The Well-Tempered Ear

Classical music: Superstar soprano Renée Fleming and pianist Emanuel Ax headline the 100th anniversary of the Wisconsin Union Theater’s Concert Series next season

March 4, 2019
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By Jacob Stockinger

The Ear has received the following major announcement to post about the Wisconsin Union Theater, which The Ear calls “the Carnegie Hall of Madison” for its long and distinguished history of presenting great performing artists.

The Wisconsin Union Theater (below top, with Shannon Hall below bottom) is delighted to announce the schedule for its 100th Concert Series during 2019-20.

In this celebratory year, we introduce two exciting additions: A transformative gift by Kato Perlman establishes the David and Kato Perlman Chamber Series, ensuring the world’s best chamber ensembles continue to perform as a regular feature of the Concert Series.

Additionally, two Concert Series performances will take place in the Mead Witter School of Music’s new Hamel Music Center (below). We look forward to increased collaborations with the school of music.

The 100th anniversary series was curated by the Wisconsin Union Directorate’s Performing Arts Committee, with wife-and-husband advisors pianist Wu Han and cellist David Finckel (below, in a photo by Tristan Cook), who are celebrated musicians and directors of several festivals of classical music and also serve as co-artistic directors of the Chamber Music Society of Lincoln Center. (You can hear them performing music by Johann Sebastian Bach in the YouTube video at the bottom.)

The first season of this distinguished series was in 1920-1921, and featured soprano May Peterson, violinist Fritz Kreisler and pianist Benno Moiseiwitsch.

Nineteen years later, in 1939-1940, the series moved to the newly opened Wisconsin Union Theater. The first season in the Wisconsin Union Theater featured bass singer Ezio Pinza, cellist Emanuel Feuermann, violinist Joseph Szigeti, pianist Robert Casadesus and, the highlight, contralto Marian Anderson.

Through these 99 years, numerous renowned, accomplished and prominent classical musicians have played in the series, the longest continuous classical series in the Midwest. Some made their debut here and continued returning as their fame rose.

See this article for an interview with former WUT director Michael Goldberg about the history of the series.

The schedule for the 100th Concert Series, including the inaugural David and Kato Perlman Chamber Music Series, is:

Oct. 6 – A cappella choral group Chanticleer, Hamel Music Center. Program To Be Announced

Nov. 2 – Pianist Emanuel Ax (below), Shannon Hall. All-Beethoven program, including Piano Sonatas Nos. 1, 2 and 3.

Dec. 6 – The Kalichstein, Laredo and Robinson Piano Trio (below), Shannon Hall. “Canonic Etudes” by Robert Schumann; Piano Trio No. 1 in D minor by Felix Mendelssohn; and Piano Trio in B-flat major “Archduke” by Ludwig van Beethoven.

Jan. 25, 2020 – The Escher String Quartet (below), featuring David Finckel, Shannon Hall. Quartets by Franz Joseph Haydn, Fritz Kreisler and Franz Schubert.

March 5, 2020 – Chamber Music Society of Lincoln Center – featuring David Finckel, Wu Han, Paul Neubauer and Arnaud Sussman, Shannon Hall. Sonatine by Antonin Dvorak; Piano Quartet by Josef Suk; Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms.

March 7, 2020 – Wu Han with the UW Symphony Orchestra, Hamel Music Center. Program TBD.

March 28, 2020 – Violinist Gil Shaham (below) with pianist Akira Eguchi, Shannon Hall. Program TBD.

May 2, 2020 – Special Gala Concert with Renée Fleming (below). Shannon Hall. Mixed Recital.

All programs are subject to change.

Subscriptions will be available starting March 18, 2019. Subscribers benefits include: access to the best seats, 20% off the price of single tickets, no order fees, a free ticket to Wu Han’s performance with the UW Symphony Orchestra, and the opportunity to be first to purchase tickets to Renée Fleming’s 100th Anniversary Gala Concert.

