The Well-Tempered Ear

Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon

April 20, 2017
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ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

Call it activist beauty or beautiful activism.

It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.

For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.

Writes the Project:

“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.

“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”

That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.

The repertoire is all new music or contemporary music by living composers.

The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at  8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.

Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.

The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”

With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)

The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.

Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”

Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.

Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.

For more information and tickets, go to www.themcp.org

You can also go to a fine story in The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/with-privilege-madison-choral-project-sings-on-social-justice/article_1d4ecf46-3347-5950-a655-eb270449fb96.html

The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.

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Classical music: Madison Choral Project gives its fourth annual holiday concert, “I Was Glad,” this Friday night and Saturday afternoon. Plus, pianist Bill Lutes gives a FREE recital of Schubert and Schumann this Friday at noon

December 14, 2016
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ALERT: The week’s FREE Friday Noon Musicale at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features pianist Bill Lutes in a solo recital. The program includes the “Papillons” (Butterflies) by Robert Schumann and the final Sonata in B-Fat Major, D. 960, by Franz Schubert. The program runs from 12:15 to 1 p.m.

For more information about Bill Lutes and his series of recitals, go to:

https://welltempered.wordpress.com/2016/11/15/classical-music-pianist-and-piano-teacher-bill-lutes-to-perform-three-free-recitals-bach-haydn-schubert-and-schumann-to-say-thank-you-to-madison/

By Jacob Stockinger

This weekend, the Madison Choral Project (below top), Madison’s professional choir under the direction of Albert Pinnsoneault (below bottom), a former Edgewood College professor who now teaches at Northwestern University, will present two performances of its fourth annual Holiday-themed program “I Was Glad.”

madison-choral-project-in-church

albert pinsonneault conducting BW

The performances are on Friday, Dec. 16, at 7:30 p.m. and Saturday Dec. 17, at 3 p.m. Both performances will be held at First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium in Madison.

i-was-glad-poster

Tickets are available in advance at www.themcp.org, or at the door.

(Preferred Seating is $40, General Admission is $24/$28 and Students are $10)

The concerts feature a carefully curated selection of vocal music and readings, with the intent to lead the listener along a sublime journey of music and text.

Madison Choral Project is will partner again with Wisconsin Public Radio’s news editor Noah Ovshinsky (below), who will perform readings from works of Tim O’Brien, Billy Collins, William Wordsworth and others.

noah-ovshinsky-reading-mcp

The Madison Choral Project will sing an eclectic mix of holiday-themed music in four sets, ranging from the 17th century to brand new compositions.

The program features two exciting world premieres by Eric Barnum (below top), the choral director at UW-Oshkosh, and MCP’s Composer in Residence, Jasper Alice Kaye (below bottom).

eric-barnum-uw-oshkosh

jasper-alice-kaye

The first set of pieces, “Welcome to the Holy Space,” includes A Child’s Prayer by James MacMillan, Sanctus from Mass in G by Francis Poulenc and Our Father by Alexandre Gretchaninoff.

The second set, “Winter Comforts,” features two new commissions written for Madison Choral Project. Winter by Eric William Barnum will be followed by The Invitation by Jasper Alice Kaye. Lux Aurumque by Eric Whitacre will finish the set.

The third set, “Glad Tidings,” includes the concert’s titular piece, I Was Glad by C.H.H. Parry (heard in the YouTube video at the bottom), as well as beautiful works by Matthew Culloton, William Dawson and Jan Sandstrøm.

The final set, “Gathering and Blessing,” contains joyous settings of familiar texts set by Francis Poulenc, Ludwig van Beethoven, and arranger John Ferguson.

For more information or tickets, go to www.themcp.org.


Classical music: Great choral singing by the Madison Chamber Choir and the Madison Choral Project should serve great choral music – and fewer second-rate novelties

May 25, 2016
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also provided the performance photos for this review.

