The Well-Tempered Ear

Classical music: The Madison Choral Project will sing and celebrate young people’s “Hope for the Future” at its concerts this Saturday night and Sunday afternoon

December 13, 2018
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Christmas is for the children, goes the old saying — and in more than one way such as gift-giving. The birth of Jesus represents the birth of hope and salvation in Christianity.

Other holiday traditions can claim the same — the extra light theme of Hanukkah in Judaism and the harvest theme of the African celebration of Kwanzaa, for example — and of course the New Year will soon be here with its promise of hope and change.

Now the critically acclaimed and professional Madison Choral Project (below top, in a photo by Ilana Natasha) and its founder, artistic director and conductor Albert Pinsonneault – who used to teach at Edgewood College and now works at Northwestern University near Chicago while living in Madison – has taken that saying to a new level and given it new meaning.

You can hear the results for yourself this Saturday night, Dec. 15, at 7:30 p.m. and Sunday afternoon, Dec, 16, at 3 p.m. in Madison, and at 7:30 p.m. on Tuesday night, Dec. 18, in Milwaukee.

The Madison performances are at Christ Presbyterian Church, 944 East Gorham Street. The Milwaukee performance is at the Cathedral of St. John the Evangelist, 812 Jackson St.

Tickets are $24 in advance online; $28 at the door. Students with ID are $10. Preferred seating is $40.

The theme of the sixth holiday concert by MCP is “Hope in the Future,” which is relevant at any time but seems particularly so this year. So it includes specially commissioned writings by young people, middle school and high school students from grades 6 through 12. Their work will be read by Noah Ovshinsky (below), the news director at Wisconsin Public Radio.

There’s no need to reinvent the wheel, so The Ear wants instead to direct you to a fine story about the MCP concert by reporter Gayle Worland for The Wisconsin State Journal.

There you will find out much more about the identities of the young writers, with a couple of examples of their work, and the inspiration or background of the theme that Pinsonneault (below) came up with.

Here is a link:

https://madison.com/wsj/entertainment/music/madison-choral-project-offers-young-vision-of-hope/article_9aff921e-2446-51d7-9c8c-5195e41f4b32.html

Unfortunately, what you will not find in that story or at the MCP’s home web page is the music program. No composers or specific works are mentioned.

But judging from past performances, you can count on outstanding repertoire of both classics and new music.

For more information about the MCP and its past concerts as well as it personnel and singers, go to: http://themcp.org

Here is a sample of the outstanding work by the Madison Choral Project:


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Winter Concert Series by the Madison Youth Choirs next Saturday and Sunday feature the theme of “Resilience” with guest artist Tony Memmel

December 2, 2018
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event

By Jacob Stockinger

The Ear has received the following announcement to post:

This semester, the Madison Youth Choirs welcome guest artist Tony Memmel, a singer-songwriter and guitarist whose story of ingenuity and resilience will inspire young singers and audience members alike.

Born without a left forearm or hand, Memmel (below) taught himself to play guitar by building a homemade cast out of Gorilla Tape, and has become an internationally acclaimed musician, thoughtful teacher and ambassador for young people with limb differences. (You can hear Memmel talk about  himself in the YouTube video at the bottom.)

On this coming Saturday night, Dec. 8, and Sunday afternoon, Dec., 9, at the Middleton Performing Arts Center that is attached to Middleton High School at 2100 Bristol Street, Memmel will join the Madison Youth Choirs in a Winter Concert Series called “Resilience” because it focuses on the ability to overcome challenges both visible and invisible, and along the way discover the limitless possibilities that exist inside each of us.

Here is the schedule:

Saturday, Dec. 8, at 7:00 p.m. – Purcell, Britten, Holst and Ragazzi choirs

Sunday, Dec. 9, at 4:00 p.m. – Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile choir

Tickets will be available at the door, $10 for general admission; $5 for students 7-18; and free for children under 7.

These concerts are generously endowed by the Diane Ballweg Performance Fund with additional support from our sponsors, American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Madison Arts Commission and the Wisconsin Arts Board with funds from the National Endowment for the Arts.

About Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

For more information about supporting or joining MYC, go to: https://www.madisonyouthchoirs.org

HERE IS THE COMPLETE REPERTOIRE OF THE MYC 2018 WINTER CONCERT SERIES “RESILIENCE”:

SATURDAY, DEC.  8, at 7:00 p.m. Concert (featuring MYC Boychoirs)

Combined Boychoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

“Though My Soul May Set in Darkness,” text by Sarah Williams, composer unknown

 Purcell

“Who Can Sail” Scandinavian Folk Song, arr. Jeanne Julseth-Heinrich

“Hine Ma Tov” Hebrew Folk Song, arr. Henry Leck

Britten   

“Jerusalem,” poem by William Blake, music by Sir Hubert Parry

“This Little Babe” from A Ceremony of Carols by Benjamin Britten

Holst

“Keep Your Lamps,” traditional spiritual, arr. André Thomas

“Out of the Deep” by John Wall Callcott

“Shosholoza,” Traditional song from Zimbabwe, arr. Albert Pinsonneault

Combined Boychoirs

“Angels’ Carol” by John Rutter

Tony Memmel

Selections to be announced

Ragazzi

“Wie Melodien” (Op. 5, No. 1) by Johannes Brahms

“The Chemical Worker’s Song” by Ron Angel, arr. after Great Big Sea

“Abraham Lincoln Walks at Midnight” by Abbie Betinis

Combined Boychoirs with Tony Memmel (below)

“America to Go” by Tony Memmel

SUNDAY, DEC. 9, at 4:00 p.m. Concert (featuring MYC Girlchoirs)

Combined Girlchoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

Choraliers

“Be Like a Bird,” Text from Victor Hugo, music by Arthur Frackenpohl

“Art Thou Troubled” by George Frideric Handel

“Blustery Day” by Victoria Ebel-Sabo

Con Gioia

“Bist du bei mir” by Johann Sebastian Bach from “The Notebook of Anna Magdalena Bach”

“I Heard a Bird Sing” by Cyndee Giebler

“Ask the Moon” from Three Settings of the Moon by Ron Nelson

“I’ll Overcome Someday” by C.A. Tindley

“We Shall Overcome” arr. by Marie McManama and Con Gioia

“i shall imagine” by Daniel Brewbaker, text by e.e. cummings

South African National Anthem by E.M. Sontonga and M.L. de Villiers

Capriccio

“Resilience” by Abbie Betinis

“Be Like the Bird” by Abbie Betinis

“Esurientes” from Magnificat in G minor by Antonio Vivaldi

“And Ain’t I a Woman!” by Susan Borwick, adapted from a speech by Sojourner Truth

Tony Memmel

Selections to be announced by Tony Memmel

Cantilena

“Vanitas vanitatum” by Jan Pieterszoon Sweelinck

“Chant for a Long Day” by Stephen Hatfield

“Wir eilen mit schwachen doch emsigen Schritten”(from BWV 78) by Johann Sebastian Bach

“The Storm is Passing Over” by Charles Albert Tindley, arr. Barbara Baker

Cantabile

“Ich weiss nicht”(Op. 113, No. 11) by Johannes Brahms, text by Friedrich Rueckert

“Widmung” (Op.25, No. 1) by Johannes Brahms, text by Friedrich Rueckert

“I Never Saw Another Butterfly” by Charles Davidson

Combined Choirs with Tony Memmel

“America to Go” by Tony Memmel


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Madison Choral Project features a world premiere when it performs a “timeless” program this Saturday night and Sunday afternoon

February 9, 2018
1 Comment

By Jacob Stockinger

The Madison Choral Project (below) bills itself as Madison’s only professional and paid choir, and judging by the results, the a cappella group has succeeded,  creating many loyal fans. (You can hear a sample performance — of a world premiere, no less — in the YouTube video at the bottom.)

Such success is in large part thanks to the efforts of its founder, director and conductor Albert Pinsonneault (below). Originally a music professor at Edgewood College, Pinsonneault now works at Northwestern University.

He commutes from his home in Madison where he continues his work with the Madison Choral Project.