Find more information about the series and the artists at www.uniontheater.wisc.edu. Subscriptions will be available on March 18 at www.artsticketing.wisc.edu.


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Classical music: Rehearsals for the Madison Summer Choir’s 10th anniversary concert, featuring the Mass in D minor by Bruckner on July 18, start this Monday and Tuesday nights

June 10, 2018
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By Jacob Stockinger

Each year since 2008, founder Ben Luedcke (below top) directs and rehearses the annual Madison Summer Choir (below bottom), which took the place of a summer choral concert dropped and defunded by the University of Wisconsin-Madison.

The choir sings a cappella as well as accompanied by piano and orchestra.

Membership and rehearsals start TOMORROW, June 11.

The choir rehearses on Monday and Tuesday nights from 6:30 to 8:30 p.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music. The rehearsals last for six weeks.

Then on Wednesday, July 18, at 7:30 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, across from Camp Randall Stadium, the Madison Summer Choir plus a pick-up orchestra will perform the Mass in D Minor by Anton Bruckner. (You can hear the opening Kyrie movement in the YouTube video at the bottom.)

Sorry, no word has been received about ticket prices and availability, or about other possible works on the program.

For information about auditions, rehearsals and membership fees, go to:

http://www.madisonsummerchoir.org/join-us.html

Here is a link with more information about concerts this summer and in past summers:

http://www.madisonsummerchoir.org/concerts.html

Here is a link to the home website, where under “People” you can find background and a biography of Ben Luedcke and the names of the members in last summer’s choir:

http://www.madisonsummerchoir.org


Classical music: Edgewood College closes out the concert season with FREE performances of choral, band and guitar music on Friday night and Sunday afternoon

May 2, 2018
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By Jacob Stockinger

Edgewood College will close out its 90th academic year and the current concert season with two FREE performances this weekend.

On this Friday night, May 4, at 7 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, choral and guitar performances will take place.

The Women’s Choir (below top), directed by Kathleen Otterson (below bottom), performs a wide variety of traditional and modern music specifically for women’s voices.

The Chamber Singers (below top) and the Edgewood Chorale both perform under the direction of Sergei Pavlov (below bottom). The Chorale offers students and Madison-area singers the opportunity to perform larger choral works. The Chamber Singers is Edgewood College’s premier a cappella choral ensemble.

Sorry, no words about composers or works on any of the programs.

The Guitar Ensemble, under the direction of Nathan Wysock (below), is an acoustic guitar group that performs music ranging from medieval dances to modern compositions. Again, there is no word on specific composers or works on the program.

Then on Sunday afternoon, May 6, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive. The Edgewood Concert Band and Jazz Ensemble will give their spring concerts.

Admission is free, with a freewill offering to benefit the Luke House Community Meal Program.

The Concert Band is under the direction of Walter Rich (below), and the Jazz Ensemble performs under the direction of Dan Wallach.

No word on composers or works to be performed.


Classical music: The Wisconsin Chamber Choir will celebrate the Americas with two world premieres this Friday night

April 10, 2018
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By Jacob Stockinger

The Wisconsin Chamber Choir (below) will give two performances — one in Madison and one in Milwaukee — of the program “I Hear America Singing.”

The Madison program features two world premieres: Alleluia by Wayne Oquin and Shenandoah by Jae Lee. The Madison performance will also include a special guest ensemble: The University of Wisconsin–Whitewater Chamber Singers.

The local performance on this Friday, April 13, is at 7:30 p.m. in Grace Episcopal Church (below), 116 West Washington Ave., on the Capitol Square.

On next Saturday, April 21, at 7:30 p.m., the WCC will perform at St. Paul’s Episcopal Church, 914 East Knapp Street, Milwaukee.

The concert is a musical celebration of all the Americas — North and South — and all Americans.

Also, in recognition of Robert Gehrenbeck’s 10th anniversary as artistic director, the WCC presents the world premiere of Alleluia by New York composer and Juilliard School faculty member Wayne Oquin.

Inspired by Randall Thompson’s classic setting of the same one-word text, Oquin’s new version updates Thompson’s musical style in his own harmonic language, which has been compared to Morten Lauridsen’s.

An extremely versatile musician, Oquin (below) boasts recent commissions and performances by the Philadelphia Orchestra, the Danish National Symphony, the United States Air Force Band, the Houston Chamber Choir, and the King’s Singers.

At the Madison concert the WCC will be joined by the UW-Whitewater Chamber Singers performing their own world premiere, Shenandoah, by New York composer, organist and former jazz pianist Jae Lee (below).

The remainder of the program spans music of four centuries and multiple nationalities. Masterpieces of the U.S. choral repertoire — Samuel Barber’s Reincarnations and Charles Ives’s Psalm 67 — share billing with a diverse selection of works from throughout the hemisphere.

They include music by Mexican Baroque master Manuel de Samaya (below top); Argentinian tango composer Astor Piazzolla; African-American composers Bobby McFerrin, Hall Johnson, W. C. Handy, and Rosephanye Powell; and Native-American composer and longtime friend of the WCC, Brent Michael Davids (below bottom).

(You can hear a work that Robert Gehrenbeck commissioned for the UW-Whitewater Chamber Singers from Wayne Oquin in the YouTube video at the bottom, performed by the Houston Chamber Choir.)

The WCC’s award-winning organist, Mark Brampton Smith (below), will perform Samuel Barber’s virtuosic Wondrous Love: Variations On a Shape-Note Hymn on two amazing pipe organs: the 1987, 38-rank Casavant at Grace Episcopal Church in Madison, and the 2012, 51-rank Schantz at St. Paul’s Episcopal Church in Milwaukee.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world premieres.

Artistic director Robert Gehrenbeck (below), who directs choral activities at the UW-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

Advance tickets for the April 13 performance in Madison are available for $20 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (all three locations).

The April 21 performance in Milwaukee will be presented for a free-will offering.


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Classical music: Acclaimed a cappella vocal ensemble Cantus performs a world premiere in Edgerton this Saturday night

March 12, 2018
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By Jacob Stockinger

“Cantus: Inspiring Through Song“ will perform in concert this coming Saturday night, March 17, at 7:30 p.m. at the Edgerton Performing Arts Center, 200 Elm High Drive in Edgerton, Wisconsin.

In its 2017-18 touring program “Discovery of Sight,” the a cappella ensemble Cantus (below) explores the essence of light and vision, reveling in the mystery, science and poetry of what it means to truly “see” with music.

The program features works by Richard Strauss, Franz Schubert, Eric Whitacre (below top) and Einojuhani Rautavaara (below middle, in a  photo by Getty Images) alongside a world premiere by Gabriel Kahane (below bottom).

Tickets are $25 each and can be purchased online at www.edgertonpac.com or by phone at (608) 561-6093.

Praised as “engaging” by the New Yorker magazine, the men’s vocal ensemble Cantus is widely known for its trademark warmth and blending, and for its innovative programming and involving performances of music ranging from the Renaissance to the 21st century.

The Washington Post has hailed the Cantus sound as having both “exalting finesse” and “expressive power,” and refers to the “spontaneous grace” of its music making.

As one of the nation’s few full-time vocal ensembles, Cantus has grown in prominence with its distinctive approach to creating music. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process.

Cantus performs more than 60 concerts each year both in national and international touring, and in its home of Minneapolis and St. Paul, Minnesota. Cantus has performed at Lincoln Center, Kennedy Center, UCLA, San Francisco Performances, Atlanta’s Spivey Hall, and Bravo! Vail Valley Music Festival.

You can hear Cantus perform a Tiny Desk Concert for National Public Radio (NPR) in the YouTube video at the bottom. The Ear is especially fond of the way they sing “Wanting Memories.”

For more information about Cantus, go to the ensemble’s website: www.cantussings.org

The performance is funded by the William and Joyce Wartmann Endowment for the Performing Arts.


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