John-Barker

By John W. Barker

Two of the city’s important choral groups joined forces for a program presented at the First Congregational United Church of Christ last Friday night and Sunday afternoon.

Albert Pinsonneault (below), who used to teach at Edgewood College and now teaches at Northwestern University, and who is the director of both groups, conducted.

Albert Pinsonneault 2

Each group had its own showcase in the program’s first half.

The Madison Chamber Choir (below) led off with the “Serenade to Music,” a setting of lines from William Shakespeare’s Merchant of Venice, which Ralph Vaughan Williams  composed in 1938 for 16 of his favorite singers, with orchestra. He adapted this for full chorus, but that transition did not quite produce a work truly choral in character.

The choir sang the beautiful work very handsomely, but the substitution for the orchestra of a piano accompaniment was uncomfortable and, indeed, a disruption of diction. (You can hear the original version for chorus and orchestra in a YouTube video at the bottom.)

Madison Chamber Choir JWB

The Madison Choral Project (below top) came next with a performance of “Images, Shadows, Dreams: Five Vignettes” by the late David Baker (1931-2016, below middle).

Baker was a noted scholar and promoter of jazz, and his goal was a “fusion” of jazz with classical forms. To the five composed poems, Pinsonneault added readings of poems written by five young participants (below bottom) in the University of Wisconsin-Madison’s Odyssey Project activities in cultural and educational support.

Madison Choral Project JWB

David Baker

Madison Choral Project jazz Odyssey student JWB

All this represents noble and praiseworthy efforts on behalf of disadvantaged African-Americans. But high ideals do not necessarily guarantee artistic achievement. Baker uses a combo of five instrumentalists, which bangs away behind the choir, hardly “fusing” anything in styles—neither honest jazz nor multicultural synthesis.

Madison Choral Project jazz drum and bass JWB

The choir, in its turn, sings mightily at music of generally simplistic technique — mostly unisons and chordal declamations. There is little to remember or admire, once the “messages” have worn off.

Fortunately, the intermission yielded to the one work of substance on the program, the Mass for Double Choir, by the Swiss composer Frank Martin (1890-1974, below), a combination of neo-classical and modernist styles that is better appreciated in Europe than here.

Frank Martin

For this, the two choirs (below) merged, then divided into the requisite two components.

Martin’s writing is subtle, and his juxtaposition of the two choirs is not just antiphonal but artfully varied in their interaction—to which is added a great deal of harmonic experimentation. This is one of the choral masterpieces of the 20th century.

Pinsonneault and his 57 choristers gave it a glorious performance, showing what this conductor can do to make great choral sound out of great choral music.

Madison Chamber Choir and Madison Choral Project combined JWB

The final programmed piece was a somewhat pretentious setting by contemporary Scottish composer James MacMillan (below) of a ballad by poet Robert Burns. As an encore, the singers perpetrated a glitzy, but uncredited, arrangement of “Loch Lomond”—the only piece that brought the audience to its feet.

James MacMillan headshot

This concert was an undeniable testimony to the splendid choral groups we have here, and to what Pinsonneault is accomplishing with these groups. But I kept returning to the dichotomy at which I hinted earlier.

Choral singing is a wonderful activity both to listen to and to participate in, and I share some of the enthusiasm for that. But I wonder how many in the audience were there seeking great CHORAL singing. I was there seeking great choral MUSIC.

Our choirs can give us the former, no question, and audiences can justly admire it. But has all this musical talent been applied responsibly to the latter? How much do our choral programs deal with trivia and little sweetmeats, rather than digging into the vast literature of magnificent choral art?


Classical music: Madison Youth Choir’s sixth annual Boychoir Festival is this Saturday. Plus, the Wisconsin Brass Quintet performs this Sunday at the Chazen Museum of Art

January 29, 2016
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ALERT: This month’s Sunday Afternoon Live From the Chazen, to start at 12:30 p.m. this Sunday, features the Wisconsin Brass Quintet from the University of Wisconsin-Madison School of Music

The program includes music by  Johann Sebastian Bach, Giovanni Gabrieli, Ira Taxin, Ingolf Dahl and UW-Madison alumnus Andrew Rindfleisch.

