, at 1 pm. and 6:30 p.m.:
http://www.marcustheatres.com/movies/met-norma-encore
For this production of “Norma,” here are:
A link to a synopsis and cast list:
http://www.metopera.org/Season/In-Cinemas/SynopsisCast/norma/?performanceNumber=14827
Links to production notes and program notes:
http://www.metopera.org/Season/2017-18-Season/norma-bellini-tickets/
http://www.metopera.org/metoperafiles/season/2017-18/operas/norma/programs/100717%20Norma.pdf
Much of the upcoming season features standard tried-and-true operas by Mozart (“The Magic Flute” and “Cosi fan tutti“); Puccini (“Tosca” and “La Bohème”); Verdi (“Luisa Miller”)’ Rossini (“Semiramide”) and Donizetti (“The Elixir of Love”). But there is also a contemporary work, “The Exterminating Angel,” by Thomas Adès and a holiday production of Humperdinck’s “Hansel and Gretel.”
What do you think of the “Live From the Met” screenings?
What do you think most makes them so successful? The quality of the productions? The affordable price? The accessibility?
And what do you think of the choice of operas in the new season?
The Ear wants to hear.