The Well-Tempered Ear

NPR names relevant classical albums in a musical Diary of the Plague Year of the pandemic, racial protests, wildfires and hurricanes

December 29, 2020
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By Jacob Stockinger

For an unusual and difficult year, NPR (National Public Radio) and critic Tom Huizenga have found a new and unusual way to recommend this past year’s top classical music recordings.

On the  “Deceptive Cadence” blog for NPR, Huizenga kept a personal month-by-month diary of “music and mayhem.”

For last February, for example, this ancient image of The Dance of Death inspired contemporary composer Thomas Adès to compose his own “Totentanz” or Dance of Death. (You can hear an excerpt from the work in the YouTube video at the bottom.)

Some of the thematically-related music is modern or contemporary, some of it is from the Baroque or Classical era.

In June, as protests against the death of George Floyd (below top) flared up and spread worldwide, NPR names a recording of the “Negro Folk Symphony” by African-American composers William Dawson and Ulysses Kay (below bottom), thereby helping to rediscover Black composers whose works have been overlooked and neglected in the concert hall and the recording studio.

Devastating wildfires on the West Coast, Presidential impeachment and hurricanes on the Gulf Coast also found their way into the choices of music to listen to.

It is an unusual approach, but The Ear thinks it works.

See and hear for yourself by going to the sonic diary and listening to the samples provided.

Here is a link to the NPR album diary: https://www.npr.org/sections/deceptivecadence/2020/12/21/947149286/music-and-mayhem-a-diary-of-classical-albums-for-a-troubled-2020

But many roads, if not all, lead to Rome, as they say.

What is also interesting is that a number of the NPR choices overlap with ones listed by music critics of The New York Times as the 25 best classical albums of 2020.

Some choices also are found on the list of the nominations for the Grammy Awards that will be given out at the end of January.

In other words, the NPR diary can also serve as yet another holiday gift guide if you have gift cards or money to buy some new and notable CDs, and are looking for recommendations.

Here is a link to the Times’ choices, which you can also find with commentary and a local angle, in yesterday’s blog post: https://www.nytimes.com/2020/12/17/arts/music/best-classical-music.html

https://welltempered.wordpress.com/2020/12/27/the-new-york-times-names-the-top-25-classical-recordings-of-2020-and-includes-sample-tracks/

And here is a list to the Grammy nominations: https://welltempered.wordpress.com/2020/11/28/for-holiday-shopping-and-gift-giving-here-are-the-classical-music-nominations-for-the-63rd-grammy-awards-in-2021/

What do you think of the NPR musical diary of the plague year?

Do you find it informative? Accurate? Interesting? Useful?

Would you have different choices of music to express the traumatic events of the past year?

The Ear wants to hear.

 


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Classical music: What do you think about Abraham Lincoln and the statue of him on the UW-Madison campus?

June 28, 2020
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By Jacob Stockinger

The proposal, discussion and controversy have become local, regional, national and international news.

What do you think about Abraham Lincoln?

And what do you think should be done about the statue of him (below, in a photo by Getty Images) on the University of Wisconsin-Madison campus? Should it go? Or should it stay? Why?

Leave a comment below.

While you consider those questions, perhaps you will find it worth listening to James Earl Jones (below) narrate “A Lincoln Portrait” by the American composer Aaron Copland.It is played by the Seattle Symphony Orchestra under conductor Gerard Schwarz in the excerpt below that was recently posted by Kathleen Zorko — “with hope” — on YouTube.

 


Classical music: In two FREE concerts on Sunday afternoon and evening, the UW Wind Ensemble celebrates Black History Month and the guest duo Bridge of Song celebrates Nordic song

February 13, 2020
1 Comment

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By Jacob Stockinger

On a weekend with a lot of live music, two FREE concerts also take place at the University of Wisconsin-Madison’s new Hamel Music Center, 740 University Ave., on Sunday afternoon and early Sunday evening. Details are below:

BLACK HISTORY MONTH

At 2 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below) will celebrate Black History Month with a FREE concert.

The conductor is director Scott Teeple (below).

Also participating is the Madison-based Mt. Zion Baptist Church Gospel Choir (below), with director Leotha Stanley.

The program is:

Adolphus Hailstork (below): “American Guernica” (heard in the YouTube video at the bottom)
Armando Borolo: “Last Breaths”
DaSean Stokes, soloist
Aaron Copland: “A Lincoln Portrait”
Traditional/arr. Reynolds: “He’s Got the Whole World in His Hands”
Stephen Newby:  “When I See His Glorious Face/Can’t Nobody Do Me Like Jesus”
Omar Thomas: “Of Our New Day Begun”

For more information, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-7/

NORDIC SONG

Then at 6:30p.m. in the Collins Recital Hall, there is a FREE concert to promote Nordic song by Bridge of Song.

Bridge of Song is a voice and piano duo. It features soprano Kathleen Roland-Silverstein (below top) and pianist Collin Hansen (below bottom).

Songs will be performed in three languages — Swedish, Finnish and English. For a complete program of composers and works – unfortunately, with no translations of the foreign-language titles – as well as extended biographies of the performers, go to: https://www.music.wisc.edu/event/bridge-of-song/

 


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Classical music: Today is the Fourth of July. Here is patriotic music to help celebrate, including a portrait of a truly presidential president for the purpose of comparison

July 4, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Today is the Fourth of July – a celebration of Independence Day when the United States officially declared its separation from Great Britain in 1776.

The day will be marked by picnics and barbecues, by local parades and spectacular fireworks – and this year by armored tanks and fighter jets in yet another expensive display of military power by You Know Who: that loudmouth man who overcompensates for dodging the draft by acting more like King George than George Washington.

The “Salute to America” sure looks like it is really going to be a “Salute to Trump.”

But whatever your politics, your preferences in presidents or the festive activities you have planned for today, there is classical music to help you mark and celebrate the occasion. Just go to Google and search for “classical music for the Fourth of July.”

Better yet, tune into Wisconsin Public Radio, which will be featuring American classical music all day long.

In addition, though, here are some oddities and well-known works that The Ear particularly likes and wants to share.

The first is the Russian immigrant composer and virtuoso pianist Sergei Rachmaninoff playing his own version of our national anthem, “The Star-Spangled Banner,” something he apparently did out of respect for his adopted country before each recital he played in the U.S.:

And the second is by another Russian immigrant and piano virtuoso, Vladimir Horowitz, who was a friend and colleague of Rachmaninoff. Here he is playing his piano arrangement, full of keyboard fireworks that sound much like a third hand playing, of “The Stars and Stripes Forever” by American march king John Philip Sousa. Horowitz used the patriotic march to raise money and sell war bonds during World War II, then later used as an encore, which never failed to wow the audience:

For purposes of artistic and political comparisons of presidents, you will also find Aaron Copland’s “A Lincoln Portrait” – with famous actor and movie star Henry Fonda as the narrator of Honest Abe’s own extraordinary oratory and understated writing — in the YouTube video at the bottom.

And in a ironic twist The Ear can’t resist, here are nine pieces — many orchestral and some choral –chosen by the official website of the BBC Music Magazine in the United Kingdom to mark and honor American Independence Day. It has some surprises and is worth checking out:

http://www.classical-music.com/article/nine-best-works-independence-day

If you like or favor other works appropriate to the Fourth of July or have comments, just leave word and a YouTube link if possible, in the Comment section.

The Ear wants to hear.


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Classical music: The Winter Concert Series by the Madison Youth Choirs next Saturday and Sunday feature the theme of “Resilience” with guest artist Tony Memmel

December 2, 2018
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By Jacob Stockinger

The Ear has received the following announcement to post:

This semester, the Madison Youth Choirs welcome guest artist Tony Memmel, a singer-songwriter and guitarist whose story of ingenuity and resilience will inspire young singers and audience members alike.

Born without a left forearm or hand, Memmel (below) taught himself to play guitar by building a homemade cast out of Gorilla Tape, and has become an internationally acclaimed musician, thoughtful teacher and ambassador for young people with limb differences. (You can hear Memmel talk about  himself in the YouTube video at the bottom.)

On this coming Saturday night, Dec. 8, and Sunday afternoon, Dec., 9, at the Middleton Performing Arts Center that is attached to Middleton High School at 2100 Bristol Street, Memmel will join the Madison Youth Choirs in a Winter Concert Series called “Resilience” because it focuses on the ability to overcome challenges both visible and invisible, and along the way discover the limitless possibilities that exist inside each of us.

Here is the schedule:

Saturday, Dec. 8, at 7:00 p.m. – Purcell, Britten, Holst and Ragazzi choirs

Sunday, Dec. 9, at 4:00 p.m. – Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile choir

Tickets will be available at the door, $10 for general admission; $5 for students 7-18; and free for children under 7.

These concerts are generously endowed by the Diane Ballweg Performance Fund with additional support from our sponsors, American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Madison Arts Commission and the Wisconsin Arts Board with funds from the National Endowment for the Arts.

About Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

For more information about supporting or joining MYC, go to: https://www.madisonyouthchoirs.org

HERE IS THE COMPLETE REPERTOIRE OF THE MYC 2018 WINTER CONCERT SERIES “RESILIENCE”:

SATURDAY, DEC.  8, at 7:00 p.m. Concert (featuring MYC Boychoirs)

Combined Boychoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

“Though My Soul May Set in Darkness,” text by Sarah Williams, composer unknown

 Purcell

“Who Can Sail” Scandinavian Folk Song, arr. Jeanne Julseth-Heinrich

“Hine Ma Tov” Hebrew Folk Song, arr. Henry Leck

Britten   

“Jerusalem,” poem by William Blake, music by Sir Hubert Parry

“This Little Babe” from A Ceremony of Carols by Benjamin Britten

Holst

“Keep Your Lamps,” traditional spiritual, arr. André Thomas

“Out of the Deep” by John Wall Callcott

“Shosholoza,” Traditional song from Zimbabwe, arr. Albert Pinsonneault

Combined Boychoirs

“Angels’ Carol” by John Rutter

Tony Memmel

Selections to be announced

Ragazzi

“Wie Melodien” (Op. 5, No. 1) by Johannes Brahms

“The Chemical Worker’s Song” by Ron Angel, arr. after Great Big Sea

“Abraham Lincoln Walks at Midnight” by Abbie Betinis

Combined Boychoirs with Tony Memmel (below)

“America to Go” by Tony Memmel

SUNDAY, DEC. 9, at 4:00 p.m. Concert (featuring MYC Girlchoirs)

Combined Girlchoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

Choraliers

“Be Like a Bird,” Text from Victor Hugo, music by Arthur Frackenpohl

“Art Thou Troubled” by George Frideric Handel

“Blustery Day” by Victoria Ebel-Sabo

Con Gioia

“Bist du bei mir” by Johann Sebastian Bach from “The Notebook of Anna Magdalena Bach”

“I Heard a Bird Sing” by Cyndee Giebler

“Ask the Moon” from Three Settings of the Moon by Ron Nelson

“I’ll Overcome Someday” by C.A. Tindley

“We Shall Overcome” arr. by Marie McManama and Con Gioia

“i shall imagine” by Daniel Brewbaker, text by e.e. cummings

South African National Anthem by E.M. Sontonga and M.L. de Villiers

Capriccio

“Resilience” by Abbie Betinis

“Be Like the Bird” by Abbie Betinis

“Esurientes” from Magnificat in G minor by Antonio Vivaldi

“And Ain’t I a Woman!” by Susan Borwick, adapted from a speech by Sojourner Truth

Tony Memmel

Selections to be announced by Tony Memmel

Cantilena

“Vanitas vanitatum” by Jan Pieterszoon Sweelinck

“Chant for a Long Day” by Stephen Hatfield

“Wir eilen mit schwachen doch emsigen Schritten”(from BWV 78) by Johann Sebastian Bach

“The Storm is Passing Over” by Charles Albert Tindley, arr. Barbara Baker

Cantabile

“Ich weiss nicht”(Op. 113, No. 11) by Johannes Brahms, text by Friedrich Rueckert

“Widmung” (Op.25, No. 1) by Johannes Brahms, text by Friedrich Rueckert

“I Never Saw Another Butterfly” by Charles Davidson

Combined Choirs with Tony Memmel

“America to Go” by Tony Memmel


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Classical music: Here are the performers, programs and schedule for Saturday’s concerts by the Wisconsin Youth Symphony Orchestras

March 8, 2018
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By Jacob Stockinger

The Ear has received the following announcement from the Wisconsin Youth Symphony Orchestras to post:

Join us for our second concert series of the season, the Diane Ballweg Winterfest Concerts on this Saturday, March 10, in Mills Concert Hall, 455 North Park Street, on the University of Wisconsin-Madison campus.

Programmed pieces include works from Brian Balmages, Ludwig van Beethoven, Ralph Matesky, Gustav Holst, Samuel Barber, and more.

For the full concert repertoire, go to: https://www.wysomusic.org/2018-winterfest-repertoire/

“Every one of these concerts is jam-packed with great music—the kind of classics that have endured,” said interim WYSO artistic director Randal Swiggum (below).

“These concerts will inspire audiences, guaranteed, not just with masterworks like Holst’s ‘Jupiter’ from The Planets, and Beethoven’s Symphony No. 5, but with the energy and freshness that young musicians bring to this music.” (You can hear the dramatic and well-known opening of Beethoven’s Fifth Symphony, with an engaging graphic display of its structure, in the YouTube video at the bottom.)

Additional highlights from the concerts include an Opus One collaboration with the WYSO Music Makers Honors Ensemble on the traditional piece Goin’ To Boston; a guest appearance from NBC-15 TV News Anchor/Reporter John Stofflet (below top) who will narrate Sinfonietta’s performance of Lincoln at Gettysburg; and concerto performances from the 2017-2018 Youth Orchestra Concerto Competition winners, violist Maureen Sheehan (below middle) of Middleton and violinist Dexter Mott (below bottom) of Madison.

“Both Maureen with the Walton Viola Concerto, and Dexter with the Sibelius Violin Concerto, have tackled mature pieces that demand not just technical prowess, but thoughtful, nuanced interpretation,” Swiggum said. “I know audiences will be truly moved by their playing.”

Tickets are available at the door the day of the concerts, and are $10 for adults and $5 for youth 18 and under.

               Diane Ballweg Winterfest Concerts Schedule

11:30 a.m. – Opus One with WYSO Music Makers (below, playing at the Wisconsin Union Theater) and Sinfonietta with NBC-15 News Anchor/Reporter John Stofflet narrating Lincoln at Gettysburg.

1:30 p.m. – Harp Ensemble (below) and Concert Orchestra.

4:00 p.m. – Philharmonia Orchestra (below), with a performance of Beethoven’s Symphony No. 5, and Holst’s “Jupiter” from The Planets.

7:00 p.m. – Youth Orchestra, with performances from the 2017-2018 Youth Orchestra Concerto Competition winners, Dexter Mott and Maureen Sheehan.


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