The Well-Tempered Ear

Classical music: Performers should announce encores

March 25, 2016
5 Comments

By Jacob Stockinger

All around The Ear, even very knowledgeable people were asking:

“What is that piece?”

“Who’s the composer?”

After a recent and superb performance of the Piano Concerto No. 4 by Ludwig van Beethoven with the Madison Symphony Orchestra under its longtime music director John DeMain, the renowned American pianist Emanuel Ax (below), who received a well-deserved standing ovation, played an encore.

And he played it beautifully.

Emanuel Ax portrait 2016

But he was negligent in one way.

He didn’t announce what the encore was.

So most of the audience was left wondering and guessing.

Now, The Ear knew the composer and piece because The Ear is an avid amateur pianist and knows the piano repertoire pretty well.

The encore in question was the Valse Oubliée No. 1 in F-sharp Major by Franz Liszt, which used to be more popular and more frequently heard than it is now. (You can hear it below played by Arthur Rubinstein in a YouTube video.)

On previous nights, Ax – who is a friendly, informed, articulate and talkative guy — also had apparently not announced the encores. But on Friday night it was the Waltz No. 2 in A minor by Frederic Chopin and on Saturday night is was the Nocturne in F-sharp major, Op. 15, No. 2, also by Chopin. Chopin is a composer who is a specialty of Ax, as you can hear in the YouTube video at the bottom, which features his encore in an unusual setting pertaining to the Holocaust.

It’s a relatively small annoyance, but The Ear really thinks that performers ought to announce encores. Audiences have a right to know what they are about to hear or have just heard. It is just a matter of politeness and concert etiquette, of being audience-friendly.

Plus it is fun to hear the ordinary speaking voice of the artist, even if it is only just briefly to announce a piece of music, as you can hear below with Ax discussing the three concerts in Carnegie Hall that he did to celebrate the bicentennials of Chopin and Robert Schumann.

And it isn’t just a matter of big names or small names.

Emanuel Ax is hardly alone.

A partial list this season of performers who did NOT announce encores include violinist Benjamin Beilman, who played with the Wisconsin Chamber Orchestra; violist Nobuko Imai, who performed with the Pro Arte Quartet; pianist Maurizio Pollini in a solo recital in Chicago; and a UW professor who played a work by Robert Schumann that even The Ear didn’t know.

Performing artists who DID announce encores — many of then by Johann Sebastian Bach — included pianist Joyce Yang at the Wisconsin Union Theater; violinist James Ehnes and cellist Sara Sant’Ambrogio, both with the Madison Symphony Orchestra; UW-Madison pianist Christopher Taylor, who played sick but nonetheless announced and commented humorously on his encore by Scott Joplin, “The Wall Street Rag”; and violinist Alexander Sitkovetsky, who played recently with the Wisconsin Chamber Orchestra.

So it seems like there is no consistent standard that concert artists learn or adopt about handling encores. The Ear’s best guess is that it is just a personal habit the performers get used to over time.

But the Ear sure wishes that all performing artists would announce encores, program changes or additions.

It just makes the concert experience more fun and informative as well as less frustrating.

Is The Ear alone?

Do you prefer that artists announce or not announce their encores?

Or doesn’t it matter to you?

The Ear wants to hear.


Classical music: A FREE CD and a dedicated concert are perfect memorial tributes for flutist Robin Fellows — or for any musician

March 24, 2016
Leave a Comment

By Jacob Stockinger

There was so much to like about last Friday night’s concert by the Wisconsin Chamber Orchestra (below), including a fantastic performance of the sublimely beautiful Violin Concerto by the American composer Samuel Barber.

WCO lobby

The concerto, with its soaring melodies, poignant harmonies and spiky perpetual motion finale, was played superbly by Russian-born, London-based virtuoso Alexander Sitkovetsky (below), who received a masterful accompaniment from longtime music director and conductor Andrew Sewell and the WCO. (As an encore and change of pace, Sitkovetsky played the soulful Sarabande from the Partita No. 2 in D Minor for Solo Violin by Johann Sebastian Bach.)

Here are two very positive reviews, written by John W. Barker for Isthmus and Greg Hettmansbeger for Madison Magazine, with which The Ear agrees:

http://isthmus.com/music/dashing-brilliance-wisconsin-chamber-orchestra/

https://whatgregsays.wordpress.com/2016/03/20/sewell-and-sitkovetsky-bring-out-the-best-of-a-couple-of-bs/

alexander-sitkovetsky

But The Ear notes this: Perhaps the most touching moment came off-stage.

As you may have heard, last October Robin Fellows died of cancer at 66. For 26 years, he had been the principal flutist of the Wisconsin Chamber Orchestra and also taught at the University of Wisconsin-Whitewater. He also played and taught at many other places.

If you went to the indoor classical Masterworks concerts by the WCO, you heard him.

And if you went to the popular summertime Concerts on the Square, you heard him.

So it was right and fitting, as they say, for the WCO to dedicate the concert to Fellows (below). Indeed, the program seemed perfect in its homage.

We heard a new principal flutist and heard lots of prominent flute playing in works by Irish composer Joan Trumble, Swedish composer Lars-Eric Larsson and especially the Symphony No. 4 by Ludwig van Beethoven.

robin fellows with flute

But the most stirring tribute happened off-stage.

That is because the family gave out a FREE memorial tribute CD of 20th-century flute music – with singers, bassoonists, clarinet, harp and piano — that was played by Fellows, recorded and released in 2002.

It includes music by Aaron Copland, Walter Piston, Albert Roussel, Ernst Toch, Daren Hagen (a UW-Madison alumnus) and Vincent Persichetti.

Out in the lobby of the Capitol Theater of the Overture Center was a table with not only the new season brochures for 2016-17, but also many stacks of FREE CDs. The audience was invited to take one by a current WCO flutist and oboist.

Robin Fellows CD table

And as you entered and left the theater, there was a large poster with a picture of Fellows and a paragraph about his life and accomplishments.

Robin Fellows poster

The Ear is still sampling all the pieces on the CD.

So far, it is both enjoyable and enlightening. The Ear would include a sample, but unfortunately he doesn’t see that any tracks have been uploaded to YouTube.

Still, one cannot imagine Fellows — or any musicians, for that matter — wishing for a better tribute.

The Ear says: Kudos to the Fellows family and to the Wisconsin Chamber Orchestra for providing such memorable memorials.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,211 other followers

    Blog Stats

    • 2,104,699 hits
    December 2019
    M T W T F S S
    « Nov    
     1
    2345678
    9101112131415
    16171819202122
    23242526272829
    3031  
%d bloggers like this: