The Well-Tempered Ear

Classical music: Violinist and concertmaster David Kim will discuss becoming a professional musician and will give two public master classes plus a student performance of string music by Vivaldi, Massenet and Brahms

October 16, 2017
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By Jacob Stockinger

The Ear has received the following announcement from the Mead Witter School of Music at the University of Wisconsin-Madison about upcoming events:

“From oboist to organist, whether one performs pop or Prokofiev, every musician has a story of an intricate and sometimes unsettling pathway to a professional career.

“Violinist David Kim, (below) who will visit the School of Music TODAY and Tuesday, Oct. 16 and 17, is no different. Since 1999, Kim has been the concertmaster of the Philadelphia Orchestra.

“On Tuesday at 7: 30 p.m. in Mills Hall, Kim will offer a talk, “From Prodigy to Professionalism – A Life in Music.” (Editor’s note: You can sample Kim’s terrific conversational style and accessible analysis in the interview with him about his violin in the YouTube video at the bottom.)

“He’ll describe his experiences and struggles to reach the pinnacle of his career, interspersed with performances of some of Mr. Kim’s favorite works. It will be a humorous, sometimes jarring, and often poignant story not to be missed.

“Kim’s talk will be followed by a concert with UW-Madison strings and pianist Thomas Kasdorf. The program will include “Sonatensatz” (Sonata Movement) by Johannes Brahms (1833-1897); “Banjo and Fiddle” by William Kroll (1901-1980); “Meditation” from the opera “Thais” by Jules Massenet (1842-1912); and “The Four Seasons” by Antonio Vivaldi (1678-1741).

“I’ve always shared anecdotes about my crazy upbringing,” Kim wrote in an email. “From the beginning, my story seemed to resonate, especially with parents. After all, who doesn’t have a story of an overzealous parent from some stage of life!

“Now I share my story numerous times each season and have been urged by many to write a book – a la the widely read book, ‘Battle Hymn of the Tiger Mom.’

“But that will probably never happen as I prefer speaking during my concerts and love seeing the audience react in person.”

“Join us for our “Conversation & Concert” with David Kim, our strings players and pianist Thomas Kasdorf (below), a UW-Madison alumnus and graduate student. Tickets are $15 for adults, $5 for students, except Mead Witter music majors, who receive free admission. Buy tickets here. They will also be sold at the door, starting at 6:30 p.m.

“Additional Events: 
Violin Master Class is TODAY, Monday, Oct. 16, at 7 p.m. in Morphy Hall;
 Strings Orchestral Excerpts Master Class is on Tuesday, Oct. 17, at 11 a.m. in Morphy Hall. Both classes are free and open to the public.

“Learn more here: http://www.music.wisc.edu/event/david-kim-vivaldis-four-seasons/

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Classical music: A busy week at the UW-Madison brings the debut of a new conducting professor with the UW Symphony Orchestra plus a major voice recital, a string quintet and two master classes.

October 2, 2017
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By Jacob Stockinger

It will be a busy week for classical music in Madison, especially at the University of Wisconsin-Madison Mead Witter School of Music.

Certainly the standout event is the debut of Chad Hutchinson (below). He is the new conducting teacher and succeeds James Smith.

The FREE concert by the UW Symphony Orchestra will take place on Saturday night at 8 p.m. in Mills Hall.

The intriguing program features the Prelude to the opera “Die Meistersinger” by Richard Wagner (you can hear George Solti perform it with the Vienna Philharmonic the YouTube video at the bottom); the orchestral arrangement by Leopold Stokowski of the piano prelude “The Sunken Cathedral” by Claude Debussy; the “Mothership,” with electronics, by the American composer Mason Bates; and the Symphony No. 3 “Eroica” by Ludwig van Beethoven, a work that was recently voted the best symphony ever written by more than a hundred conductors.

Here is a link to more about Hutchinson’s impressive background:

http://www.music.wisc.edu/chad-hutchinson/

And here is a schedule of other events at the UW:

WEDNESDAY

At 7:30 p.m. in Mills Hall conductor Scott Teeple leads the UW Wind Ensemble (below top) in its FREE season opener featuring music by Percy Grainger, Aaron Copland, Roger Zare and Jennifer Higdon. Also featured is guest oboist, faculty member Aaron Hill (below bottom).

Here is a link to program notes:

http://www.music.wisc.edu/event/wind-ensemble/

Also at 7:30 p.m. in nearby Morphy Recital Hall, the internationally renowned guest violist Nobuko Imai (below), from Japan, will give a free public master class in strings and chamber music.

