The Well-Tempered Ear

Classical music: This Saturday night brings concerts by the Festival Choir of Madison and a harpsichord rededication recital by Trevor Stephenson

November 2, 2018
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By Jacob Stockinger

The Ear has received announcements for the following two events that will place on Saturday night:

FESTIVAL CHOIR OF MADISON

The Festival Choir of Madison (below) will present the first concert of the season — “Angels and Demons” — on this Saturday, Nov. 3, at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.

The choir and artistic director, Edgewood College professor Sergei Pavlov (below), will take listeners on a Dante-inspired journey — from the Inferno in “The Divine Comedy” through Purgatory all the way to Paradise — as interpreted by composers Karl Jenkins, Zdenek Lukas, Gyorgy Orban, Alfred Schnittke, Joseph Rheinberger, Rodion Schedrin, Wolfgang Amadeus Mozart and Marteen Spruijt. (Sorry, but there has been no word on specific works to be performed.)

Guest pianist Kyle Johnson, organist Ted Reinke, percussionist James McKenzie and a string ensemble will accompany the choir throughout the journey.

Concert admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.festivalchoirmadison.org/concerts/2018/11/3/angels-and-demons

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. It performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the organization and see upcoming concerts, go to: www.festivalchoirmadison.org

HARPSICHORD AT IMMANUEL LUTHERAN CHURCH

On this Saturday night, Nov. 3, at 7 p.m. at Immanuel Lutheran Church, 1021 Spaight Street, there will be a harpsichord rededication celebration and concert.

The appearance and musicality of this renovated double-mansuel. French 18th-century instrument at Immanuel Lutheran have recently been restored and upgraded under the exceptional guidance and expertise of Trevor Stephenson (below bottom), artistic director and founder of the Madison Bach Musicians.

Immanuel is excited to share the instrument (below) with the Madison community by presenting Stephenson in a rededication harpsichord concert. (Composers on the program include Jean-Philippe Rameau, Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. No program of specific works has been provided.)

A pre-concert interactive lecture discussing the instrument and rebuilding process will precede the concert starting at 6:30 p.m.

A freewill offering is appreciated at the concert.

A brief reception will follow, and all are welcome.


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Classical music: Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin-Madison School of Music this weekend.

April 23, 2015
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By Jacob Stockinger

Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin this weekend.

FRIDAY

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble will perform a FREE concert under director Scott Teeple.

The Wind Ensemble is the premier wind/percussion ensemble in the UW-Madison School of Music. Repertoire varies from classical wind compositions to contemporary works.

The Wind Ensemble actively commissions new works from world-renowned composers, often performing with internationally acclaimed soloists and guest conductors.

Jacob Klingbeil will assist as graduate student guest conductor.

YOUniversity Band will be side-by-side with community musicians

The program includes:

Gvorkna Fanfare by Jack Stamp

Baron Cimetieres Mambo by Donald Grantham

Irish Tune from County Derry by Percy Grainger

Starwars Trilogy, by John Williams/arr. Donald Hunsberger

UW Wind Ensemble performance

SATURDAY

At 1:30 p.m. in Morphy Recital Hall, a FREE Doctoral Recital: Russian Literature and the Music Salon. It is a multimedia concert with narration.

This doctoral project, organized by pianist Oxana Khramova, involves several students and faculty members from various departments.

It will be devoted to writers and composers who were connected to St. Petersburg in their lives and works: Nikolai V. Gogol, Anna A. Akhmatova, Joseph A. Brodsky, Sergei Prokofiev and Alfred Schnittke.

Listeners will experience their masterpieces through the prism of Russian music, language and visual images. By attempting to combine literature, music and art. participants hope to recreate the atmosphere of St. Petersburg’s culture (as recreated in the museum photo below).

Participants include:

Oxana Khramova, piano, DMA candidate, School of Music, where she is a student of Christopher Taylor

with

Yana Groves, piano, DMA candidate, School of Music

Nicole Heinen, soprano, MM candidate, School of Music

Ilona Sotnikova, visual images and literature, PhD candidate, Department of Slavic Languages and Literature

Conor Ryan, narrator, Undergraduate Student, Department of Slavic Languages and Literature

Russia salon in Saint Petersburg

At 4 p.m., in Mills Hall, the All-University String Orchestra will give a FREE concert under the baton of director Janet Jensen (below, in a photo by Katrin Talbot). Sorry, no word on the program.

Janet Jensen Katrin Talbot

From 4 to 6 p.m. the Wingra Woodwind Quintet will hold its 50th Anniversary Party at the University Club (below), 803 State St., next to the Humanities Building.

university club uw in winter

Embodying the Wisconsin Idea and serving as role models to our students, the Wingra Quintet has a rich tradition and will honor current and former members.

Former members who plan to attend are Robert Cole, flute, Marc Fink, oboe, Glenn Bowen, clarinet, Richard Lottridge, bassoon, Douglas Hill, horn, and Nancy Becknell, horn. (Below are photos from 1990 and 2010.)

A short program of 20 minutes is planned and then we will celebrate with hors d’oeuvres and beverages catered by the University Club. Everyone is invited to enjoy the food, music, and good company of current and former members of the Wingra Quintet.

Please RSVP to news@music.wisc.edu

Learn about the rich history of the WWQ here: http://www.music.wisc.edu/wingra-woodwind-quintet/

Wingra 1990 2010

SUNDAY

At 1 p.m. in Mills Hall, the UW Women’s Chorus (below) and University Chorus will give a FREE concert. Anna Volodarskaya and Sarah Guttenberg will conduct.

This event is FREE.  Registration is encouraged, but not required.

No program has been announced.

UW Women's Chorus


Classical music: The Pacifica Quartet’s third volume of “The Soviet Experience” and Dmitri Shostakovich string quartets is yet another MUST-HEAR and MUST-BUY recording from this top-notch Midwestern chamber music group.

August 1, 2013
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By Jacob Stockinger

There are so many reasons to like the third 2-CD installment of a projected four volumes of “The Soviet Experience,” (below) performed by the Pacifica String Quartet and recorded by the non-profit Cedille Records that is based in Chicago and specializes in regional artists.

Pacifica Quartet Soviet Vol 3

I suppose one has to start with the music and the performances.

Suffice it to say that I have never heard the string quartets of Dmitri Shostakovich (below) performed with such appeal and subtlety as by this group. These performances grab and hold your attention as much as the music does. (See the YouTube video at bottom with a member of the Pacifica explaining the appeal of Shostakovich.)

dmitri shostakovich

Yes, I much admire and often listen to the Grammy-winning set by the Emerson String Quartet. And I also like the softer readings by the St. Petersburg Quartet. But there is something special about these performances from the Pacifica Quartet (below).

pacifica quartet

For one, I find the Pacifica projects a lot of subtlety, flexibility and nuances, and also emphasizes a certain a traditional Russian sound or musicality that extended right into Soviet music.

That is, the Pacifica Quartet – the members are now artists-in-residence at the famed Jacobs School of Music at Indiana University — has been acclaimed for its compete Mendelssohn quartet cycle and for a terrific turn-of-the century recital (“Declarations,” below) of music by Leos Janacek, Ruth Crawford Seeger and Paul Hindemith.

pacifica quartet %22declarations%22 CD

Most of that music is much less dark than Shostakovich’s. But the members of the Pacifica Quartet can be as modern, spiky and aggressive as Shostakovich’s music demands; yet the quartet also knows when to interject a contrasting lyricism that can be traced back to Tchaikovsky and Rachmaninoff.

I am especially partial to this latest release. The third volume has my favorite Shostakovich quartet – No. 14 in F-sharp-minor – that is short and with seven uninterrupted movements and a cyclic structure you can easily discern.

Some listeners might prefer the first volume (below) because it has the most famous of the 16 Shostakovich quartets — No. 8 in C minor dedicated to victims of fascism, by which the composer meant both Nazi and Soviet cruelty and terror.

Pacifica Quartet Soviet Experience Vol. 1

Others might prefer volume No. 2 (below) that includes some of the first big and mature quartets.

Pacifica Quartet Soviet Experience 2 CD

I say get all three and also the fourth, which is supposed to be released this October and will complete the Shostakovich cycle with Quartets 13, 14 and 15 plus Alfred Schnittke’s String Quartet No. 3.

But here are other reasons to like this 2-CD recording.

The packaging, art and liner notes by David Fanning are all first-rate. The timings are generally very generous.

The engineering is superb, with a sonic presence that makes it sound like the quartet is playing right in front of you. There is no reverb or resonance allowed for since your own livingroom or car interior IS the playback venue.

In fact, I am particularly fond of the engineering because the freelancer producer and engineer is Judith Sherman. She is a legend in the business for winning several Grammy awards.

Plus, Sherman (below) is the engineer for the four commissions by the University of Wiscosin-Madison’s Pro Arte Quartet for its centennial two seasons. They includes quartets by Walter Mays and John Harbison, and piano quintets by Paul Schoenfield and William Bolcom.

Judith Sherman Grammy 2012

The Pro Arte Quartet’s 2-CD centennial commission set will be released on Albany Records this fall. And Sherman has told The Ear that the Pro Arte Quartet (below, in a recording session for Sherman,  who si adjusting microphones in Mills Hall) at the UW-Madison is the equal of any she has recorded and could well be nominated for a Grammy since the Academy of Recording Arts and Sciences favors new contemporary works, small labels and unknown performers – all of which apply to the Pro Arte commissions.

Judith Sherman with Pro Arte

But back to the Pacifica’s Soviet CD.

It is worth recalling that Shostakovich’s 15 string quartets served roughly the same purpose at Beethoven’s cycle of 16: a workshop or laboratory to work out ideas and confide private thoughts and techniques that might be too revolutionary or unsuitable for other genres and bigger public consumption.

But I like that more than being a survey of just the Shostakovich quartets, each volume includes a quartet by as contemporary composer of Shostakovich –- Sergei Prokofiev, Nikolai Myaskovsky and Mieczslaw Weinberg. That program format helps to put a frame around the picture and show what makes Shostakovich so distinctive and original in his time and also gives a sense of that terrible time so that you can also hear what similarities he shares with his contemporaries. 

To be fair, The Ear is not alone in his praise for this recording.

The BBC Music Magazine singled out the CD for a Recording of the Month award.

Here is a link:

http://www.classical-music.com/monthly-choice/shostakovich-string-quartets

And the Telegraph newspaper of London also raved about it. Here is a link to that review, reproduced in a newsletter from Indiana University:

http://blogs.music.indiana.edu/strings/2013/06/13/pacifica-quartet-receives-rave-review-in-londons-telegraph-for-the-soviet-experience-vol-3-cd/

When that many discerning a critics agree, you can be pretty sure that this is a recording that is a must-have and must-hear.


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