The Well-Tempered Ear

Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: UW-Madison’s first countertenor Gerrod Pagenkopf returns to perform on Sunday night as a member of the acclaimed choral group Chanticleer. Here’s how he got from here to there. Part 1 of 2 

September 30, 2019
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ALERT: Madison Symphony Orchestra organist Greg Zelek did not announce his encore after he received a standing ovation at the MSO concert Sunday afternoon. It was the final movement from the Organ Symphony No. 1 by Louis Vierne.

By Jacob Stockinger

This coming Sunday night, Oct. 6, at 7:30 p.m. in the inaugural  concert in the new Hamel Music Center’s main concert hall, the critically acclaimed a cappella singing group Chanticleer (below) will kick off the centennial anniversary celebration of the Concert Series at the Wisconsin Union Theater.

Tickets are $45 for the public; $40 for faculty staff and Union members; and $10 for students. For more information about the performers and the “Trade Winds” program, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/chanticleer/

Among the 12 members of the San-Francisco-based Chanticleer is Gerrod Pagenkopf, who is in his fifth year with the group as both a countertenor and the assistant music director. (You can hear Pagenkopf singing music by Henry Purcell in the YouTube video at the bottom.)

For a biography of Gerrod Pagenkopf, go to: https://www.chanticleer.org/gerrod-pagenkopf

Pagenkopf (below) is a graduate of the UW-Madison. When he performed here as a student, his high, clear countertenor voice was a new experience and made those of us who heard him sit bolt upright and take notice. “He is going places,” we said to each other. And so he has.

But Pagenkopf’s story is not only about him. It is also about the rediscovery of countertenors, about the changing public acceptance of them, and about the challenges that young musicians often face in establishing a professional performing career. So today and tomorrow, The Ear is offering a longer-than-usual, two-part interview with Pagenkopf.

Here is Part 1:

When were you at the UW-Madison?

I was a student at the UW-Madison from the fall of 1997 until I graduated in May of 2002. Although I received a bachelor’s degree in music education, performing ended up being a huge part of my last few semesters.

Growing up in rural Wisconsin about 30 miles north of Green Bay, I always thought that if you liked music and were good at it, you were supposed to be a teacher. It wasn’t until I was a junior that my voice teacher, the late Ilona Kombrink, and I discovered that I had a viable solo voice. Although I received the music education degree, embarking on a solo career became more important to me.

What did you do and how well did your studies and performances here prepare you for the life of a professional musician?

I was very lucky to have ample opportunities for performing during my time at the UW. Singing in choirs was very important to me. For many years I sang in the Concert Choir under Beverly Taylor (below top) as well as in the Madrigal Singers under Bruce Gladstone (below bottom,, in a photo by Katrin Talbot). I think there was one semester where I sang in just about every auditioned choir.

Beverly Taylor also gave me a lot of solo opportunities in the large-scale works that the Choral Union performed: Bach’s “St. John” and “St. Matthew” Passions, and Handel’s “Israel in Egypt.” For a 23-year-old to have those masterworks, along with the B Minor Mass and “Messiah,” on his resume was very impressive.

I was also lucky enough to perform with University Opera, singing in the chorus at first, but then singing a solo role in Handel’s “Xerxes” my final semester, and then returning as an alumni artist to sing Public Opinion in Offenbach’s “Orpheus in the Underworld” and several years later Polinesso in Handel’s “Ariodante.” Director Bill Farlow took a lot of chances on my young, “raw” countertenor voice and gave me several opportunities to succeed.

I should also note the importance of the guidance and mentorship of Professor Mimmi Fulmer (below, performing at Frank Loyd Wright’s Hillside Theater at Taliesin in Spring Green) after I graduated from UW. She afforded me the opportunity to sing in recital with her numerous times — usually Brahms and Mendelssohn duets. But she also was a catalyst in bringing me back to Madison several years later to sing with the Wisconsin Baroque Ensemble. Our continued relationship is actually the primary reason Chanticleer is singing in Madison this fall.

How do you feel about returning to perform at your alma mater with Chanticleer?

I’m over the moon about it. It still feels like a dream that I’m singing in Chanticleer. To be able to bring a group that I’m so proud to be a part of back to Madison feels like a great personal triumph. And to be the opening performance in the new Hamel Center (below) is such an honor!