Since Wisconsin Public Radio no longer carries the concerts live, you must either attend it FREE in the Brittingham Gallery No. 3 in the Chazen Museum of Art or stream it live on your computer. Here is a link to the museum’s web site to reserve seats and to listen live:

http://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-feb.-7-with-the-wisconsin-brass-quintet

By Jacob Stockinger

The Ear has received the following note from the Madison Youth Choirs:

“The Madison Youth Choirs, in partnership with Madison Metropolitan School District, will present the sixth annual FREE Madison Boychoir Festival this Saturday, Jan. 30, in the Stevens Gym at Madison West High School, 30 Ash St., starting at 12:30 p.m. 

(Below is a photo of middle school singers, conducted by Margaret Jenks, from last year’s festival. You can also hear excerpts in the YouTube video at the bottom.)

Boychoir Festival 2015 Elem School Choir

“The festival is a day-long celebration of choral music for boys in grades 2-12, culminating in a free concert for the community.”

“We’re expecting a record number of well over 400 young men, ages 7-18, from across southern Wisconsin at this year’s festival, and recently also broke a new record for enrollment in MYC’s three yearlong performing boychoirs – a great sign for the culture of boys’ singing in our community!”

The program usually includes classical music, folk music and crossover or pop music. This year’s is no different. Here is the line-up:

COMBINED CHOIRS

Plato’s Take (sing in Greek) by Randal Swiggum

YOUTH CHOIR

Margaret Jenks, conductor; Andrew Johnson, piano/percussion

Banaha — Congolese folk song

MIDDLE LEVEL CHOIR

Randal Swiggum, conductor; Steve Radtke, piano; Zachary Yost, piccolo; Andrew Johnson, snare drum

“Riflemen of Bennington  Revolutionary War song, arr. Swiggum

 HIGH SCHOOL MEN’S CHOIR

Albert Pinsonneault, Michael Ross, conductors; Jess Salek, piano

Byker Hill, Traditional, arr. Sandler

THE MADISON BOYCHOIR

Randal Swiggum, Margaret Jenks, Michael Ross, conductors

Intonent Hodie, Anonymous (ca. 12th century)

COMBINED CHOIRS

Unity, by Glorraine Moore/Freddie Washington, arr. Cason

“Over 400 young singers, joined by the men of the Madison Choral Project (MCP), will present repertoire from a variety of cultural traditions and historical eras, exploring beyond notes and rhythms to discover the context, meaning and heart of the music. (Below is a photo of elementary school singers from the 2014 festival, conducted by Randal Swiggum.)

Boychoir Festival 2014 Middle School Choir

“This project is supported in part by the Madison Arts Commission, by the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, and by Dane Arts with additional funding from the Endres Mfg. Company Foundation.”

About Madison Youth Choirs (MYC)

“Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

“Cultivating a comprehensive music education philosophy that inspires self -confidence, personal responsibility and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.”

For further information, visit www.madisonyouthchoirs.org or call (608) 238-7464


Classical music: The acclaimed Madison Choral Project will perform its third annual Holiday Concert this FRIDAY night (NOT Saturday) and Sunday afternoon. It features two world premieres plus readings from Shakespeare, Rumi and the Bible

December 15, 2015
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By Jacob Stockinger

The acclaimed Madison Choral Project (below top), under the direction of its founder and conductor Albert Pinsonneault (below bottom) — who used to teach at Edgewood College and now teaches at Northwestern University — will present two performances of its third annual holiday concert, “A Procession of Angels,” this weekend.

(NOTE: You can hear the Madison Choral Project singing its beautiful a cappella arrangement of the carol “Angels We Have Heard on High” in a YouTube video at the bottom.)

