The Well-Tempered Ear

Classical music: The Wisconsin Chamber Orchestra expands its Masterworks series this Friday night in Madison and Saturday night in Brookfield with piano soloist Orion Weiss and music by Mozart, Mendelssohn and Donald Fraser | January 21, 2020

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CORRECTION: The Ear received the following correction to the story about the Wisconsin Chamber Orchestra and apologizes for the error:

“There was a change to our rollout in Brookfield. We are only repeating the fifth Masterworks concert on Saturday, May 9. at 7:30 p.m. at the Sharon Lynne Wilson Center for the Arts. We are NOT repeating this Friday’s concert in Brookfield.

“We will perform a Family Series concert of “Beethoven Lives Next Door” on Sunday, March 29, at 3 p.m. at the same Brookfield venue.”

By Jacob Stockinger

The Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) is about to take a Great Leap Forward.

This weekend will see the WCO — now in its 60th year of existence and its 20th season under music director Andrew Sewell (below bottom, in a photo by Alex Cruz) – take a major step in its evolution as a statewide music ensemble. It is a development comparable to when John DeMain took the Madison Symphony Orchestra from single performances to “triples.”

That is because, for the first time ever, the WCO is going to “doubles.” It will perform Masterworks concerts in Madison on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center. Then the WCO will repeat the same concert on the following Saturday night in the Milwaukee suburb of Brookfield at the Sharon Lynne Wilson Center for the Arts.

For a full story with lots of background and quotes about future plans for the WCO, you can’t do better than read the story by Michael Muckian that appeared last week in Isthmus:

Here is a link: https://isthmus.com/music/wisconsin-chamber-orchestra-turns-60/

The opening program has a couple of points of special interest.

First, this concert will mark the Madison debut of pianist Orion Weiss, a former student of Emanuel Ax who is increasingly booked for concerts and recordings.

Weiss (below in a photo by Jacob Blickenstaff) will solo in perhaps the most popular and famous of Mozart’s 27 piano concertos: No. 21 in C Major, K. 467. It is also known as the “Elvira Madigan” concerto because the beautiful  slow movement was used as the soundtrack to the movie of that same name. (You can hear the slow movement at the bottom in a YouTube video that has more than 59 million views.)

You can learn more about Weiss at his website: https://www.orionweiss.com

Another unique facet of the WCO concert is the U.S. premiere of “Sinfonietta for Strings” (2018) by the award-winning British composer Donald Fraser, now an American resident who lives in Illinois and is married to Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO).

Fraser (below) – whose music is tonal and accessible — is especially well known, not only for his original compositions but also for his orchestral arrangements of chamber music by Brahms, Elgar, Marin Marais and others. His 2018 recording of “Songs for Strings” features many of those transcriptions.

For more about Fraser, go to his website: https://donaldfraser.com/index.html

The concert will conclude with the Symphony No. 4 – the “Italian” Symphony – by Felix Mendelssohn. It is a sunny, tuneful and energetic work that is the most popular and best-known symphony by Mendelssohn. It was also used in a movie as the soundtrack to the Italian bicycle race in the coming-of-age film “Breaking Away.”

Tickets are $10-$77. For more information about the program and the soloist, as well as about pre-concert dinners and how to buy single and season subscription tickets, go to: https://wisconsinchamberorchestra.org/performances/masterworks-i-5/

 


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3 Comments »

  1. There goes this argument:

    “…for the first time ever, the WCO is going to “doubles.” It will perform Masterworks concerts in Madison on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center. Then the WCO will repeat the same concert on the following Saturday night in the Milwaukee suburb of Brookfield at the Sharon Lynne Wilson Center for the Arts.”

    One wonders: do the musicians get extra compensation for in a sense performing 2 different concerts?

    By the way, the Sharon Lynne Wilson Center web site has no information up at all about the program that Maestro S. is referring to (they show a performance of “Cincerella” at 10 a.m. by the Florentine Opera Company.

    If someone was awake, they’d notice these things.

    Comment by fflambeau — January 21, 2020 @ 11:47 pm

  2. Hi Jake: There was a change to our rollout in Brookfield. We are only repeating MW V on May 9th at 7.30pm at the SLWC venue. We are not repeating this Friday’s concert in Brookfield.

    We are performing a Family series on Sunday March 29th at the Sharon Lynne Wilson Center at 3.00pm of Beethoven Lives Next Door. Thank you.

    On Tue, Jan 21, 2020, 12:02 AM The Well-Tempered Ear wrote:

    > welltemperedear posted: “PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG > POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not > just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw > potential audience members to an event. And you might even a” >

    Comment by andrewsewellblog — January 21, 2020 @ 6:02 pm

  3. Wonderful outreach: from Madison to Brookfield.

    I think the WCO has not evolved much more than a pops orchestra that occassionally plays classics. That is, when its music director is neither “testing the sinews” of Bruckner nor the job market.

    Comment by fflambeau — January 21, 2020 @ 1:09 am


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