Throughout my studies at UW-Madison, I was torn between the solo performance track and the choral career. I managed to straddle both, but my dream was always to make ensemble singing my career. Way back in the early 2000s, I heard Chanticleer sing at Luther Memorial Church, and I thought, “That’s what I want to do!”

I went down several other paths since that concert — mostly in the realm of solo, operatic singing — but it’s incredibly rewarding to be able to say I achieved my dream, and I’m coming back to place where the seed of that dream was planted almost 20 years ago.

Tomorrow: How countertenors re-emerged and were treated, the “Trade Winds” program and Pagenkopf’s future plans


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Classical music: Saturday brings percussion music, chamber music and choral music, much of it free

April 5, 2019
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By Jacob Stockinger

As you can tell from earlier posts this week, this weekend will be very busy with music.

But Saturday is especially, offering percussion music, chamber music and vocal music, much of it FREE.

PERCUSSION MUSIC

At 1:30 p.m. in Mills Hall, the Percussion Ensemble of the Wisconsin Youth Symphony Orchestras will perform its 18th annual Percussion Extravaganza.

It features the world premiere of “Common Mind” by composer and WYSO alumnus Jon D. Nelson (below). For more a bout Nelson and his music, go to: http://jondnelson.com

More than 150 performers – instrumentalists, singers and dancers – will be featured.

Here is a link to details about the event, including ticket prices:

https://www.wysomusic.org/wyso-percussion-ensemble-to-present-the-2019-percussion-extravaganza/

CHAMBER MUSIC

At 3:30 p.m. in Morphy Hall, the Perlman Piano Trio plus two guest artists will give a FREE concert.

The program is the “Kakadu”Variations in G major, Op. 121a, by Ludwig van Beethoven; the Piano Trio No. 1 in D minor, Op. 49, by Felix Mendelssohn; and the Piano Quintet in F minor by Cesar Franck. (You can her the first movement of the Mendelssohn Trio performed in the YouTube vide at the bottom, by pianist Emanuel Ax, violinist Itzhak Perlman and cellist Yo-Yo Ma.)

Members of the quintet, based on an annual student piano trio supported by Kato Perlman (below), are: Kangwoo Jin, piano; Mercedes Cullen, violin; Micah Cheng, cello; Maynie Bradley, violin; and Luke Valmadrid, viola.

A reception will follow the concert.

CHORAL MUSIC

At 8 p.m. in Mills Hall, the UW-Madison Concert Choir (below top) will perform a FREE concert under conductor Beverly Taylor (below bottom), who is the director of choral activities at the university.

AN UPDATE: Conductor Beverly Taylor has sent the following update about the program:

“I’m happy to update our Saturday, April 6, free concert at 8 p.m. in Mills Hall:

“The Concert Choir is singing a program called “Half a Bach and other good things.”

“We’re singing just half of the B Minor Mass: the Kyrie and Gloria (12 movements), which were what Bach originally wrote and sent off for his job interview!

We have a small orchestra and a mixture of student and professional soloists: Julia Rottmayer, Matthew Chastain, Wesley Dunnagan, Miranda Kettlewell, Kathleen Otterson, Elisheva Pront and Madeleine Trewin.

The remaining third of the concert is an eclectic mix of modern composers (Petr Eben’s “De circuitu eternal,” Gerald Finzi’s “My Spirit Sang All Day”), Renaissance music (Orlando Gibbons’ “O Clap your Hands”), spirituals and gospel.


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Classical music: The Wisconsin Youth Symphony Orchestras (WYSO) perform their annual Winterfest concerts this Saturday afternoon — with guest clarinetist Amitai Vardi — and on Saturday, March 2

February 15, 2019
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below is the Youth Orchestra) will present the Diane Ballweg Winterfest Concerts this Saturday, Feb. 16, and Saturday, March 2, in Mills Concert Hall in the Mosse Humanities Building, 455 North Park Street in Madison, at the University of Wisconsin-Madison’s Mead Witter School of Music.

WYSO orchestras will perform pieces by Carl Maria von Weber, Antonin Dvorak, Georges Bizet, Sergei Prokofiev, Richard Wagner, Peter Ilyich Tchaikovsky, Manuel DeFalla, Johann Strauss, Modest Mussorgsky  and others.  For a complete program listing, go to: https://www.wysomusic.org/diane-ballweg-winterfest-2019-repertoire/

“These are wonderful works and the orchestras are progressing beautifully in rehearsal,” said WYSO music director Kyle Knox (below). “It looks to be a memorable concert series.”

