The Well-Tempered Ear

Classical music: The adventurous Oakwood Chamber Players open their new ”Panorama” season of unusual repertoire this coming Saturday night and Sunday afternoon

September 13, 2019
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By Jacob Stockinger

How many of the composers’ names below do you recognize?

Probably very few, if you are like The Ear.

But here is your chance to explore new musical territory.

Over many years, the adventurous Oakwood Chamber Players (OCP) have built a reputation for first-rate performances of rarely heard repertoire, both old and new.

This year is no different.

The group will begin its new season — entitled Panoramawith performances on this coming Saturday night, Sept. 14, at 7 p.m. and Sunday afternoon, Sept. 15, at 2 p.m.

Both concerts will be held at the Oakwood Village Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks — no credit cards — at the door: $25 for general admission, $20 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.

Members of the Oakwood Chamber Players (below) are: flutist Marilyn Chohaney; clarinetist Nancy Mackenzie; bassoonist Amanda Szczys; hornist Anne Aley; violinist Elspeth Stalter-Clouse; and cellist Maggie Darby Townsend.

Guest artists are: pianist Eric Tran; flutist Dawn Lawler; oboist Valree Casey; bassoonist Midori Samson; and trumpeter John Aley.

The ensemble is pleased to feature a new member at its opening concert. Violinist Elspeth Stalter-Clouse’s talents will be heard in two works: a fiery piano trio by Spanish composer Gaspar Cassado (below top); and as a soloist on the sweetly expressive Canzonetta for violin and piano by Italian-American composer Rosa Alba Vietor (below bottom). You can hear the Recitative movement, which takes about 10 seconds to start, from the Piano Trio by Gaspar Casado in the YouTube video at the bottom.

The program will include two larger wind works by French composers: Pastoral Variations in the Old Style  by Gabriel Pierne (below top); and Octet for Winds by Claude Pascal (below bottom).

The ensemble will round out the program with two short contrasting works for winds and piano: the flute trio La Bergere des Brise de Vallee (The Shepherdess of the Valley Breezes) by American composer Margaret Griebling-Haigh (b. 1960, below top); and Suite for flute, oboe, clarinet and piano by Danish composer Johan Amberg (below bottom). 

The Oakwood Chamber Players is a group of Madison-area professional musicians who rehearse and perform at Oakwood Village University Woods. Members also play in other area ensembles, including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and have ties to the University of Wisconsin-Madison Mead Witter School of Music.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


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Classical music: This Saturday, Aug. 31, at 11 a.m. in Overture Hall is the last FREE Farmers’ Market organ concert of the season. On Sunday afternoon, guitarist Steven Meyer performs at the Chazen Museum of Art

August 29, 2019
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ALERT: Madison guitarist Steven Meyer will perform a FREE concert on “Sunday Afternoon Live at the Chazen” this Sunday, Sept. 1, from 12:30 to 2 p.m. in Brittingham Gallery 3. The program features music by Johann Sebastian Bach, Gustav Holst, Heitor Villa-Lobos, Fernando Sor, himself and others. Also included is music by the Beatles, jazz and folk music. For more information about the series, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen8/

This Sunday’s performance will, as always, be live streamed starting at 12:30. Here is a portal link for streaming: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5 

By Jacob Stockinger

This Saturday morning, Aug. 31, will see the last FREE Farmers’ Market organ concert of the season.

The 45-minute concert, sponsored by the Madison Symphony Orchestra and played on the Klais concert organ, takes place in Overture Hall at 11 a.m. No tickets or reservations are needed and the public is welcome.

The performer is David Ball (below), who was trained at the Juilliard School in New York City and who is based in Orange County, California, at the Christ (formerly Crystal) Cathedral.

The program features music by French composer Jean Langlais, French composer Camille Saint-Saens, German composer Max Reger, British composer Herbert Howells, Argentinean composer Norberto Guinaldo, French composer Leon Boellmann, French composer Jeanne Demessieux, contemporary American composer Alan Terricciano and American composer John Philip Sousa. (You can hear David Ball playing a different work by Herbert Howells in the YouTube video at the bottom.)