THURSDAY

At noon in Mills Hall, guest violist Nobuko Imai (see above) will perform a FREE one-hour lunchtime concert with the Pro Arte Quartet, which has San Francisco cellist guest Jean-Michel Fonteneau substituting for the quartet’s usual cellist, Parry Karp, who is sidelined temporarily with a finger injury.

The ensemble will perform just one work: a driving and glorious masterpiece, the String Quintet No. 2 in G Major, Op. 111, by Johannes Brahms.

At 1 p.m. in Old Music Hall, Demondrae Thurman (below), a UW alumnus who is distinguished for playing the euphonium, will give a free public master class in brass.

For more information, go to:

http://www.music.wisc.edu/event/master-class-demondrae-thurman-euphonium/

NOTE: The 3:30 master class for singers by Melanie Helton has been CANCELLED. The UW hopes to reschedule it for late fall or spring.

FRIDAY

At 8 p.m. in Mills Hall, UW baritone Paul Rowe (below top, in a  photo by Michael R. Anderson) and UW collaborative pianist Martha Fischer (below middle) will give a FREE concert of three songs cycles by Robert Schumann (the famed “Liederkreis); Maurice Ravel; and UW alumnus composer Scott Gendel (below bottom).

For the complete program, go to:

http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano-2/

SATURDAY

At 8 p.m. in Mills Hall, the UW Symphony Orchestra (below) will perform under its new conductor Chad Hutchinson. See above.

SUNDAY

At 3 p.m. the afternoon concerts by Lyle Anderson at the UW Carillon (below) on Observatory Drive will resume.

Here is a link with a schedule and more information:

http://www.music.wisc.edu/event/carillon-concert/2017-10-08/


Classical music: The annual showcase benefit for University Opera, with student performers and famed bass-baritone alumnus Sam Handley, is this Sunday afternoon

September 23, 2017
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By Jacob Stockinger

Students in the University of Wisconsin-Madison’s opera program will present the annual “Showcase Concert” of songs and arias this Sunday, Sept. 24, at 3 p.m. at the First Unitarian Society of Madison’s Meeting House, 900 University Bay Drive.

They will be joined by bass-baritone Sam Handley (below top), a well-known alumnus now living in Chicago, and accompanist Daniel Fung (below bottom).

The program includes:

Samuel Handley in the “Calumny” aria from Rossini’s “Barber of Seville” and the song “Her Face” from Merrill’s show “Carnival”

John McHugh in “Donne mie” (Mozart’s “Cosi fan tutte”)

Shaddai Solidum in “The Jewel Song” (Gounod’s “Faust”)

Grace Subat in “Far From the Home I Love” (Bock’s “Fiddler on the Roof“)

Sarah Kendall in “Mi chiamano Mimì” (Puccini’s “La Bohème“)

Benjamin Liupaogo (below) in the “Flower Song” (Bizet’s “Carmen”)

Liza Shapin in “I Walked in the Path Where Jesus Walked”

Matthew Chastain in “Questo amor” (Puccini’s “Edgar”)

Yanzelmalee Rivera in “Dondi lieta” (Puccini’s “La Bohème”)

Also the trio “Soave sia il vento” (from Mozart’s “Così fan tutti”) will be sung by Solidum, Subat and Handley; and the duet “Libiamo” (from Verdi’s “La Traviata“) will be sung by Rivera and Liupaogo.

Sam Handley has been praised for “his rich, burnished” voice and the “genuine emotional depth of his characterizations.” The Houston Chronicle has described his “vivid and polished singing” as “leaving the audience panting.”) You can hear him in the YouTube video at the bottom, where he sings the “Calumny” aria that he will also perform at this event.

A contribution of $30 at the door ($10 for students) is requested for this benefit concert.

A reception of chocolate, cheese, wine and punch will follow the concert and is included in the donation. (Below are the participants from last year with David Ronis, third from left in the back row, who is the director of the University Opera.)


Classical music: This Friday night is a FREE sampler concert of great German art songs based on great German poetry

September 12, 2017
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By Jacob Stockinger

There is a good reason why art songs are usually referred to by their German name ”Lieder.”

It is because the 19th century in Germany remains a Golden Age when great German Romantic composers such as Franz Schubert and Robert Schumann drew inspiration from great German Romantic poets such as Johann Wolfgang von Goethe (below top) and Heinrich Heine (below bottom).

You can hear a generous sampler of such works, including many well-known individual songs and a famous complete song cycle, this Friday night in a FREE concert at 8 p.m. in Mills Hall.

The singers are guest tenor Wesley Dunnagan (below top) and UW faculty baritone Paul Rowe (below bottom, in a photo by Michael R. Anderson).

The pianists are Benjamin Liupaogo (below top) and UW graduate Thomas Kasdorf (below bottom), who is substituting for Martha Fischer.

The concert is also a partnership between the UW School of Music and the UW German Department. And it marks the 50th Wisconsin Workshop, a series based on the Wisconsin Idea.

For more information and background, go to:

http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano/

If you want to prepare and check out some of the repertoire, here is the complete program:

GEDICHTE VON JOHANN WOLFGANG VON GOETHE (1749-1832)

Felix Mendelsson (1809-1847): Ich Wollt’ Meine Lieb’

Franz Schubert (1797-1828): Erster Verlust; Nähe des Geliebten; Rastlose Liebe; Musensohn; Schäfers Klagelied; An die Entfernte; Erlkönig

GEDICHTE VON HEINRICH HEINE (1797-1856)

Clara Schumann (1819-1826): Lorelei; Sie liebten sich beide; Ihr Bildnis

Franz Schubert: Ihr Bild; Das Fischermädchen

Franz Liszt (1811-1886): Lorelei

Felix Mendelssohn: Abendlied

Intermission

Robert Schumann (1810-1856): Dichterliebe, Opus 48 (1840)

Im wunderschönen Monat Mai

Aus meinen Tränen sprießen

Die Rose, die Lilie, die Taube, die Sonne

Wenn ich in deine Augen seh

Ich will meine Seele tauchen

Im Rhein, im heiligen Strome

Ich grolle night (sung by Dietrich Fischer-Dieskau in the YouTube video at bottom)

Und wüßten’s die Blumen, die kleinen

Das ist ein Flöten und Geigen

Hör’ ich das Liedchen klingen

Ein Jüngling liebt ein Mädchen

Am leuchtenden Sommermorgen

Es leuchtet meine Liebe

Ich hab’ im Traum geweinet

Allnächtlich im Traume seh’ ich dich

Aus alten Märchen

Die alten, bösen Lieder


Classical music: This weekend sees vocal music, band music, woodwind music and orchestral music at the UW-Madison. Plus, a FREE concert of early music for viola da gamba is on Friday at noon

March 9, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Eric Miller (below) playing early music for viola da gamba by Le Sieur de Machy, Johann Schenk and Carl Abel. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

This week brings four major public events at the University of Wisconsin-Madison School of Music: one on Friday; two on Saturday; and one on Sunday.

VOCAL MUSIC

On Friday at 5:30 p.m. in Morphy Hall, the students in the studio of soprano and UW-Madison voice professor Mimmi Fulmer (below) will present a FREE concert. Sorry, no word on the program.

For more information, go to: http://www.music.wisc.edu/event/mimmi-fulmer-studio-recital/

WOODWIND-PIANO WINNERS

On Saturday at 4 p.m. in Morphy Hall the four winners of the annual Irving Shain Wood-Piano Duo Competition will give a FREE recital.

The pairs of winners are: bassoonist Chia-Yu Hsu with pianist Kangwoo Jin; and bassoonist Eleni Katz with pianist Rayna Slavova.

The program features music by Noël-Gallon (1891-1966); Henri Dutilleux (1916-2013); Gabriel Grovlez (1979-1944); Eugène Bourdeau (1850-1926); Robert Schumann (1810-1856); Gabriel Pierne (1863-1937); Eugène Bourdeau (1850-1926); and Charles Koechlin (1867-1950)

For more information, including the works on the program and biographies of the performers, go to:

http://www.music.wisc.edu/event/irving-shain-woodwind-piano-duo-winners-recital-2/

BAND MUSIC

On Saturday at 5 p.m. in Mills Hall, there is a FREE concert by University Bands. Conductors are Darin Olson (below), Nathan Froebe and Justin Lindgre. Sorry, no word on the program.

ORCHESTRAL MUSIC

Sunday at 8 p.m. in Mills Hall, the UW Symphony Orchestra will perform with soloist and UW-Madison alumnus, bassoonist Anthony Georgeson  who is Principal Bassoon of the Florida Orchestra. Retiring UW-Madison professor James Smith (below top) will conduct, but the former clarinetist will NOT be a featured performer.

The program is:

Concerto for Bassoon Concerto in B-Flat Major, K. 191, by Wolfgang Amadeus Mozart with alumnus Anthony Georgeson (below bottom) as bassoon soloist. (You can hear Anthony Georgeson talk about music and the cadenzas in Mozart’s Bassoon Concerto in the YouTube video at the bottom.)

“Un Sourire pour Orchestra” (A Smile for Orchestra) by Olivier Messiaen

“Scheherazade” by Nikolai Rimsky-Korsakov

For more information, go to:

http://www.music.wisc.edu/event/uw-symphony-orchestra-5/


Classical music: The St. Lawrence String Quartet will perform works by Haydn and the Midwest premiere of the String Quartet No. 2 by John Adams this Friday night at the Wisconsin Union Theater. Plus, this Tuesday night UW-Madison alumnus and violist Elias Goldstein will perform a FREE concert of the famous Caprices by Paganini

February 1, 2016
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ALERT: University of Wisconsin-Madison School of Music 2011 alumnus and violist Elias Goldstein is on his way to Carnegie Hall in New York City to perform all the virtuosic 24 Caprices originally for solo violin by Niccolo Paganini. But first he will perform them here in a FREE concert that also includes other works with pianist Thomas Kasdorf, another UW-Madison alumnus, on Tuesday night at 7 p.m. in Morphy Recital Hall. (Sorry, no word on the rest of the program.) Goldstein will also give a FREE and PUBLIC master class on Wednesday at 2:25 p.m. in Morphy Hall.

For more information, go to:

http://www.music.wisc.edu/event/goldstein_paganini/

By Jacob Stockinger

How does a contemporary American composer channel classic composers from more than 200 years ago?

You can find out by going to hear the St. Lawrence String Quartet (SLSQ, below). The critically acclaimed string quartet will perform this Friday night at 8 pm, in Shannon Hall at the Wisconsin Union Theater.

St.Lawrence String Quartet 2016 2 BIG USE

Tickets are $27.50 to $42.50.

For more information, including reviews and video samplings, visit:

http://uniontheater.wisc.edu/Season15-16/st-lawrence-string-quartet.html

The program features two quartets by Franz Joseph Haydn, including the popular and famed “Emperor” Quartet and the earlier “Joke” Quartet as well as the Midwest premiere of John Adams; String Quartet No. 2.

NPR, or National Public Radio, recently featured an interview with Adams discussing Beethoven:

http://www.npr.org/sections/deceptivecadence/2015/11/10/450560466/john-adams-mines-beethovens-mind

But Christopher Costanza, the cellist of the St. Lawrence String Quartet, recently gave an enlightening Q&A from the quartet’s point of view to The Ear:

christopher costanza playing cello

Can you briefly bring the public up to date since your last appearance in Madison, when you performed “The Dreams and Prayers of Isaac the Blind” by Osvaldo Golijov? Major residencies and tours? Major commissions? Major performing and recording projects?

The St. Lawrence String Quartet has been busy with a wide range of projects in the years since our last appearance in Madison.

We’ve had a personnel change – our newest quartet member is Owen Dalby, our second violinist, who joined us in the spring of last year.

We happily continue as Artists-in Residence at Stanford University, where we are involved in a great number of activities, including teaching, performing, and collaborations with a wide range of schools and departments on campus.

And our international touring schedule remains very active, with concerts throughout North America and Europe; our most recent European tour, in late summer of 2015, included concerts in Scotland, Germany, Romania, Hungary and Switzerland, and we will tour Europe twice in 2016.

We’ve performed several pieces commissioned for us, including works by such composers as Osvaldo Golijov, Ellen Taaffe Zwilich, Samuel Adams, Jonathan Berger, James Matheson and George Tsontakis.

Of particular significance, John Adams has composed three works for us, two string quartets and a quartet concerto, “Absolute Jest,” which was written for the SLSQ, the San Francisco Symphony and the SF Symphony’s music director Michael Tilson Thomas.

We’ve performed “Absolute Jest” on several national and international tours with the San Francisco Symphony, as well as with the London Symphony, the Toronto Symphony, and the New World Symphony. Our recording of the work with the San Francisco Symphony and Michael Tilson Thomas was released this past summer.