You can sample his and the choir’s impressive music-making this weekend at two performances in two different venues of a concert called “Drown’d in One Endlesse Day.”

Here are details:

“Drown’d in One Endlesse Day” features a world premiere of Wisconsin composer Eric William Barnum (below).

The Madison Choral Project champions new music. But also on the eclectic program are new and old pieces exploring the transformational moments when “time seems to stop.”

Featured composers and compositions include: the motet Komm, Jesu, Komm by Johann Sebastian Bach; “Crucifixus” by Antonio Lotti (below top); There is an Old Belief by the British composer Sir Charles Hubert Hastings Parry (below second); Credo by Finnish composer Einojuhani Rautavaara (below third, in photo by Getty Images); I Live in Pain and Last Spring by the Pulitzer Prize-winning American composer David Lang (below fourth); and Entreat Me Not to Leave You by Dan Forrest (below bottom).

PERFORMANCES:

On Saturday night at 7:30 p.m.: CHRIST PRESBYTERIAN CHURCH, 944 East Gorham Street in Madison on the near east side

On Sunday afternoon at 2 p.m.: St. ANDREW’S EPISCOPAL,
1833 Regent Street in Madison on the near west side

Tickets are $40 for preferred seating; $24 for general admission; and $10 for students.

To buy tickets online (they are also available at the door) as well as to see more background, reviews, information and several videos of MCP performances, go to:

http://themcp.org


Classical music: The Madison Choral Project will feature holiday music and seasonal texts at its concerts this Friday night and Sunday afternoon. A local Lawrence University alumni event follows the Sunday afternoon performance

December 11, 2017
Leave a Comment

By Jacob Stockinger

The Madison Choral Project has sent the following announcement to be posted:

PLEASE NOTE: WE’VE CHANGED VENUES!

The fifth annual holiday concert by the Madison Choral Project (below) is called “Old Lessons and New Carols” and features a carefully curated selection of vocal music and readings.

The intent is to lead the listener along a sublime journey of music and text, perfect for this reflective season. (Sorry, The Ear has received no word about specific composers, authors or works on the program.)

Performances are: Friday night, Dec. 15, at 7:30 p.m.; and Sunday afternoon, Dec. 17, at 3 p.m.

Both concerts are located at the CHRIST PRESBYTERIAN CHURCH, 944 East Gorham Street.

Tickets are $24 for adults and $10 for students, who must show an ID.

For more information, go to: Old Lessons and New Carols

In addition, the Lawrence University Club of Madison will hold a gathering of alumni and prospective students after the concert on Sunday afternoon.

A special Lawrence reception will be held after the performance that will include a Q&A with Lawrence alumna and Madison Choral Project soprano Rachel Edie Warrick ’99 (below top), as well as the choir’s artistic director and conductor, Albert Pinsonneault (below bottom).

General admission is $24 per adult in advance, and $28 at the door. Admission for students, who must show ID, is $10 either in advance or at the door.

For tickets and more information about the Madison Choral Project, go to: http://themcp.org


Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon

April 20, 2017
1 Comment

ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

Call it activist beauty or beautiful activism.

It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.

For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.

Writes the Project:

“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.

“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”

That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.

The repertoire is all new music or contemporary music by living composers.

The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at  8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.

Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.

The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”

With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)

The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.

Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”

Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.

Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.

For more information and tickets, go to www.themcp.org

You can also go to a fine story in The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/with-privilege-madison-choral-project-sings-on-social-justice/article_1d4ecf46-3347-5950-a655-eb270449fb96.html

The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.


Classical music: Madison Choral Project gives its fourth annual holiday concert, “I Was Glad,” this Friday night and Saturday afternoon. Plus, pianist Bill Lutes gives a FREE recital of Schubert and Schumann this Friday at noon

December 14, 2016
1 Comment

ALERT: The week’s FREE Friday Noon Musicale at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features pianist Bill Lutes in a solo recital. The program includes the “Papillons” (Butterflies) by Robert Schumann and the final Sonata in B-Fat Major, D. 960, by Franz Schubert. The program runs from 12:15 to 1 p.m.

