ALERT: Please IGNORE the posted dates and times below. Professor Emery Stephens has CANCELLED his appearances this week at the UW-Madison due to illness. According to the UW-Madison, Stephens will try to reschedule his master classes and recital layer this spring. The Ear apologies for any misunderstanding or inconvenience, but he just heard about the cancellation.
By Jacob Stockinger
(You can hear Emery Stephens narrate “The Passion of John Brown” in the YouTube video at the bottom.)
Now this week – today and Tuesday – the acclaimed scholar and baritone singer returns to the UW.
This time he will spend Monday coaching UW voice and piano students.
Then on Tuesday night at 6:30 p.m. in Morphy Recital Hall, Stephens plus the voice and piano students and UW collaborative pianist Martha Fischer will perform a FREE recital of African-American songs and spirituals. Also included are some solo piano works by African-American composer Harry T. Burleigh (1866-1949, below).
Here is a link not only to more information about Stephens’ recital, including the program, but also to information about his last visit and about a performance on Wednesday from 1:20 to 3 p.m. in the Memorial Union by the Black Music Ensemble.
By Jacob Stockinger
What is the best way to celebrate Black History Month, which ends on Wednesday?
One way is to recall some uncovered or previously neglected black or African-American composers of art music or concert hall music. Ever hear of Joseph Boulogne, the Chevalier des Saint Georges? I hadn’t either. Maybe someday someone will program his music in concert. In the meantime, here is a clip:
Here is a link to a deeply informative website with several helpful pages about him and lists of all sorts of other neglected black composers of classical music, or so-called “Afri-classical” music:
And here is a link to a daly blog that has helpful information more than one month out of 12:
Another approach is to recall that the influence that black music has had on American music and composers such as Aaron Copland. That may help to explain the burst of programs, local and national, featuring George Gershwin (below), who incorporated blues, jazz and spirituals into his early “crossover” music.
After all, incorporating black music in America was not unlike the way that Brahms incorporated Gypsy tunes and dance rhythms or the way that Haydn and Beethoven used peasant dances like the landler into European music or the way Chopin used Polish idioms such as the mazurka and polonaise.
But this year I decided I wanted to highlight the way that African-American music has influenced very well-known European composers of classical music.
Some obvious ones come to mind, including Antonin Dvorak (the “New World” Symphony), Claude Debussy, Maurice Ravel (below) and Francis Poulenc. It’s curious how the French seem especially open to new and foreign cultural influences.
Anyway, the piece that has grabbed my attention this year is the captivating “Blues” movement from Ravel’s Violin Sonata, especially in a stunningly beautiful performance on the outstanding new Sony CD “French Impressions” by violinist Joshua Bell and pianist Jeremy Denk. It is in the YouTube video below and starts at the 11-minute mark.
What pieces would you play to do the same?
The Ear wants to hear.