Madison Choral Project 5-15 1

Albert Pinsonneault 2

The popular Holiday program will be performed twice in Madison; this Friday night, Dec. 18, at 7:30 p.m. at the First Congregational United Church of Christ at 1609 University Ave. and again on Sunday night, Dec. 20, at 2:30 p.m. at Lutheran Church of the Living Christ, 110 N. Gammon Rd.

The concerts feature Christmas music, as well as music from other traditions, and TWO WORLD PREMIERES of new compositions: “My Brilliant Image” by Madison composer and MCP singer Jasper Alice Kay (below top); and a new arrangement of “Deck the Hall” by the award-winning composer Jocelyn Hagen (below bottom). Other guests artists are also featured.

Jasper Alice Kay

Jocelyn Hagen

Wisconsin Public Radio‘s news director Noah Ovshinsky (below) again joins the MCP to read selected texts that relate to the theme of the concert. There will also be a chance for the audience to join in on some holiday sing-alongs.

Noah Ovshinsky

Music by composers such as Dominick Argento (below top), Felix Mendelssohn (below bottom), Alexander Sheremetev, William Billings, Ola Gjeilo and Kenneth Jennings, among others, will represent many of the points of view that unite the public in reflection upon the season.

dominick argento 1

mendelssohn_300

Also featured is John Aley (below), a professor at the University of Wisconsin-Madison School of music and the virtuoso principal trumpet of the Madison Symphony Orchestra, and the reading of texts by William Shakespeare, Elizabeth Barrett Browning and Hildegard von Bingen as well as from the Bible and from the mystic Sufi Arabic and Persian poets Ibn Arabi and Rumi.

john aley color

The Madison Choral Project, founded in 2012, is Madison’s professional choir. Its 22 voices are made up of professional singers, teachers and graduate students from the Madison Area.

The MCP says it “is committed in its mission to enrich lives in our community by giving voice to the great music of our diverse world; to express, to inspire, to heal; to garner joy in the experience of live music; and to educate and strengthen the next generation of singers and listeners.”

Tickets are available in advance at www.themcp.org as well as at the door of each performance venue. ($25 at the door, $20 advance tickets and $10 student tickets with student I.D.)

For more information, visit: http://themcp.org


Classical music: The Madison Chamber Choir plus instrumentalists turn in a beautiful and memorable performance of a too rarely heard “madrigal fable” by Gian Carlo Menotti.

May 17, 2015
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. Barker also provided performance photos for this review.

John-Barker

By John W. Barker

The Madison Chamber Choir (below) delivered a true spring treat on Friday evening at the First Presbyterian Church downtown.

Madison Chamber Choir singers and players performing JWB

The curtain-raiser was a group of Four Pastorales by American composer Cecil Effinger (below), to texts by Thomas Hornsby Ferril. The poems are varied and sensitive, and are set with a good feeling for choral texture.

Cecil Effinger

The catch is that Effinger composed an obbligato part for a single instrument (oboe or, as here, clarinet) that is generally irrelevant musically and even a hindrance at times to choral projection and diction. It may have been partly the composer’s fault, but the diction could have been more clearly delivered, too. (Hit those consonants, folks!)

Diction issues were somewhat lessened, thanks to the composer’s care, in the major work of the concert.

Gian Carlo Menotti (below) was at a creative peak in 1956, when he created his work for 10 dancers, nine instrumentalists, and chorus, entitled The Unicorn, the Gorgon, and the Manticore, or the Three Sundays of a Poet. He called this a “madrigal fable,” using the Renaissance form of the “madrigal comedy,” in which action is conveyed without soloists but by the choir.

This Italian idiom of the late 16th-century was something Menotti apparently discovered as he mastered Renaissance polyphonic style for the choruses in his supreme opera, The Saint of Bleecker Street (1954)—following his triumphs of The Consul (1950) and Amahl and the Night Visitors (1951).

Gian Carlo Menotti

As always, Menotti wrote his own text, which reflects on the phases of the creative life (as represented by the three animals), but also satirizes the shallow understanding and reflexive faddism of ordinary folk. In the process, he showed how wonderfully he had mastered the elements of colloquial American speech patterns.

And, above all, he put this in music that combines hilarious comedy with extraordinarily moving poetry.

I know of only one prior performance of this gem of a work in Madison, by the UW-Madison Madrigal Singers, in April of 2001, and it included the dance dimension.

Dancers were not involved in this latest production, but the music still carried the work brilliantly. The nine instrumentalists (below, on flute, oboe, clarinet, bassoon, trumpet, percussion, cello, double bass and harp) were excellent.

Madison Chamber Choir Menotti iinstrumentalists JWB

The chorus of 33 voices (below) sang with superb sonority and ensemble. You could see them relishing the humor as well as the pathos.

Madison Chamber Choir singers Menotti 2 JWB

And credit is due for the church’s fine acoustics especially in furthering the richness of choral sound.

Conductor Albert Pinsonneault (below), who also teaches at Edgewood College and heads up the Madison Choral Project, led with confidence and obvious delight.

Albert Pinsonneault 2

It really pains me that so wonderful a work as this is so little known and — partly for practical reasons — so rarely performed. Nothing but gratitude is due these performers for bringing it to life for us this time. And the quite sizable audience expressed that gratitude in a prolonged ovation.

Madison Chamber Choir Menotti players and singers JWB

 


Classical music: The Madison Chamber Choir will perform Menotti’s madrigal fable “The Unicorn, the Gorgon and the Manticore” this Friday night. On Tuesday night, The Empire Brass and organist Douglas Major perform at the Overture Center.

May 11, 2015
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A REMINDER: Tomorrow night, Tuesday, May 12, at 7:30 p.m, in Overture Hall at the Overture Center, the Empire Brass (below left) will perform a mostly Baroque program with guest organist Douglas Major (below right). Composers on the program include Johann Sebastian Bach, Dietrich Buxtehude, Henry Purcell and Michael Praetorius. Here is link to the Madison Symphony Orchestra‘s website with the complete program and background information:

http://www.madisonsymphony.org/empire

Empire BRrass with Douglas Major

By Jacob Stockinger

Larger groups and presenters such as the Madison Symphony Orchestra , the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, Edgewood College and the University of Wisconsin-Madison School of Music and the University Opera have finished their concert seasons.

Soon the major summer events — the Bach Dancing and Dynamite Society, the Madison Early Music Festival, the Token Creek Chamber Music Festival and  Opera in the Park — will take place.

But not before smaller groups, who are still winding up their season, have finished.

The Ear has received the follow announcement:

Dear Friends,

I’d like to make you aware of an upcoming concert by the Madison Chamber Choir (below).

The concert is this Friday night, May 15, at 7:30 p.m., in Christ Presbyterian Church, 944 East Gorham Street, in downtown Madison.

Admission is a $10 suggested donation.

Madison Chamber Choir 1 BIGGER

The program features “The Unicorn, the Gorgon and the Manticore” by the Italian-American composer Gian Carlo Menotti (below), most famous perhaps for establishing the Spoleto Festival and for his Christmas TV opera “Amahl and the Night Visitors.” You can hear excerpts from the “Unicorn” in a YouTube video at the bottom.

The work is described as a “madrigal fable about an odd poet his strange pets and the shallow whims of his faddish neighbors.” Assorted guest chamber instrumentalists will join the choir for the cantata.

Gian Carlo Menotti

The artistic director of the Madison Chamber Choir is Albert Pinsonneault (below), who also teaches at Edgewood College and directs the Madison Choral Project.

Albert Pinsonneault 2

Here is a link to the choir’s website about the concert:

http://www.madisonchamberchoir.net/performances/

And here is a link to a sample of the choir’s singing:

http://www.madisonchamberchoir.net/media/

Menotti poster


Classical music: The Madison Choral Project celebrates the holidays and the Winter Solstice on this Saturday with reading, carols and music.

December 17, 2014
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By Jacob Stockinger

The Madison Choral Project’s founder and music director Albert Pinsonneault (below) writes:

Albert Pinsonneault 2

Hi Jake!

Here is information about the Madison Choral Project’s upcoming concert: “O Day Full of Grace” on this coming Saturday, Dec. 20, 7:30 p.m., First Congregational United Church of Christ, 1609 University Avenue, Madison.

The concert will feature the 22-voice professional chamber choir the Madison Choral Project (below to), and readings from Noah Ovshinsky (below bottom) of Wisconsin Public Radio, as well as audience sing-along carols.

Madison Choral Project color

Noah Ovshinsky

Tickets are $20 online or $25 at the door.

Here is a link for tickets: http://themcp.org/tickets/

Here is a link to the Madison Choral Project general website: http://themcp.org

And here is the complete program:

– Reading from Ovid’s “Amores”

– Carol with Audience: “Once in Royal David’s City

SET 1: THERE WILL BE LIGHT

– “Benedictus Dominus” by Ludwig Daser (1525-1589)

– “Die mit Tränen Säen” by Johann Schein (1586-1630)

– “Helig” from “Die Deutche Liturgie” by Felix Mendelssohn (below, 1809-1847)

mendelssohn_300

SET 2: UNDERSTANDING THROUGH LOVE

– “Mary Speaks” by Nathaniel Gawthrop (b. 1949)

– Reading from Victor Frankl’s “Man’s Search For Meaning”

– “The Gallant Weaver” by James MacMillan (b. 1959)

– “Entreat Me Not To Leave You” by Dan Forrest (b. 1978)

– Carol with Audience: “Silent Night”

INTERMISSION

SET 3: HAVE JOY NOW

– Reading from Mary Oliver’s “Wild Geese”

– “Tomorrow Shall Be My Dancing Day,” arr. Dale Grotenhuis (1932-2012)

– “Away in a Manger,” arr. Bradley Ellingboe (b. 1958)

– “Ding Dong! Merrily on High,” arr. Carolyn Jennings (b. 1929)

SET 4: AT THE END OF DAYS, GRACE

– Reading, e.e.cummings’ “i thank you”

– “O Day Full of Grace” by F. Melius Christiansen (1871-1945)

– Reading Ranier Maria Rilke‘s “Sunset”

– Carol with Audience: “Day Is Done”

– “The Long Day Closes” by Arthur Sullivan (1842-1900), which can be heard in a YouTube video at the bottom.

ENCORE

– “My Soul’s Been Anchored in the Lord” by Moses Hogan (1957-2003)

 


Classical music: Friday night is another big Train Wreck that offers lots of great classical music choices: the Westminster Abbey Choir of London, the UW-Madison Pro Arte String Quartet and Edgewood College’s Fall Choir Concert as well as the opening night of University Opera’s production of “Albert Herring.”

October 21, 2014
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By Jacob Stockinger

This Friday night is, as The Wise Critic likes to call them, another big “Train Wreck.”

That is because there are so many fine but conflicting concerts to choose from.

Yesterday, The Ear posted an interview with David Ronis, who talked about his own background and about the University Opera’s production of Benjamin Britten’s comic opera “Albert Herring.” It opens Friday night at 7:30 p.m. in Music Hall with repeat performances at 3 p.m. on Sunday and 7:30 p.m. on Tuesday night.

Here is a link:

https://welltempered.wordpress.com/2014/10/20/classical-music-qa-meet-opera-director-david-ronis-who-makes-his-local-debut-in-the-university-operas-production-of-benjamin-brittens-albert-herring-this-frid/

But that opera opening night is just the beginning.

Here are three other events that merit your attention and consideration:

The WESTMINSTER ABBEY CHOIR

On Friday night at 7:30 p.m. in Overture Hall of the Overture Center, The Westminster Abbey Choir of London, England opens the 10th anniversary season of the Overture Concert Organ (below), custom built by Klais of Bonn, Germany.

Overture Concert Organ overview

From the Madison Symphony Orchestra: “For nearly 1,000 years, inspiring choral music has filled the vast cathedral of London’s Westminster Abbey, the site of every British coronation since 1066. (At the bottom in a popular YouTube video, you can hear the choir singing British composer John Rutter’s “The Lord Bless You and Keep You” at the 60th wedding anniversary of Queen Elizabeth II and Prince Philip.)

“Now, this renowned 40-voice choir (below) comes to Madison to sing with the Overture Concert Organ in a program of music from the 11th century to the Renaissance and 20th century, featuring the works of Orlando Gibbons, George Frideric Handel, Sir Hubert Parry and William Walton.

“Praised by the Sydney Morning Herald as “…One of the great choral powerhouses of our time,” The Choir of Westminster Abbey has performed for numerous notable events including, Evening Prayer in the presence of Pope Benedict XVI in 2010 and the wedding of the Duke and Duchess of Cambridge in 2011, which was seen by a worldwide television audience of over two billion people. In June 2012, the Choir made a historic visit to Rome, when it sang, at the Pope’s invitation, alongside the Sistine Chapel Choir.

Westminster Abbey 3

“When not touring the world with destinations such as Sydney, Hong Kong, Washington, D.C., and Moscow, The Choir of Westminster Abbey works on a celebrated series of recordings for Hyperion. Their critically acclaimed recording Mary and Elizabeth at Westminster Abbey received the Gramophone Critics’ Choice Award and has been hailed as “a showcase for English choral singing at its most charismatic.”

Westminster Abbey in abbey 2

General admission for the concert is $20 and tickets can be purchased at www.madisonsymphony.org/westminster, the Overture Center Box Office or (608) 258-4141. Student rush tickets are $10 on the day of show with a valid student ID (see www.madisonsymphony.org/studentrush).

This concert is sponsored by Pleasant T. Rowland Foundation, W. Jerome Frautschi Foundation, and Alfred P. and Ann M. Moore.

To see the Overture Concert Organ series of concerts for 2014-15 or to subscribe at a 25 percent savings, visit:

www.madisonsymphony.org/organseason14-15 or call (608) 257-3734.

Westminster Abbey in abbey CR Bill Prentice

PRO ARTE QUARTET

On Friday night at 7:30 p.m.in Mills Hall, the Pro Arte Quartet (below, in a photo by Rick Langer), which has been artists-in-residence at the University of Wisconsin-Madison School of Music since 1941, will perform a FREE concert.

The program is: String Quartet in D Major, Op. 71 No. 2 (1793) by Franz Joseph Haydn; String Quartet No. 4 (1936) by Alexander Zemlinsky (1936); and the popular String Quartet in F Major, Op. 96 “American” (1893) by Antonin Dvorak.

Pro Arte Quartet new 2 Rick Langer

EDGEWOOD COLLEGE

On Friday night at 7 p.m., Edgewood College will present its Fall Choral Concert in the St. Joseph Chapel, 1000 Edgewood College Drive. Admission is FREE.

The Edgewood Chamber Singers, under the direction of Albert Pinsonneault (below top), will be joined by the Women’s Choir, under the direction of Kathleen Otterson (below bottom) and the Men’s Choir, under the direction of Sergei Pavlov.

There is no admission charge.

Sorry, The Ear has received no word about specific works on the program.

Albert Pinsonneault 2

Kathleen Otterson 2


Classical music: The Madison Choral Project celebrates receiving tax-exempt status with a fundraiser on Nov. 2 and announces its new season, which features the renowned choral conductor Dale Warland.

October 10, 2014
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ALERT: This week’s FREE Friday Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, will run 12:15 to 1 p.m. and feature classical guitarist Steve Waugh (below) playing music of Johann Sebastian Bach, Jorma Kaukonen, Francisco Tarrega, Rodgers and Hart, and more. This concert is in the Landmark Auditorium.

Steve Waugh

By Jacob Stockinger

Albert Pinsonneault (below), who founded and directs the Madison Choral Project, writes:

Albert Pinsonneault 2

Dear Friends,

I am so proud to share with you some amazing news:

The Madison Choral Project is the newest official 501(c)(3) tax-exempt non-profit in the state of Wisconsin!

We couldn’t have done it without you!  All future donations to us are tax-exempt — as are past donations, retroactive to August of 2013.

Help us celebrate!

We are hosting our second annual Gala Event and Fundraiser on Sunday, November 2, from 2 to 5 p.m. at Hotel RED on the corner of Monroe and Regent streets near the UW-Madison Badger’s Camp Randall Stadium.

There will be live music from MCP musicians from 3 to 4 p.m.; a silent auction with many unique items from 2:30 to 4:30 p.m.; light appetizers served and a cash bar; and many amazing people to meet!

CLICK HERE to learn more about our event and to purchase tickets!

If you have an item that you would like to donate to our silent auction, contact us by replying to this message!

With all our thanks,

The Madison Choral Project

Madison Choral Project color

THE NEW SEASON

And here is the coming three-concert season of the MCP:

The Madison Choral Project (MCP) has announced its third season, which features internationally renowned choral conductor Dale Warland (below), and notable local artists Martha Fischer, Bruce Bengtson, Noah Ovshinsky and the Madison Youth Choirs.

Dale Warland

CONCERT 1: “O Day Full of Grace,” MCP’s second annual holiday concert, opens the season on Saturday, December 20, at 7:30 p.m. in the First Congregational Church of Christ in Madison, 1609 University Ave.  It will feature an evening of traditional holiday music, secular music, narrated texts and audience singing all surrounding the theme of a transformative time, place or experience.

MCP is again partnering with Noah Ovshinsky (below), Assistant News Editor at Wisconsin Public Radio, who will narrate readings interposed amongst the musical selections.

Noah Ovshinsky

CONCERT 2: The stunning and sublime Requiem by French composer Gabriel Faure (below top) will headline the choir’s second concert, which will also feature the striking “Te Deum” of contemporary Scottish composer James MacMillan (below bottom) on Saturday, February 28, at 7:30 p.m. at the First Congregational Church. (You can hear the opening of James Macmillan’s “Te Deum” in a YouTube video at the bottom.)

faure-1

James MacMilllan

MCP is partnering with organist Bruce Bengtson, Director of Music at Luther Memorial Church in Madison, on both the Faure and MacMillan.

February is also the culmination of a period of educational exchange between MCP and the Madison Youth Choirs, and this concert will include a performance by the Ragazzi (below, in a photo by Dan Sinclair) and Cantabile ensembles of the Madison Youth Choirs, both alone and in a combined work with the MCP singers.

Madison Youth Choirs Ragazzi by Dan Sinclair

CONCERT 3: The season will close on Friday, May 29, at 7:30 p.m. at the First Congregational Church of Christ under the direction of renowned guest conductor Dale Warland, and collaborating pianist Martha Fischer (below left, with her husband pianist Bill Lutes), Professor of Piano and head of the graduate collaborative piano program at the University of Wisconsin.

martha fischer and bill lutes

This concert marks Warland’s first return to conduct in Madison in 20 years.

Dale Warland is considered one of the most influential American choral musicians of all time, and is one of only two choral conductors to be inducted into the American Classical Music Hall of Fame.

He founded the pioneering choral ensemble, the Dale Warland Singers, in 1972.  The group was nominated for a Grammy Award for Best Choral Performance in 2003, and their 29 commercial CDs remain standard issue for choral conductors and educators around the country.

Tickets for the 2014-2015 season are available online at www.themcp.org, and at the door before each concert.  Discounted student tickets are available with a valid student ID.

 

 

 

 

 

 

 


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