The Well-Tempered Ear

Classical music: Mozart outsells Beyoncé, Adele and Drake in 2016

December 17, 2016
3 Comments

By Jacob Stockinger

It’s official.

The 18th-century classical music icon Wolfgang Amadeus Mozart has sold more CDs in 2016 than such superstar pop singers as Beyoncé, Adele and Drake.

Mozart c 1780 detail of portrait by Johann Nepomuk della Croce

Of course it has something to do with a quirk of packaging and marketing – specifically a 200-CD set of the complete works by Mozart that is selling well at holiday time.

The Ear doesn’t think it means much in the way of reversing the decline in attendance at live classical concerts or the need to find bigger and younger audiences for the classics.

To be sure, the Grammys will still devote more air time and publicity to Beyoncé, Adele and Drake.

And The Ear is betting the same thing won’t happen again next year. Or the year after that. Or maybe ever.

But it still feels good, even if only temporarily.

And the phenomenon does say something about where the recording industry is heading.

To find out more here is a good summary story, which you can listen to or read, that appeared on National Public Radio (NPR)

http://www.npr.org/2016/12/12/505311193/when-it-comes-to-cds-in-2016-mozart-outsells-beyonce-adele-and-drake

The Ear has so many favorite Mozart works. One is his last piano concerto – No. 27 in B-flat major, K. 595 — which you can hear performed by Mitsuko Uchida in the YouTube video at the bottom.

What is your favorite Mozart work?

An opera? A work of chamber music? A sonata for solo piano or for piano and violin? A string quartet or quintet?

Leave word and, if you can, a link to your favorite recording of it.

The Ear wants to hear.


Classical music: Who has stage fright and why? And how can you overcome stage fright?

August 5, 2015
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By Jacob Stockinger

It’s surpising how many acclaimed professional performers -– like dancer Mikhail Baryshnikov, pop singers Adele and Carly Simon, actors Laurence Olivier and Daniel Day-Lewis, and pianists Charles Rosen, Glenn Gould, Vladimir Horowitz  and Emanuel Ax — have suffered from the same ailment that afflicts countless students and amateurs, including The Ear.

We are talking about stage fright, which ranges from mild to debilitating in its severity. (Below is an illustration by Nishant Choksi.) It can literally rob people of careers in the performing arts.

Stage fright Cr Nishant Choksi

Periodically, stories about stage fright and how to deal with it or perhaps even lessen it come to the public’s attention. (See the YouTube video at the bottom.)

The latest is a book by gifted amateur pianist Sara Solovitch (below top, in a photo by Christine Z. Mason). Her book, “Playing Scared: A History and Memoir of Stage Fright” (below bottom) has just been published by Bloomsbury.

Playing Scared is journalist Sara Solovitch's first book. Her work has appeared in Politico, The Washington Post, The Los Angeles Times and Wired. She lives in Santa Cruz, Calif

Playing Scared is journalist Sara Solovitch’s first book. Her work has appeared in Politico, The Washington Post, The Los Angeles Times and Wired.¬†She lives in Santa Cruz, Calif

Sara Solovich Playing Scared cover

And here is Sara Solovitch playing a work by Claude Debussy:

Several essays and interviews give a terrific overview of the book and its contents.

Probably the best is in the Aug. 3 issue of The New Yorker in a review by critic Joan Acocella. Here is a link:

http://www.newyorker.com/magazine/2015/08/03/i-cant-go-on

Also, two stories on NPR or National Public Radio offer an engaging take on the book and the subject of stage fright:

http://www.npr.org/2015/07/05/419485599/in-playing-scared-pianist-grows-less-frightened-of-stage-fright

http://www.npr.org/sections/health-shots/2015/06/26/417190441/to-master-stage-fright-practice-makes-imperfect-ok

Do you suffer from stage fright?

How do you deal with it?

The Ear wants to hear.

 

 


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