We’ve recently embarked on a recording project of the Opus 20 quartets of Haydn, and other recording projects are in development.

john adams absolute jest

Why did you choose to perform two Haydn string quartets to open and close the program, instead of a work by Beethoven, given the Beethoven influences in the String Quartet No. 2 by John Adams?

We often perform programs that begin and end with a Haydn quartet, with a contemporary work (or works) in between. This showcases the great variety and brilliance of Haydn’s gigantic contribution to the quartet repertoire.

It also provides an interesting contrast between the earliest works for quartet and current compositional offerings, stressing the fact that Haydn (below) essentially invented the string quartet and paving the way for other composers to explore creativity in their compositions for quartet.

In truth, we do often program Beethoven (below) with the Second String Quartet by Adams. For this program, I think the Adams/Haydn juxtaposition will be a meaningful comment on the evolution of quartet writing, from the early years to works of the present.

Beethoven big

As an exercise in compare and contrast programming, what would you like the public to know about the “Joke” and “Emperor” Quartets by Haydn? About Haydn’s music in general?

Haydn’s “Joke” Quartet, from his Op. 33 set, is, as you might guess, filled with humor and wit. The quartet is actually quite straightforward structurally, filled with robust and positive energy and simple, appealing melodies. It’s a compact work, inviting and charming.

The “Emperor” Quartet, from the Op. 76 set, comes from a later period of Haydn’s compositions, and it is a work of considerable length and weight. This quartet shows a natural link to Beethoven in its duration, dynamic contrast, emotional range, and overall musical substance. (You can hear Haydn’s “Emperor” Quartet performed, analyzed and discussed by the St. Lawrence Quartet in a YouTube video at the bottom.)

Of significant note, the “Emperor” is named thusly for the second movement, a theme and variations based on the tune Haydn (below) originally wrote for the Emperor Francis of Austria as a sort of national anthem.

Haydn

What should readers know about the String Quartet No. 2 by John Adams (below)? How is it similar to or different from his other works that the public knows such as “Nixon in China,” “The Death of Klinghoffer,” “Doctor Atomic” “Harmonielehre” and “On the Transmigration of Souls”? Will this performance be the Midwest premiere? Will you record the quartet?

John Adams’s Second String Quartet is very strongly based on two motivic ideas from Beethoven’s Op. 110 piano sonata, as well as a variation from Beethoven’s “Diabelli” Variations.

The Beethoven elements are clearly presented in clever and skilled ways, and I think many of them will be evident to the astute listener. Most importantly, John is brilliant in his transformation of the Beethoven quotes, and the piece is very clearly an Adams piece, characterized by driving rhythms, great energy, and a true sense of musical intent and balance.

To get a sense of the piece prior to hearing it, I suggest listening to “Absolute Jest” (our recent recording) – another of John’s pieces inspired by Beethoven and filled with late Beethoven quotes – and the Op. 110 Piano Sonata by Beethoven.

We’ve performed the Second Quartet on several occasions since we premiered it at Stanford University about a year ago, but I do think our Madison performance will be a Midwest premiere. We are currently considering the possibility of recording the work, but specific plans have not yet been made.

john adams with pencil

What else would you like to say?

We’re thrilled to be returning to Madison after a gap of several years. It’s very exciting to be bringing a program of music by two of our favorite composers, Joseph Haydn and John Adams, and we think contrasting the two will be interesting and enlightening to all.


Classical music: University Opera wins a national award for its 2014 production of Benjamin Britten’s “Albert Herring.” Plus, Emanuel Ax will perform Beethoven, instead of Franck and Strauss, with the Madison Symphony Orchestra.

January 16, 2016
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ALERT: Pianist Emanuel Ax has changed his program with the Madison Symphony Orchestra on March 11-13. He will perform the Piano Concerto No. 4 in G Major, Op. 58, by Ludwig van Beethoven instead of the Symphonic Variations by Cesar Franck and the Burleske by Richard Strauss. Also on the program, to be conducted by MSO music director John DeMain, is the “Colas Breugnon” Overture by Dmitry Kabalevsky and the Symphony No. 4 by Gustav Mahler with soprano soloist Alisa Jordheim.

By Jacob Stockinger

This Sunday afternoon at 3:30 p.m., in the Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, there will be an Opera Props benefit to help support University Opera.