For the specific works and much more background about the performer, go to: https://madisonsymphony.org/event/free-farmers-market-concert-2019-david-ball/


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Classical music: The Madison Symphony Orchestra is offering an unlimited, season-starting single ticket sale with 20 percent off, through this Saturday

August 28, 2019
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By Jacob Stockinger

For the first time ever, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) is offering a sale on tickets to the first three concerts this season.

You will get 20 percent off if you buy tickets through the Overture Center box office in person, by phone (608 258-4141) or online at https://www.overture.org/events

The discount code to say or use is FIRST3SYMPHONY.

Be forewarned: You will NOT find the ticket sale on the MSO website.

There is no limit of how many tickets you can buy, says MSO marketing director Peter Rodgers who also said the traditional holiday ticket sale, with two-tiered discount pricing, will take place as usual from Dec. 16 through Dec. 31.

The season-starting sale runs through this coming Saturday, Aug. 31. You can get discounted single tickets to the concerts on Sept. 27-29, Oct. 18-20 and Nov. 8-10 with performances on Fridays at 7:30 p.m., Saturday at 8 p.m. and Sunday afternoons at 2:30 p.m.

Ticket prices range from $19-$95, up about 2 percent from last year to keep up with inflation, Rodgers added.

Why isn’t the sale on the MSO website?

“We did it digitally and in a printed brochure that we mailed out just to try and reach out to either season subscribers or people who have already bought single tickets before and have already been to the symphony,” says Rodgers. “We just wanted to give some people a little nudge. But anyone can take advantage of the sale.”

Rodgers also said that the inaugural sale is not being held because ticket sales are slow. “Ticket sales for this season are competitive with last season’s,” he said, adding that some buyers might use the sale to get tickets as birthday gifts or for other special occasions.

Although there is no limit to the number of single tickets an individual can buy, Rodgers said that once you get to 10, you are better off going with the usual 25 percent off group rate.

MSO music director John DeMain (below, in a photo by Greg Anderson) will conduct all performances of the first three concerts.

The September concerts open the season with MSO organ soloist Greg Zelek (below) and features the Overture to the opera “Tannhauser” by Richard Wagner; the “Toccata Festiva” by Samuel Barber; the tone poem “Prelude to the Afternoon of a Faun” by Claude Debussy; and the Symphony No. 7 by Antonin Dvorak.

The October concerts feature guest violinist Rachel Barton Pine. The all-Russian and all-20th century program includes the Violin Concerto by Aram Khachaturian; the Symphony No. 9 by Dmitri Shostakovich; and the Suite from “Lieutenant Kije,” for trumpet and orchestra, by Sergei Prokofiev.

The November concerts feature guest pianist Joyce Yang. The program is the Symphony No. 2 by Robert Schumann; the Piano Concerto No. 3 by Sergei Prokofiev; and “Newly Drawn Sky” by the Pulitzer Prize-winning and Grammy Award-winning contemporary American composer Aaron Jay Kernis, who teaches at the Yale University School of Music. (You can hear “Newly Drawn Sky” in the YouTube video at the bottom.)

For more details about the three opening concerts and the entire 2019-20 season, including complete programs, go to: https://madisonsymphony.org/concerts-events/2019-2020-symphony-season-concerts/


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Classical music: The Token Creek Chamber Music Festival starts this Friday and marks 30 years with jazz plus music by Bach, Mozart, Liszt, Brahms, Ravel, Schoenberg and John Harbison

August 13, 2019
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By Jacob Stockinger

Starting this coming Friday, Aug. 16, and running through Sept. 1, the Token Creek Chamber Music Festival will mark its 30th anniversary with the theme of “Sanctuary.” (The festival takes place in a refurbished barn, below, at 4037 Highway 19 in DeForest.)


Add the festival directors: “The term ‘sanctuary’ attempts to capture in a single word something essential about what the festival has meant to players and listeners over all these years. From the start it aspired to offer something of retreat, an oasis, a place of refreshment and nourishment in art, both for musician participants who find a welcoming environment to “re-charge” their work, and for audience attendees who engage in and become a part of it.”