Guest clarinetist Amitai Vardi (below) will perform Weber’s Concertino for Clarinet and Orchestra, Op. 26,  with the Youth Orchestra during their Feb. 16 concert. (You can hear Weber’s Concertino in the YouTube video at the bottom.)

Amitai Vardi — his father Uri Vardi teaches cello at the UW-Madison — is a WYSO alumnus who grew up in Madison. He performs regularly with the Cleveland Orchestra and is currently a professor at Kent State University in Ohio.

“WYSO was the first orchestra I ever played in,” Vardi said. “The experience developed my listening skills, knowledge about ensemble playing, love for orchestral music, and taught me how to be a well-rounded musician.”

Concert tickets are available 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.

Visit www.wysomusic.org to learn more about the various orchestras and about the WYSO program.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Diane Ballweg Winterfest Concerts

Saturday, Feb. 16 in Mills Hall
4 p.m. Youth Orchestra
With guest artist Amitai Vardi, clarinet

Saturday, March 2, 2019, Mills Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Concert Orchestra
4 p.m. Philharmonia Orchestra and Harp Ensemble


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Classical music: Two performances of the UW-Madison’s popular Winter Choral Concert takes place this Sunday afternoon. On Friday, composer Melinda Wagner gives a free public master class

November 29, 2018
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ALERT: On Friday, Nov. 30, from 11:45 a.m. to 1 p.m. in Morphy Hall, the Pulitzer Prize-winning composer Melinda Wagner will discuss her music in a master class, which is FREE and open to both students and the public. (You can hear an interview with her in the YouTube video at th bottom.)

For more information about the acclaimed composer, including a video interview, go to: https://www.music.wisc.edu/event/guest-artist-master-class-melinda-wagner-composer/

By Jacob Stockinger

On this Sunday afternoon, Dec. 2, one of the most popular FREE and PUBLIC events at the University of Wisconsin-Madison’s Mead Witter School of Music will take place.

Two FREE performances of the annual Winter Concert, which always draws full houses, will take place at 2 p.m. and 4 p.m. at the Luther Memorial Church (below), 1021 University Avenue.

Six of seven UW-Madison choirs — Chorale, Concert Choir (below top), Madrigal Singers, University Chorus, Women’s Chorus (below bottom) and Masters Singers — will perform in the charity concert.

Choirs will perform choral works both as individual ensembles and jointly.

Holiday carols are part of the program, and concert-goers are invited to sing along.

Professors and graduate students Beverly Taylor (below top), Bruce Gladstone, Michael Johnson and Andrew Voth will conduct, and UW Professor John Chappell Stowe (below bottom) will play the organ.

A free-will offering is accepted at the end of the program. Proceeds after expenses will be donated to “The Road Home,” an organization that provides housing and food to homeless families.

For more information, and a list of the complete and lengthy eclectic program – which includes works by Johann Sebastian Bach and Ralph Vaughan Williams as well as traditional music, jazz, pop music and a piece by UW-Madison alumnus Scott Gendel — go to: https://www.music.wisc.edu/event/two-winter-concerts-at-luther-memorial-church/2018-12-02/


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Classical music: On Saturday night, the UW Wind Ensemble will mark a first by performing a FREE concert that will also be live-streamed

April 6, 2018
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By Jacob Stockinger

Something important — even pioneering or groundbreaking — will take place this on Saturday night at the University of Wisconsin-Madison’s Mead Witter School of Music.

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below) will give a FREE concert that will also be a LIVE-STREAMED – a first for the UW-Madison.

Live-streaming of concerts by students, faculty members and guest artists is something that many music schools are now doing on a regular basis.

They include big schools like the Yale School of Music and smaller institutions like the Lawrence University Conservatory of Music in Appleton, Wis.

Streaming allows alumni and other listeners all over the world to hear the concert in real time. It can be prestigious form of outreach and a terrific tool for fundraising and recruiting students. Imagine the worldwide audience for, say, the Pro Arte Quartet, which has toured to South America, Europe and Asia.

The Ear has heard several reasons why live-streaming is not yet standard practice at the UW-Madison. Those reasons include the lack of specialized staff, too little equipment, too little money, and difficulty or expense in obtaining the rights from performers and composers or publishing companies.

This time, the live streaming is being done on a paid basis by a local School of Music alumnus who has the expertise and experience. Sources at the school say that more concerts are likely to be live-streamed next season.

The program on Saturday night features the “French Suite” of Francis Poulenc; “Circuits” by Cindy McTee (below top); and the Symphony in Three Movements by the retired UW tuba professor and composer John Stevens (below bottom). You can hear the opening of the work by John Stevens, which was recorded for Naxos Records, in the YouTube video at the bottom.

The performance will be done under the batons of director Scott Teeple (below top) and two graduate student assistants: O’Shae Best (below middle) and Cole Hairston (below bottom).

For the link for streaming and more information, go to: https://www.music.wisc.edu/event/wind-ensemble-3/


Classical music: This week the UW-Madison will put the spotlight on vocal music reclaimed from the Nazis and contemporary theater music inspired by Samuel Beckett

March 19, 2018
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By Jacob Stockinger

Coming just before the Spring Break, this week will be a busy one at the University of Wisconsin-Madison’s Mead Witter School of Music.

Here are the highlights that include a lecture and a concert about vocal music resurrected from the Nazis as well as an evening of contemporary works inspired by the 20th-century playwright Samuel Beckett.

But other important events, including some graduate student recitals, are also on the Events Calendar at https://www.music.wisc.edu/events/.

All events listed here are FREE and OPEN TO THE PUBLIC.

TODAY

Tonight at 6:30 p.m. in Morphy Recital Hall, guest trumpeter Richard Illman (below) with present a multimedia video concert with UW trombonist Mark Hetzler and UW trumpeter Alex Noppe.

Sorry, no word on composers or works on the program.

For more information, go to: https://www.music.wisc.edu/event/guest-artist-richard-illman-trumpet-special-multi-media-concert/

At 7 p.m. in 2411 Humanities Building, a FREE lecture will be given by the guest award-winning singer Kristina Bachrach and UW pianist Daniel Fung on the “Rediscovered Voices Initiative.” The project seeks to reclaim musicians and musical works that were killed or suppressed by the Nazis during World War II. (This lecture was originally scheduled for March 9.)

The duo will also give a performance Tuesday night. For details, see below.

For more information, go to:

https://www.music.wisc.edu/event/concert-with-guest-artist-kristina-bachrach-daniel-fung-the-recovered-voices-initiative/

TUESDAY

At 7 p.m. in Music Hall, at the foot of Bascom Hill, guest singer Kristina Bachrach and UW pianist Daniel Fung (below) will give a concert for the “Recovered Voices Initiative” that rediscovers and revives music and musicians lost to the Nazis in World War II. (The concert was originally scheduled for March 10.)

For more information about the performers, the project and the complete program, go to:

https://www.music.wisc.edu/event/concert-with-guest-artist-kristina-bachrach-daniel-fung-the-recovered-voices-initiative/

WEDNESDAY

At 7:30 p.m. In Mills Hall, a FREE concert will be given by the UW Concert Band (below top) under Mike Leckrone (below bottom). Sorry, no word on the program.

FRIDAY

At 1:30 p.m. in Music Hall, the Decoda Chamber Ensemble (below in a photo by Matt Dine) from New York City will give a FREE and PUBLIC master class and workshop for student chamber ensembles. The focus is on interactive performance and audience engagement.

No word on composer or pieces. But for more information, go to:

https://www.music.wisc.edu/event/master-class-decoda-chamber-ensemble/

At 7:30 p.m. in Mills Hall, “Sounding Beckett” will be presented. The concert features the intersection of music and drama as inspired by the Nobel-Prize winning playwright Samuel Beckett (below).

The performers feature guest group Cygnus Ensemble (below), which will play six short musical works based on three of Beckett’s one-act plays (“Footfalls,” “Ohio Impromptu” and “Catastrophe”).

The two works for each play include compositions by UW-Madison alumnus Chester Biscardi (below top) and current UW composer Laura Schwendinger (below bottom). You can hear Biscardi’s music for “Ohio Impromptu” in the YouTube video at the bottom.

There will also be instrumental master classes, a lecture and panel discussion with UW drama professor Patricia Boyette as well as Laura Schwendinger.

NOTE: A master class will also be held but the date, time and place have not yet been announced.

For an excellent longer story with more background and details, go to:

https://www.music.wisc.edu/event/sounding-beckett-the-intersection-of-music-and-drama-featuring-the-cygnus-ensemble/


Classical music: Violinist and concertmaster David Kim will discuss becoming a professional musician and will give two public master classes plus a student performance of string music by Vivaldi, Massenet and Brahms

October 16, 2017
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By Jacob Stockinger

The Ear has received the following announcement from the Mead Witter School of Music at the University of Wisconsin-Madison about upcoming events:

“From oboist to organist, whether one performs pop or Prokofiev, every musician has a story of an intricate and sometimes unsettling pathway to a professional career.

“Violinist David Kim, (below) who will visit the School of Music TODAY and Tuesday, Oct. 16 and 17, is no different. Since 1999, Kim has been the concertmaster of the Philadelphia Orchestra.

“On Tuesday at 7: 30 p.m. in Mills Hall, Kim will offer a talk, “From Prodigy to Professionalism – A Life in Music.” (Editor’s note: You can sample Kim’s terrific conversational style and accessible analysis in the interview with him about his violin in the YouTube video at the bottom.)

“He’ll describe his experiences and struggles to reach the pinnacle of his career, interspersed with performances of some of Mr. Kim’s favorite works. It will be a humorous, sometimes jarring, and often poignant story not to be missed.

“Kim’s talk will be followed by a concert with UW-Madison strings and pianist Thomas Kasdorf. The program will include “Sonatensatz” (Sonata Movement) by Johannes Brahms (1833-1897); “Banjo and Fiddle” by William Kroll (1901-1980); “Meditation” from the opera “Thais” by Jules Massenet (1842-1912); and “The Four Seasons” by Antonio Vivaldi (1678-1741).

“I’ve always shared anecdotes about my crazy upbringing,” Kim wrote in an email. “From the beginning, my story seemed to resonate, especially with parents. After all, who doesn’t have a story of an overzealous parent from some stage of life!

“Now I share my story numerous times each season and have been urged by many to write a book – a la the widely read book, ‘Battle Hymn of the Tiger Mom.’

“But that will probably never happen as I prefer speaking during my concerts and love seeing the audience react in person.”

“Join us for our “Conversation & Concert” with David Kim, our strings players and pianist Thomas Kasdorf (below), a UW-Madison alumnus and graduate student. Tickets are $15 for adults, $5 for students, except Mead Witter music majors, who receive free admission. Buy tickets here. They will also be sold at the door, starting at 6:30 p.m.

“Additional Events: 
Violin Master Class is TODAY, Monday, Oct. 16, at 7 p.m. in Morphy Hall;
 Strings Orchestral Excerpts Master Class is on Tuesday, Oct. 17, at 11 a.m. in Morphy Hall. Both classes are free and open to the public.

“Learn more here: http://www.music.wisc.edu/event/david-kim-vivaldis-four-seasons/


Classical music: A busy week at the UW-Madison brings the debut of a new conducting professor with the UW Symphony Orchestra plus a major voice recital, a string quintet and two master classes.

October 2, 2017
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By Jacob Stockinger

It will be a busy week for classical music in Madison, especially at the University of Wisconsin-Madison Mead Witter School of Music.

Certainly the standout event is the debut of Chad Hutchinson (below). He is the new conducting teacher and succeeds James Smith.

The FREE concert by the UW Symphony Orchestra will take place on Saturday night at 8 p.m. in Mills Hall.

The intriguing program features the Prelude to the opera “Die Meistersinger” by Richard Wagner (you can hear George Solti perform it with the Vienna Philharmonic the YouTube video at the bottom); the orchestral arrangement by Leopold Stokowski of the piano prelude “The Sunken Cathedral” by Claude Debussy; the “Mothership,” with electronics, by the American composer Mason Bates; and the Symphony No. 3 “Eroica” by Ludwig van Beethoven, a work that was recently voted the best symphony ever written by more than a hundred conductors.

Here is a link to more about Hutchinson’s impressive background:

http://www.music.wisc.edu/chad-hutchinson/

And here is a schedule of other events at the UW:

WEDNESDAY

At 7:30 p.m. in Mills Hall conductor Scott Teeple leads the UW Wind Ensemble (below top) in its FREE season opener featuring music by Percy Grainger, Aaron Copland, Roger Zare and Jennifer Higdon. Also featured is guest oboist, faculty member Aaron Hill (below bottom).