For more information about Bill Lutes and his series of recitals, go to:

https://welltempered.wordpress.com/2016/11/15/classical-music-pianist-and-piano-teacher-bill-lutes-to-perform-three-free-recitals-bach-haydn-schubert-and-schumann-to-say-thank-you-to-madison/

By Jacob Stockinger

This weekend, the Madison Choral Project (below top), Madison’s professional choir under the direction of Albert Pinnsoneault (below bottom), a former Edgewood College professor who now teaches at Northwestern University, will present two performances of its fourth annual Holiday-themed program “I Was Glad.”

madison-choral-project-in-church

albert pinsonneault conducting BW

The performances are on Friday, Dec. 16, at 7:30 p.m. and Saturday Dec. 17, at 3 p.m. Both performances will be held at First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium in Madison.

i-was-glad-poster

Tickets are available in advance at www.themcp.org, or at the door.

(Preferred Seating is $40, General Admission is $24/$28 and Students are $10)

The concerts feature a carefully curated selection of vocal music and readings, with the intent to lead the listener along a sublime journey of music and text.

Madison Choral Project is will partner again with Wisconsin Public Radio’s news editor Noah Ovshinsky (below), who will perform readings from works of Tim O’Brien, Billy Collins, William Wordsworth and others.

noah-ovshinsky-reading-mcp

The Madison Choral Project will sing an eclectic mix of holiday-themed music in four sets, ranging from the 17th century to brand new compositions.

The program features two exciting world premieres by Eric Barnum (below top), the choral director at UW-Oshkosh, and MCP’s Composer in Residence, Jasper Alice Kaye (below bottom).

eric-barnum-uw-oshkosh

jasper-alice-kaye

The first set of pieces, “Welcome to the Holy Space,” includes A Child’s Prayer by James MacMillan, Sanctus from Mass in G by Francis Poulenc and Our Father by Alexandre Gretchaninoff.

The second set, “Winter Comforts,” features two new commissions written for Madison Choral Project. Winter by Eric William Barnum will be followed by The Invitation by Jasper Alice Kaye. Lux Aurumque by Eric Whitacre will finish the set.

The third set, “Glad Tidings,” includes the concert’s titular piece, I Was Glad by C.H.H. Parry (heard in the YouTube video at the bottom), as well as beautiful works by Matthew Culloton, William Dawson and Jan Sandstrøm.

The final set, “Gathering and Blessing,” contains joyous settings of familiar texts set by Francis Poulenc, Ludwig van Beethoven, and arranger John Ferguson.

For more information or tickets, go to www.themcp.org.


Classical music: Great choral singing by the Madison Chamber Choir and the Madison Choral Project should serve great choral music – and fewer second-rate novelties

May 25, 2016
6 Comments

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also provided the performance photos for this review.

John-Barker

By John W. Barker

Two of the city’s important choral groups joined forces for a program presented at the First Congregational United Church of Christ last Friday night and Sunday afternoon.

Albert Pinsonneault (below), who used to teach at Edgewood College and now teaches at Northwestern University, and who is the director of both groups, conducted.

Albert Pinsonneault 2

Each group had its own showcase in the program’s first half.

The Madison Chamber Choir (below) led off with the “Serenade to Music,” a setting of lines from William Shakespeare’s Merchant of Venice, which Ralph Vaughan Williams  composed in 1938 for 16 of his favorite singers, with orchestra. He adapted this for full chorus, but that transition did not quite produce a work truly choral in character.

The choir sang the beautiful work very handsomely, but the substitution for the orchestra of a piano accompaniment was uncomfortable and, indeed, a disruption of diction. (You can hear the original version for chorus and orchestra in a YouTube video at the bottom.)

Madison Chamber Choir JWB

The Madison Choral Project (below top) came next with a performance of “Images, Shadows, Dreams: Five Vignettes” by the late David Baker (1931-2016, below middle).

Baker was a noted scholar and promoter of jazz, and his goal was a “fusion” of jazz with classical forms. To the five composed poems, Pinsonneault added readings of poems written by five young participants (below bottom) in the University of Wisconsin-Madison’s Odyssey Project activities in cultural and educational support.

Madison Choral Project JWB

David Baker

Madison Choral Project jazz Odyssey student JWB

All this represents noble and praiseworthy efforts on behalf of disadvantaged African-Americans. But high ideals do not necessarily guarantee artistic achievement. Baker uses a combo of five instrumentalists, which bangs away behind the choir, hardly “fusing” anything in styles—neither honest jazz nor multicultural synthesis.

Madison Choral Project jazz drum and bass JWB

The choir, in its turn, sings mightily at music of generally simplistic technique — mostly unisons and chordal declamations. There is little to remember or admire, once the “messages” have worn off.

Fortunately, the intermission yielded to the one work of substance on the program, the Mass for Double Choir, by the Swiss composer Frank Martin (1890-1974, below), a combination of neo-classical and modernist styles that is better appreciated in Europe than here.

Frank Martin

For this, the two choirs (below) merged, then divided into the requisite two components.

Martin’s writing is subtle, and his juxtaposition of the two choirs is not just antiphonal but artfully varied in their interaction—to which is added a great deal of harmonic experimentation. This is one of the choral masterpieces of the 20th century.

Pinsonneault and his 57 choristers gave it a glorious performance, showing what this conductor can do to make great choral sound out of great choral music.

Madison Chamber Choir and Madison Choral Project combined JWB

The final programmed piece was a somewhat pretentious setting by contemporary Scottish composer James MacMillan (below) of a ballad by poet Robert Burns. As an encore, the singers perpetrated a glitzy, but uncredited, arrangement of “Loch Lomond”—the only piece that brought the audience to its feet.

James MacMillan headshot

This concert was an undeniable testimony to the splendid choral groups we have here, and to what Pinsonneault is accomplishing with these groups. But I kept returning to the dichotomy at which I hinted earlier.

Choral singing is a wonderful activity both to listen to and to participate in, and I share some of the enthusiasm for that. But I wonder how many in the audience were there seeking great CHORAL singing. I was there seeking great choral MUSIC.

Our choirs can give us the former, no question, and audiences can justly admire it. But has all this musical talent been applied responsibly to the latter? How much do our choral programs deal with trivia and little sweetmeats, rather than digging into the vast literature of magnificent choral art?


Classical music: Madison Youth Choir’s sixth annual Boychoir Festival is this Saturday. Plus, the Wisconsin Brass Quintet performs this Sunday at the Chazen Museum of Art

January 29, 2016
2 Comments

ALERT: This month’s Sunday Afternoon Live From the Chazen, to start at 12:30 p.m. this Sunday, features the Wisconsin Brass Quintet from the University of Wisconsin-Madison School of Music

The program includes music by  Johann Sebastian Bach, Giovanni Gabrieli, Ira Taxin, Ingolf Dahl and UW-Madison alumnus Andrew Rindfleisch.

Since Wisconsin Public Radio no longer carries the concerts live, you must either attend it FREE in the Brittingham Gallery No. 3 in the Chazen Museum of Art or stream it live on your computer. Here is a link to the museum’s web site to reserve seats and to listen live:

http://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-feb.-7-with-the-wisconsin-brass-quintet

By Jacob Stockinger

The Ear has received the following note from the Madison Youth Choirs:

“The Madison Youth Choirs, in partnership with Madison Metropolitan School District, will present the sixth annual FREE Madison Boychoir Festival this Saturday, Jan. 30, in the Stevens Gym at Madison West High School, 30 Ash St., starting at 12:30 p.m. 

(Below is a photo of middle school singers, conducted by Margaret Jenks, from last year’s festival. You can also hear excerpts in the YouTube video at the bottom.)

Boychoir Festival 2015 Elem School Choir

“The festival is a day-long celebration of choral music for boys in grades 2-12, culminating in a free concert for the community.”

“We’re expecting a record number of well over 400 young men, ages 7-18, from across southern Wisconsin at this year’s festival, and recently also broke a new record for enrollment in MYC’s three yearlong performing boychoirs – a great sign for the culture of boys’ singing in our community!”

The program usually includes classical music, folk music and crossover or pop music. This year’s is no different. Here is the line-up:

COMBINED CHOIRS

Plato’s Take (sing in Greek) by Randal Swiggum

YOUTH CHOIR

Margaret Jenks, conductor; Andrew Johnson, piano/percussion

Banaha — Congolese folk song

MIDDLE LEVEL CHOIR

Randal Swiggum, conductor; Steve Radtke, piano; Zachary Yost, piccolo; Andrew Johnson, snare drum

“Riflemen of Bennington  Revolutionary War song, arr. Swiggum

 HIGH SCHOOL MEN’S CHOIR

Albert Pinsonneault, Michael Ross, conductors; Jess Salek, piano

Byker Hill, Traditional, arr. Sandler

THE MADISON BOYCHOIR

Randal Swiggum, Margaret Jenks, Michael Ross, conductors

Intonent Hodie, Anonymous (ca. 12th century)

COMBINED CHOIRS

Unity, by Glorraine Moore/Freddie Washington, arr. Cason

“Over 400 young singers, joined by the men of the Madison Choral Project (MCP), will present repertoire from a variety of cultural traditions and historical eras, exploring beyond notes and rhythms to discover the context, meaning and heart of the music. (Below is a photo of elementary school singers from the 2014 festival, conducted by Randal Swiggum.)

Boychoir Festival 2014 Middle School Choir

“This project is supported in part by the Madison Arts Commission, by the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, and by Dane Arts with additional funding from the Endres Mfg. Company Foundation.”

About Madison Youth Choirs (MYC)

“Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

“Cultivating a comprehensive music education philosophy that inspires self -confidence, personal responsibility and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.”

For further information, visit www.madisonyouthchoirs.org or call (608) 238-7464


Classical music: The acclaimed Madison Choral Project will perform its third annual Holiday Concert this FRIDAY night (NOT Saturday) and Sunday afternoon. It features two world premieres plus readings from Shakespeare, Rumi and the Bible

December 15, 2015
4 Comments

By Jacob Stockinger

The acclaimed Madison Choral Project (below top), under the direction of its founder and conductor Albert Pinsonneault (below bottom) — who used to teach at Edgewood College and now teaches at Northwestern University — will present two performances of its third annual holiday concert, “A Procession of Angels,” this weekend.

(NOTE: You can hear the Madison Choral Project singing its beautiful a cappella arrangement of the carol “Angels We Have Heard on High” in a YouTube video at the bottom.)

Madison Choral Project 5-15 1

Albert Pinsonneault 2

The popular Holiday program will be performed twice in Madison; this Friday night, Dec. 18, at 7:30 p.m. at the First Congregational United Church of Christ at 1609 University Ave. and again on Sunday night, Dec. 20, at 2:30 p.m. at Lutheran Church of the Living Christ, 110 N. Gammon Rd.

The concerts feature Christmas music, as well as music from other traditions, and TWO WORLD PREMIERES of new compositions: “My Brilliant Image” by Madison composer and MCP singer Jasper Alice Kay (below top); and a new arrangement of “Deck the Hall” by the award-winning composer Jocelyn Hagen (below bottom). Other guests artists are also featured.

Jasper Alice Kay

Jocelyn Hagen

Wisconsin Public Radio‘s news director Noah Ovshinsky (below) again joins the MCP to read selected texts that relate to the theme of the concert. There will also be a chance for the audience to join in on some holiday sing-alongs.

Noah Ovshinsky

Music by composers such as Dominick Argento (below top), Felix Mendelssohn (below bottom), Alexander Sheremetev, William Billings, Ola Gjeilo and Kenneth Jennings, among others, will represent many of the points of view that unite the public in reflection upon the season.

dominick argento 1

mendelssohn_300

Also featured is John Aley (below), a professor at the University of Wisconsin-Madison School of music and the virtuoso principal trumpet of the Madison Symphony Orchestra, and the reading of texts by William Shakespeare, Elizabeth Barrett Browning and Hildegard von Bingen as well as from the Bible and from the mystic Sufi Arabic and Persian poets Ibn Arabi and Rumi.

john aley color

The Madison Choral Project, founded in 2012, is Madison’s professional choir. Its 22 voices are made up of professional singers, teachers and graduate students from the Madison Area.