Here is a link with more information about the event, the performers — including UW alumnus and guest Broadway “Barihunk” Christiaan Smith-Kotlarek (below) as well as UW students — and the program, which includes a reception:

https://welltempered.wordpress.com/2016/01/14/classical-music-broadway-star-and-uw-madison-alumnus-joins-students-for-the-university-opera-benefit-this-sunday-afternoon/

Christiaan Smith-Kotlarek baritone

If you are wondering how good the cause is, you might want to know that the University Opera just won a national award from the National Opera Association for its 2014 production of Benjamin Britten’s operaAlbert Herring” (below, in a photo by Michael R. Anderson). 

University Opera Albert Herring Michael R. Anderson

The production was directed by visiting guest opera director, from New York City, David Ronis (below, in a photo by Luke Delalio), who is an applicant in the current search for a permanent full-time head of the opera program at the University of Wisconsin-Madison School of Music. Kyle Knox, a graduate student, was the conductor and music director.

This is the first such award for the UW-Madison but the fourth for David Ronis.

David Ronis color CR Luke DeLalio

Here is a link to a past posting with more about Ronis and the prize-winning production:

https://welltempered.wordpress.com/2014/10/20/classical-music-qa-meet-opera-director-david-ronis-who-makes-his-local-debut-in-the-university-operas-production-of-benjamin-brittens-albert-herring-this-frid/

Here is a link to the UW-Madison‘ s “A Tempo” blog that has the full story about the award and other links as well as a lot of photos:

https://uwmadisonschoolofmusic.wordpress.com

 


Classical music: Broadway star and UW-Madison alumnus joins students for the University Opera benefit this Sunday afternoon.

January 14, 2016
2 Comments

By Jacob Stockinger

Students in the University Opera program at the University of Wisconsin-Madison School of Music will perform a concert of songs and arias on this Sunday afternoon, Jan. 17, at 3:30 p.m. in the Landmark Auditorium of the First Unitarian Society of Madison 900 University Bay Drive.

The concert will feature currently enrolled students as well as a 2008 alumnus, Christiaan Smith-Kotlarek(below), who is at the Overture Center this week through Sunday playing the role of Gaston in a national tour of Disney’s “Beauty and the Beast.”

Christiaan Smith-Kotlarek baritone

A reception will follow this Opera Props benefit concert that is intended to help support University Opera.

Admission is $25 per person with a $10 charge for students.

Several of the UW-Madison student singers have already been featured in October’s production of The Marriage of Figaro (below in photo by Michael R. Anderson ) by Wolfgang Amadeus Mozart and some will appear in March’s University Opera production of Transformations, by Conrad Susa and poet Anne Sexton.

Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).

Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).

The singers will be accompanied by pianist Chan Mi Jean.

Joining the students will be Broadway star and distinguished University of Wisconsin-Madison graduate, baritone Christiaan Smith-Kotlarek, who praises his operatic training for enabling him to sing as many as three performances a day on this demanding tour.

Recently appointed to “barihunk” status by one blog (below), he is something of a crossover singer too, singing romantic ballads while playing his guitar. These multiple talents provide the young singer with a busy career.

Christiaan Smith-Kotlarek as barihunkHere is the program:

Chacun à son gout (Die Fledermaus by Johann Strauss Jr.) – Meghan Hilker; Bella siccome un angelo (Don Pasquale by Gaetano Donizetti) – Gavin Waid; Ici-bas (Gabriel Fauré) and Der Blumenstrauss (Felix Mendelssohn) – Talia Engstrom; Tu che di gel (Turandot by Giacomo Puccini) – Anna Polum; Mon coeur s’ouvre à ta voix (Samson et Dalila by Camille Saint-Saens) – Rebecca Buechel; Largo al factotum (Il Barbiere di Siviglia by Gioachino Rossini) – Christiaan Smith-Kotlarek; Sous le dôme épais (Lakme by Leo Delibes) – Tyana O’Connor (below) and Meghan Hilker; Emily’s Aria (Our Town – Ned Rorem) – Nicole Heinen; On the Street Where You Live (My Fair Lady – Lerner and Lowe) – William Ottow; Ah, non credea mirarti (La Sonnambula by Vincenzo Bellini) – Tyana O’Connor; Love’s Philosophy (Roger Quilter) – Anna Polum; The Lady is a Tramp (Rodgers and Hart) – Rebecca Buechel; Au fond du temple saint (Les Pêcheurs de Perles by Georges Bizet, sung by tenor Roberto Alagna and bass-baritone Bryn Terfel at the bottom in a YouTube video) – William Ottow (below) and Christiaan Smith-Kotlarek.

Tyana O'Connor soprano


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