Here is a link to program notes:

http://www.music.wisc.edu/event/wind-ensemble/

Also at 7:30 p.m. in nearby Morphy Recital Hall, the internationally renowned guest violist Nobuko Imai (below), from Japan, will give a free public master class in strings and chamber music.

THURSDAY

At noon in Mills Hall, guest violist Nobuko Imai (see above) will perform a FREE one-hour lunchtime concert with the Pro Arte Quartet, which has San Francisco cellist guest Jean-Michel Fonteneau substituting for the quartet’s usual cellist, Parry Karp, who is sidelined temporarily with a finger injury.

The ensemble will perform just one work: a driving and glorious masterpiece, the String Quintet No. 2 in G Major, Op. 111, by Johannes Brahms.

At 1 p.m. in Old Music Hall, Demondrae Thurman (below), a UW alumnus who is distinguished for playing the euphonium, will give a free public master class in brass.

For more information, go to:

http://www.music.wisc.edu/event/master-class-demondrae-thurman-euphonium/

NOTE: The 3:30 master class for singers by Melanie Helton has been CANCELLED. The UW hopes to reschedule it for late fall or spring.

FRIDAY

At 8 p.m. in Mills Hall, UW baritone Paul Rowe (below top, in a  photo by Michael R. Anderson) and UW collaborative pianist Martha Fischer (below middle) will give a FREE concert of three songs cycles by Robert Schumann (the famed “Liederkreis); Maurice Ravel; and UW alumnus composer Scott Gendel (below bottom).

For the complete program, go to:

http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano-2/

SATURDAY

At 8 p.m. in Mills Hall, the UW Symphony Orchestra (below) will perform under its new conductor Chad Hutchinson. See above.

SUNDAY

At 3 p.m. the afternoon concerts by Lyle Anderson at the UW Carillon (below) on Observatory Drive will resume.

Here is a link with a schedule and more information:

http://www.music.wisc.edu/event/carillon-concert/2017-10-08/


Classical music: The annual showcase benefit for University Opera, with student performers and famed bass-baritone alumnus Sam Handley, is this Sunday afternoon

September 23, 2017
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By Jacob Stockinger

Students in the University of Wisconsin-Madison’s opera program will present the annual “Showcase Concert” of songs and arias this Sunday, Sept. 24, at 3 p.m. at the First Unitarian Society of Madison’s Meeting House, 900 University Bay Drive.

They will be joined by bass-baritone Sam Handley (below top), a well-known alumnus now living in Chicago, and accompanist Daniel Fung (below bottom).

The program includes:

Samuel Handley in the “Calumny” aria from Rossini’s “Barber of Seville” and the song “Her Face” from Merrill’s show “Carnival”

John McHugh in “Donne mie” (Mozart’s “Cosi fan tutte”)

Shaddai Solidum in “The Jewel Song” (Gounod’s “Faust”)

Grace Subat in “Far From the Home I Love” (Bock’s “Fiddler on the Roof“)

Sarah Kendall in “Mi chiamano Mimì” (Puccini’s “La Bohème“)

Benjamin Liupaogo (below) in the “Flower Song” (Bizet’s “Carmen”)

Liza Shapin in “I Walked in the Path Where Jesus Walked”

Matthew Chastain in “Questo amor” (Puccini’s “Edgar”)

Yanzelmalee Rivera in “Dondi lieta” (Puccini’s “La Bohème”)

Also the trio “Soave sia il vento” (from Mozart’s “Così fan tutti”) will be sung by Solidum, Subat and Handley; and the duet “Libiamo” (from Verdi’s “La Traviata“) will be sung by Rivera and Liupaogo.

Sam Handley has been praised for “his rich, burnished” voice and the “genuine emotional depth of his characterizations.” The Houston Chronicle has described his “vivid and polished singing” as “leaving the audience panting.”) You can hear him in the YouTube video at the bottom, where he sings the “Calumny” aria that he will also perform at this event.

A contribution of $30 at the door ($10 for students) is requested for this benefit concert.

A reception of chocolate, cheese, wine and punch will follow the concert and is included in the donation. (Below are the participants from last year with David Ronis, third from left in the back row, who is the director of the University Opera.)


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