“In our small country barn,” writes prize-winning composer John Harbison (below top, in a photo by Tom Artin) who co-directs the festival with his violinist wife Rose Mary Harbison (below bottom, in a photo by Tom Artin), “we have always remained devoted to the scale and address of much chamber music, which speaks as often in a whisper as in a shout.

“Where larger musical institutions have been habitually frustrated by trying to live in the business model of growth, we have remained devoted to the intensity of the experience, which explains why the music never goes away, rather than to claims of numbers, which begs the music itself to change its very nature.

“Our conviction is that today’s composers, just like Schubert and Mozart, are still striving to embody daily experience, to connect to the natural world, and to ask philosophically and spiritually unanswerable questions, surrounded and interrupting silence, asking only for our most precious commodity — time. We continue to look for valuable ways to offer this transaction to our listeners, and are grateful for their interest over so many years.”

The first two concerts, at 5 p.m., on Friday and Saturday nights, feature the return of a jazz cabaret featuring standard works in the Great American Songbook. For more information about the program and performers, as well as tickets, go to: www.tokencreekfestival.org or call (608) 241-2525.

Tickets for the two jazz concerts are $40 for the balcony and $45 for cafe seating. Tickets for the other concerts are $32 with a limited number of student tickets available for $12.

HERE IS THE LINEUP FOR THE REST OF THE FESTIVAL

Program 2: Music of Brahms at 4 p.m. on Saturday, Aug. 24, and Sunday, Aug. 25

Johannes Brahms is the only composer whose complete catalogue of chamber music is still in constant use.  This is due to his fastidious high standards, and to his ideal temperament for music played by smaller groups of players. His music is universally admired for the astounding combination of sheer craft and deep emotional impact.

The program includes the Regenlied (Rain Song), Op. 57 no. 3; Sonata for Violin and Piano in G major, Op. 78; the Sonata for Cello and Piano in E minor, Op. 38; and the Piano Quartet in C minor, Op. 60. (The “Rain Song” is used as the theme of the last movement of the violin sonata. You can hear it performed by violinist Leonidas Kavakos and pianist Yuja Wang in the YouTube video at the bottom, which also features the score so that you can follow along.)

Performers are Edgewood College mezzo-soprano Kathleen Otterson (below top); violinist Rose Mary Harbison; violist Lila Brown (below second); cellist Rhonda Rider (below third, in a photo by Liz Linder); and pianist Janice Weber (below bottom).

Program 3: Then and Now, Words and Music – An 80th Birthday Tribute to John Harbison. Wednesday, Aug. 28, at 7:30 p.m.

Last February, when Madison launched a citywide celebration of co-artistic director John Harbison’s 80th birthday, bitter cold and deep snow made it impossible for the festival to open up The Barn and join in the festivities.

The Wednesday program – an intimate concert of words and music curated by the Harbisons — is the festival’s belated birthday tribute. Harbison will read from his new book about Johann Sebastian Bach, and Boston poet Lloyd Schwartz (below top) will offer a reading of his poems that are the basis of a song cycle to presented by baritone Simon Barrad (below bottom). The evening will include a discussion on setting text, “Poem to Song,” and the world premiere of new Harbison songs, still in progress, on poems of Gary Snyder.

The program includes: Selections from the Violin Sonata in B minor, with violinist Rose Mary Harbison, and “The Art of Fugue” by Johann Sebastian Bach; “Four Songs of Solitude” and “Nocturne” by John Harbison; the Violin Sonata in G Major by Wolfgang Amadeus Mozart; the “Phantasy” for violin and piano by Arnold Schoenberg; the “SchwartzSongs” and “Four Poems for Robin” by John Harbison.

Program 4: The Piano , at 4 p.m. on Sunday, Aug. 31, and Sunday, Sept. 1.

The closing program welcomes back husband-and-wife pianists Robert Levin and Ya-Fei Chuang, playing together and as soloists.

Chuang (below top) is acclaimed by critics in the U.S. and abroad for performances of stunning virtuosity, refinement and communicative power. Levin (below bottom, in a photo by Clive Barda), who teaches at Harvard University, is revered for his Mozart completions and classical period improvisations.

Their program explores the question of the composer-performer — that is, composers who were also formidable pianists: Mozart, Ravel and Liszt.