The MCP says it “is committed in its mission to enrich lives in our community by giving voice to the great music of our diverse world; to express, to inspire, to heal; to garner joy in the experience of live music; and to educate and strengthen the next generation of singers and listeners.”

Tickets are available in advance at www.themcp.org as well as at the door of each performance venue. ($25 at the door, $20 advance tickets and $10 student tickets with student I.D.)

For more information, visit: http://themcp.org


Classical music: The Madison Chamber Choir plus instrumentalists turn in a beautiful and memorable performance of a too rarely heard “madrigal fable” by Gian Carlo Menotti.

May 17, 2015
Leave a Comment

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. Barker also provided performance photos for this review.

John-Barker

By John W. Barker

The Madison Chamber Choir (below) delivered a true spring treat on Friday evening at the First Presbyterian Church downtown.

Madison Chamber Choir singers and players performing JWB

The curtain-raiser was a group of Four Pastorales by American composer Cecil Effinger (below), to texts by Thomas Hornsby Ferril. The poems are varied and sensitive, and are set with a good feeling for choral texture.

Cecil Effinger

The catch is that Effinger composed an obbligato part for a single instrument (oboe or, as here, clarinet) that is generally irrelevant musically and even a hindrance at times to choral projection and diction. It may have been partly the composer’s fault, but the diction could have been more clearly delivered, too. (Hit those consonants, folks!)

Diction issues were somewhat lessened, thanks to the composer’s care, in the major work of the concert.

Gian Carlo Menotti (below) was at a creative peak in 1956, when he created his work for 10 dancers, nine instrumentalists, and chorus, entitled The Unicorn, the Gorgon, and the Manticore, or the Three Sundays of a Poet. He called this a “madrigal fable,” using the Renaissance form of the “madrigal comedy,” in which action is conveyed without soloists but by the choir.

This Italian idiom of the late 16th-century was something Menotti apparently discovered as he mastered Renaissance polyphonic style for the choruses in his supreme opera, The Saint of Bleecker Street (1954)—following his triumphs of The Consul (1950) and Amahl and the Night Visitors (1951).

Gian Carlo Menotti

As always, Menotti wrote his own text, which reflects on the phases of the creative life (as represented by the three animals), but also satirizes the shallow understanding and reflexive faddism of ordinary folk. In the process, he showed how wonderfully he had mastered the elements of colloquial American speech patterns.

And, above all, he put this in music that combines hilarious comedy with extraordinarily moving poetry.

I know of only one prior performance of this gem of a work in Madison, by the UW-Madison Madrigal Singers, in April of 2001, and it included the dance dimension.

Dancers were not involved in this latest production, but the music still carried the work brilliantly. The nine instrumentalists (below, on flute, oboe, clarinet, bassoon, trumpet, percussion, cello, double bass and harp) were excellent.

Madison Chamber Choir Menotti iinstrumentalists JWB

The chorus of 33 voices (below) sang with superb sonority and ensemble. You could see them relishing the humor as well as the pathos.

Madison Chamber Choir singers Menotti 2 JWB

And credit is due for the church’s fine acoustics especially in furthering the richness of choral sound.

Conductor Albert Pinsonneault (below), who also teaches at Edgewood College and heads up the Madison Choral Project, led with confidence and obvious delight.

Albert Pinsonneault 2

It really pains me that so wonderful a work as this is so little known and — partly for practical reasons — so rarely performed. Nothing but gratitude is due these performers for bringing it to life for us this time. And the quite sizable audience expressed that gratitude in a prolonged ovation.

Madison Chamber Choir Menotti players and singers JWB

 


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,211 other followers

    Blog Stats

    • 2,099,405 hits
    November 2019
    M T W T F S S
    « Oct    
     123
    45678910
    11121314151617
    18192021222324
    252627282930  
%d bloggers like this: