The Well-Tempered Ear

Classical music: Here are the winners of the seventh annual Handel Aria Competition held Friday night before a record audience

June 9, 2019
2 Comments

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By Jacob Stockinger

Co-founders Orange and Dean Schroeder have sent the following announcement about the winners of the seventh annual Handel Aria Competition that was held Friday night in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music:

The seventh annual Handel Aria Competition was a joyous evening of arias! We had a record audience — we don’t have the final numbers yet, but we ran out of 240 printed ballots and figure there were 250 to 300 people present — despite a widespread power outage on the near west side and severe parking challenges.

The winners, accompanied by the Madison Bach Musicians, were: Australian soprano Morgan Balfour, first prize (below center, in a photo by Tom Miller); soprano Emily Yocum Black, second prize (below right); and bass-baritone Jonathan Woody, third prize and audience favorite (below left).

We are excited to know that Morgan will be singing in St. George’s Church, Hanover Square, next spring thanks to the London Handel Festival. In addition, she will receive $1,500 in cash and – like all finalists — $500 toward travel costs for competing. Other awards were $1,000 for second place, $750 for third place and $500 for Audience Favorite.

Here are the arias, from opera and oratorios, sung by the three winners:

Morgan Balfour: “Spietati, io vi giurai” from “Rodelinda” and “Mean as he was, he is my brother now … Author of Peace” from “Saul”

Emily Yocum Black: “Art thou not Zaphnath? … Prophetic raptures swell my breast” from “Joseph and His Brethren” and “Credete al mio dolore” from “Alcina.”

Jonathan Woody: “Oh memory, still bitter to my soul! … Opprest with never-ceasing grief” from “Belshazzar” and “Why do the nations so furiously rage together?” from “Messiah.”

Schroeder says: “The seven finalists (below in a photo by Tom Miller) were all excellent, presenting a real challenge for audience members picking their favorite as well as for the judges.” (For names and more biographical information about the finalists and judges, go to https://handelariacompetition.com

Adds Schroeder: “The caliber of applicants gets better and better every year. This year everybody was amazing and one of the judges said he was blown away by the quality of the competition. Yet we still try to make the sure that the competition is friendly and most collegial, not cutthroat.”

All the performances from all the finalists as well as the winners were video recorded and, after they are processed, will be posted on YouTube in about a month. (The Ear will let you know when they are available.)

You can also see and hear most of the finalists from the past six years on YouTube now; and more information about the past six years of the competition is on its home website at https://handelariacompetition.com/past-competitions

Did you go to the competition?

Did you agree with the judges about the winners and the Audience Award?

What did you think of the annual competition?

The Ear wants to hear.


Posted in Classical music
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Classical music: Should events without a program or other important information be included here? Guest violist Molly Gebrian gives a free master class and free recital on Thursday at the UW-Madison

September 14, 2016
16 Comments

By Jacob Stockinger

Guest violist Molly Gebrian (below), who is on the faculty at  the University of Wisconsin-Eau Claire, will teach and perform this Thursday at the UW-Madison

molly-gebrian

The Ear is announcing her appearance despite some problems and because the viola, which has a distinguished history at the University of Wisconsin-Madison School of Music, deserves more attention.

But there are problems.

Problems like where and when is the master class?

And is it open to the public?

Her FREE recital is this Thursday night at 7:30 p.m. in Morphy Recital Hall.

But there is no word about the program for the recital.

No specific works.

Not even composers.

Such lack of information not only frustrates The Ear, but also, he imagines, is disrespectful of the general public, potential audiences and the readers of this blog.

But then he wonders:

What do readers of the blog and other musicians think?

Should the lack such information, especially programs, which often go unstated or get overlooked or communicated too late to be put on a website, disqualify an event from being listed here?

What do you think?

The Ear wants to hear.


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