Beethoven’s fourth piano concerto, arranged by the composer for chamber ensemble, and excerpts of Harbison’s Piano Sonata No. 2, written for Levin, will be performed. Also on the program are Mozart’s Allegro in G Major, K. 357 (completion by Robert Levin); Maurice Ravel’s “Gaspard de la Nuit”; and Franz Liszt’s “Reminiscences of Don Juan.”

Other performers are: violinists Rose Mary Harbison and Laura Burns, of the Madison Symphony Orchestra and Rhapsodie String Quartet; violists Jen Paulson and Kaleigh Acord; cellist Karl Lavine, who is principal cello of both the  Madison Symphony Orchestra and the Wisconsin Chamber Orchestra as well as the Chamber Music Director of the Wisconsin Youth Symphony Orchestras (WYSO); and double bassist Ross Gilliland.


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Classical music: The Madison-based string quartet Quartessence will perform this Sunday afternoon at the Little Brown Church in Richland County

August 2, 2019
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By Jacob Stockinger

On this Sunday, Aug. 4, at 2 p.m. the Madison-based Quartessence string quartet (below, in a photo by Ralph Russo) will perform a rare public concert of classical music at the Little Brown Church in Richland County. (The group usually performs at private events.)

Performers (below, from left) are: violinist Suzanne Beia; cellist Sarah Schaffer; violinist Laura Burns; and violist Jennifer Clare Paulson. Beia, Burns and Paulson are members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Pro Arte String Quartet. Schaffer has a career in arts management and organizes the annual summertime Token Creek Chamber Music Festival.

The location is 29864 Brown Church Road at the intersection of Highway 130 and Highway B, approximately five miles north of Highway 14.

Tickets cost $10 for adults and $5 for students, and will be available at the door.

The program includes: music by baroque composer Antonio Vivaldi; the “Brook Green” Suite by Gustav Holst; the String Quartet in G Major, K. 156, by Wolfgang Amadeus Mozart; “Household Music: Three Preludes on Welsh Hymn Tunes” by British composer Ralph Vaughan Williams (originally written for organ, one of the preludes can be heard in an orchestral arrangement in the YouTube video at the bottom); and “Painting the Floors Blue” and “Thanks, Victor” by the contemporary American composer John Harbison.

The concert is sponsored by a family, and proceeds will be used by the Friends of the Little Brown Church for maintenance of the building. The donors are happy to be able to provide this opportunity to music lovers in the community.

The refurbished building is air-conditioned, so you can take a break from the hot weather while you enjoy the music.

Here is some background from Harriet Statz (below, far right), who organizes the event because the Little Brown Church is special to her:

“Last year we started what is turning out to be an annual event (maybe) at the Brown Church (below) in Richland County. That’s up the road (Highway 131) from where I lived in the late 1970s.

“Since then Julie Jazicek and I have been in contact about fencing for this historic place, as she is sort of the manager and deserves much credit for keeping both the building and grounds beautiful. Over the years some concerts have been held in the church, but until 2018 nothing classical. So we fixed that!

“Last year’s concert by the Quartessence Quartet was a resounding success. An audience of about 60 people encouraged us to keep going, so we did, and hope for even a larger turnout to fill up the place. As it turns out the acoustics are outstanding!

“The location is west of Spring Green and north of Lone Rock. It’s a lovely drive. So I invite you to mark this Sunday Aug. 4, on your calendar and come out to the country for a lovely afternoon of music. Bring friends! Share rides!”

For information, call 608-356-8421 or send an email to: FriendsOfLittleBrownChurch@gmail.com


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Classical music: Is a local Dvorak revival in the making? This Friday night, Christopher Taylor joins the Willy Street Chamber Players to perform the famed Piano Quintet

July 25, 2019
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By Jacob Stockinger

Is a major local revival of music by Antonin Dvorak (below) in the making?

Many signs point to: Yes!

At the end of the past season, maestro John DeMain of the Madison Symphony Orchestra, which has also performed the Symphony No. 9 “From the New World,” announced that he was on board as a fan when he told the audiences about the upcoming season, which features the MSO performing Dvorak’s dramatic Symphony No. 7 in D Minor and the large-scale Requiem.

In recent seasons, we have also seen the Madison Opera stage the opera “Rusalka”; the Middleton Community Orchestra perform the Symphony No. 6; the UW-Madison’s Pro Arte String Quartet and the Ancora String Quartet perform the miniatures “Cypresses”; the Wisconsin Chamber Orchestra play some “Slavonic Dances”; and more.

What’s not to like about Dvorak? He was one of music’s greatest melodists, something that Johannes Brahms envied and a reason why Brahms helped promote his music. And his use of folk music – Czech, Native American and African-American – is captivating as well as multicultural.

Here is a link to more about Dvorak in his Wikipedia entry:

https://en.wikipedia.org/wiki/Anton%C3%ADn_Dvořák

As audience responses prove, there is so much Dvorak to be fond of.

But one of the greatest works will be performed this Friday night, July 26, at 6 p.m. in the Immanuel Lutheran Church, 1021 Spaight Street.

That is when the Willy Street Chamber Players, in the final concert of their fifth summer series, will perform the famed Piano Quintet No. 2 in A Major, Op. 81 (1887). (You can hear the engaging opening movement, played by pianist Evgeny Kissin and the Emerson String Quartet, in the YouTube video at the bottom.)

The Willys will team up with the acclaimed UW-Madison virtuoso pianist and Van Cliburn Competition bronze medalist Christopher Taylor, who is a gifted chamber musician as well as a superb soloist.

Filling out the program are Three Nocturnes (1924) by Ernest Bloch and “Voodoo Dolls” (2008) by Jessie Montgomery.

Admission is $15 with a reception afterwards.

Dvorak, who has never fallen out of favor but who seems to have sparked a new enthusiasm, composed a lot.

In addition to the nine symphonies, the string serenade and the piano quintet, there is a lot of chamber music, including string quartets, piano trios, piano quartets; concertos for the violin, cello and piano; and many miniatures, including the lovely “Songs My Mother Taught Me.” There is also some solo piano music that has largely been neglected.

Do you love Dvorak’s music?

What about it do you especially like?

Do you have a favorite Dvorak work?

Let us know what it is, with a YouTube link if possible, in the Comment section.

The Ear wants to hear.


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Classical music:  Two Madison pianists perform four-hand American music Monday night at a concert for the Rural Musicians Forum at Taliesin in Spring Green

July 20, 2019
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By Jacob Stockinger

For the first time ever, the Rural Musicians Forum will present music for piano 4-hands, where two pianists play simultaneously on one piano.

On this coming Monday, July 22, at 7:30 p.m. in the Hillside Theater at architect Frank Lloyd Wright’s Taliesin compound in Spring Green, Madison-based pianists Satoko Hayami (below top) and Jason Kutz (below bottom) will showcase four-hand piano music by American composers, spanning from 1864 to 2019.

The concert by the two graduate students at the University of Wisconsin-Madison’s Mead Witter School of Music will present a variety of composers and works created for this ensemble: pre-ragtime composer Louis Moreau Gottschalk’s virtuosic arrangement of Gioachino Rossini’s William Tell Overture; excerpts from Samuel Barber’s Souvenirs, a ballet suite (heard played tag-team style in the YouTube video below); a lush arrangement of themes from the Wizard of Oz by William Hirtz; and the riveting Gazebo Dances by John Corigliano, a four-movement work that, in his own words, suggests “the pavilions often seen on village greens in towns throughout the countryside, where public band concerts are given on summer evenings.”

Additionally, the audience will hear the world premiere arrangement of Music in 3/4 for Four by Kutz, excerpts from his solo piano suite, Music in 3/4.

Admission is by free will offering, with a suggested donation of $15.

Taliesin’s Hillside Theater (below) is located at 6604 State Highway 23, about five miles south of Spring Green.


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Classical music: YOU MUST HEAR THIS: Three piano pieces by the forgotten American composer William Mason that are worth rediscovering

July 12, 2019
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By Jacob Stockinger

As often happens, The Ear was listening to Wisconsin Public Radio and yesterday afternoon he made a discovery during The Midday program with Norman Gilliland.

It was piano piece called “Amourette” by the American 19th-century composer William Mason (below). Unfortunately, you won’t find that piece on YouTube. But here, in the YouTube video at the bottom, are three other fine works, probably from the same Naxos CD, that are also noteworthy discoveries of a forgotten, if minor, composer who had a knack for pleasing and melodic salon music.

Here are a brief biography and an introduction from YouTube and Wikipedia:

William Mason (below, 1829-1908) was an American pianist, composer and teacher. He was from a musical family, son of the famous and prolific hymn composer Lowell Mason, and brother of Henry Mason, co-founder of Mason and Hamlin pianos.

William studied in Europe and was the first American student of Franz Liszt. In his music, you can hear reflected some of the major piano composers of the 19th century.

Here is a link to his entry in Wikipedia:

https://en.wikipedia.org/wiki/William_Mason_(composer)

Although these William Mason pieces are largely forgotten now, his work is wonderfully melodic and certainly deserves to be heard more often.

These three pieces are from the Naxos CD “William Mason” (No. 8.559142) The CD contains 14 other Mason compositions – including his best known “Silver Spring.” (The CD is part of the American Classics Collection.)

For those tired of hearing the same classical music on the radio or the concert hall – the Naxos collection provides a wide spectrum of superb but rarely heard music.

The pianist on this album is Kenneth Boulton. On the third piece, “Badinage,” which is for piano four-hands, Kenneth Boulton is joined by his wife and pianist JoAnne Barry.

Track Listings: 0:00 “Improvisation”; 4:30 “Lullaby”; 7:35 “Badinage”

Do you like Mason’s music?

Let us know what you think.

The Ear wants to hear.


Classical music: Was Bernard Herrmann’s love theme in Alfred Hitchcock’s “North by Northwest” influenced by Antonin Dvorak’s “American Suite”?

July 8, 2019
5 Comments

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By Jacob Stockinger

The Ear spent an interesting and enjoyable Fourth of July holiday weekend.

Two of the most enjoyable things seemed to overlap unexpectedly.

On Wednesday night, I tuned into Turner Classic Movies. That’s when I watched, once again and with great pleasure, Alfred Hitchcock’s masterful “North by Northwest (1959.”

The next morning, on Independence Day, I tuned in to Wisconsin Public Radio and heard a lot of music by American composers and by composers who were inspired by America.

That’s when I heard the “American Suite” (1895) by Czech composer Antonin Dvorak (below), who directed a conservatory in New York City and liked to spend summers in a Czech community in Spillville, Iowa, where he was captivated by American music of Native Americans and African-Americans.

What overlapped was the music, the love theme between Cary Grant and Eva Marie Saint — called “Train Conversations” — by Bernard Herrmann (below) in the film and the opening of the suite by Dvorak.

But The Ear needs a reality check: Is the Ear the only one to hear striking similarities between the two?

Take a listen to the two works in the YouTube video below, decide for yourself and let us know if you hear the same influence.

To be sure, The Ear is not saying that Herrmann – a sophisticated American composer who knew classical music and who is perhaps best known for his edgy score to “Psycho,” which is often played in concert halls – completely lifted the music or stole it or plagiarized it.

But it certainly is possible that Herrmann was influenced or inspired by Dvorak – much the same way that Leonard Bernstein’s song “Somewhere” from “West Side Story” seems remarkably close to an opening theme in the slow middle movement of the Piano Concerto No. 5 – the famous “Emperor” Concerto — by Ludwig van Beethoven. The same goes for Sir Andrew Lloyd Webber, who, some say, borrowed tunes more than once from Franz Schubert.

Well, if you’re going to borrow, why not do it from the best? And Dvorak was among the great melodists of all time, in company with Johann Sebastian Bach, Wolfgang Amadeus Mozart, Franz Schubert, Frederic Chopin, Robert Schumann, Peter Ilyich Tchaikovsky, Sergei Rachmaninoff, Maurice Ravel and Francis Poulenc, to name a few of the best known.

Anyway, listen to the two scores and let us know what you think.

Can you think of other music that was perhaps influenced by a work of classical music? If so, leave a comment, with YouTube links if possible, in the Comment section.

The Ear wants to hear.


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