The Well-Tempered Ear
Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon
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By Jacob Stockinger
Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.
But this year a new collaboration will take place.
On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.
Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.
WYSO says the Friday night concert is close to selling out.
Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.
They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.
WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)
Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”
The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:
https://www.wysomusic.org/diane-ballweg-winterfest-concerts/
For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:
https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/
SATURDAY
On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.
11:30 a.m. — Opus One and Sinfonietta (below)
1:30 p.m. — Harp Ensemble (below) and Concert Orchestra
4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra
The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.
The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.
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Music education: The Madison Youth Choirs explore the theme of “Legacy” in three concerts this Saturday and Sunday in the Capitol Theater of the Overture Center
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By Jacob Stockinger
The Ear has received the following announcement to post from the Madison Youth Choirs about their upcoming concerts this weekend:
This spring, Madison Youth Choirs singers are exploring the meaning of “Legacy,” studying works that have endured throughout history, folk traditions that have been passed on, and musical connections that we maintain with those who have come before us. Along the way, we’re discovering how our own choices and examples are leaving a lasting impact on future generations.
In our upcoming concert series in the Capitol Theater of the Overture Center, 201 State Street, on this Saturday, May 11, and Sunday, May 12, we’ll present a variety of works. They include Benjamin Britten’s “The Golden Vanity,” Palestrina’s beloved “Sicut Cervus,” Sweet Honey in the Rock’s “Wanting Memories,” the final chorus of Handel’s oratorio Samson, American and Scottish folk songs, and Zoe Mulford’s powerful modern folk piece, “The President Sang Amazing Grace.”
The concert will also pay tribute to our alumni, with selections featured on the very first Madison Boychoir album, and past Cantabile singers invited to join us on stage for “Sisters, Now Our Meeting is Over.”
At the Saturday concert, MYC will present the 2019 Carrel Pray Music Educator of the Year award to Diana Popowycz (below), co-founder of Suzuki Strings of Madison.
DETAILS ABOUT “LEGACY” MYC’S SPRING CONCERT SERIES
Saturday
7:30 p.m. Purcell, Britten, Holst and Ragazzi (boychoirs)
Sunday
3:30 p.m. Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile (girlchoirs)
7:30 p.m. Cantilena, Cantabile and Ragazzi (high school ensembles)
THREE WAYS TO PURCHASE TICKETS:
- In person at the Overture Center Box Office (lowest cost)
- Online (https://www.overture.org/events/legacy)
- By phone (608-258-4141)
Tickets are $15 for adults and $7.50 for students. Children under 7 are free, but a ticket is still required and can be requested at the Overture Center Box Office. Seating is General Admission.
This concert is supported by the Pleasant T. Rowland Foundation, American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, charitable arm of The Capital Times, and the W. Jerome Frautschi Foundation. This project is also made possible by a grant from the Wisconsin Arts Board with additional funds from the State of Wisconsin and the National Endowment for the Arts.
ABOUT MADISON YOUTH CHOIRS (MYC):
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
REPERTOIRE
SATURDAY
For the 7:30 p.m. Concert (featuring MYC Boychoirs)
Britten
“The Golden Vanity,” by Benjamin Britten (to our knowledge, this will be the first time the work has ever been performed in Madison)
Purcell
“Simple Gifts” by Joseph Brackett, arr. Aaron Copland
“Tallis Canon” by Thomas Tallis
“Sound the Trumpet” from Come Ye Sons of Art by Henry Purcell
Britten
“Ich jauchze, ich lache” by Johann Sebastian Bach
Holst
“Hallelujah, Amen” from Judas Maccabeus by George Frideric Handel
“Sed diabolus” by Hildegard von Bingen
“Bar’bry Allen” Traditional ballad, arr. Joshua Shank
“Ella’s Song” by Bernice Johnson Reagon
Ragazzi
“Let Your Voice Be Heard” by Abraham Adzenyah
“Sicut Cervus” by Giovanni Pierluigi da Palestrina
“Agincourt Carol,” Anonymous, ca. 15th century
Ragazzi & Holst
“The President Sang Amazing Grace” by Zoe Mulford, arr. Randal Swiggum
Holst
“Shosholoza,” Traditional song from Zimbabwe
Combined Boychoirs
“Will Ye No Come Back Again?” Traditional Scottish, arr. Randal Swiggum
Legacy Choirs
“Day is Done” by Peter Yarrow, arr. Randal Swiggum
SUNDAY
For the 3:30 p.m. Concert (featuring MYC Girlchoirs)
Choraliers
“Music Alone Shall Live,” Traditional German canon
“Ut Queant Laxis,” Plainsong chant, text attributed to Paolo Diacono
“This Little Light of Mine” by Harry Dixon Loes, arr. Ken Berg
“A Great Big Sea,” Newfoundland folk song, arr. Lori-Anne Dolloff
Con Gioia
“Seligkeit” by Franz Schubert
“Blue Skies” by Irving Berlin, arr. Roger Emerson
“When I am Laid in Earth” from Dido and Aeneas by Henry Purcell
“Pokare Kare Ana” by Paraire Tomoana
“Ah, comme c’est chose belle” Anonymous, 14th century
“Hope” by Marjan Helms, poem by Emily Dickinson
Capriccio
“Non Nobis Domine,” attributed to William Byrd
“Ich Folge Dir Gleichfalls” from St. John Passion by Johann Sebastian Bach
“Dirait-on” by Morten Lauridsen
Cantilena
“Aure Volanti” by Francesca Caccini
“Ella’s Song” by Bernice Johnson Reagon
Cantabile
“Come All You Fair and Pretty Ladies” Traditional Ozark song, adapted by Mike Ross
“Wanting Memories” by Ysaye M. Barnwell
Legacy Choir
“Music in My Mother’s House” by Stuart Stotts
For the 7:30 p.m. concert (featuring High School Ensembles)
Cantilena
“Aure Volanti” by Francesca Caccini
“Una Sañosa Porfía by Juan del Encina
“Ella’s Song” by Bernice Johnson Reagon
“O Virtus Sapientiae” by Hildegard von Bingen
Ragazzi
“Sicut Cervus” by Giovanni Pierluigi da Palestrina
“Agincourt Carol,” Anonymous, ca. 15th century
“Let Your Voice Be Heard” by Abraham Adzenyah
“The President Sang Amazing Grace” by Zoe Mulford, arr. Randal Swiggum
Cantabile
“In a Neighborhood in Los Angeles” by Roger Bourland
“Sed Diabolus” by Hildegard von Bingen
“Come All You Fair and Pretty Ladies” Traditional Ozark song, adapted by Mike Ross
“Wanting Memories” by Ysaye M. Barnwell
Combined Choirs
“Let Their Celestial Concerts All Unite” by George Frideric Handel
Cantabile and Alumnae
“Sisters, Now Our Meeting is Over,” Traditional Quaker meeting song
Tags: #AaronCopland, #AmazingGrace, #AmericanGirl, #BarackObama, #BaroqueMusic, #BenjaminBritten, #BlogPost, #BlogPosting, #BMOHarrisBank, #CapitolTheater, #CarrelPray, #ChoralMusic, #ComeYeSonsofArt, #CompactDisc, #ContemporaryComposer, #ContemporaryMusic, #ContemporaryRepertoire, #DianaPopowycz, #DidoAndAeneas, #EmilyDickinson, #EndresMfg.Company, #EvjueFoundation, #FacebookPost, #FacebookPosting, #FolkMusic, #folksongs, #FrancescaCaccini, #FranzSchubert, #GeneralAdmission, #GeorgeFridericHandel, #GiovannidePalestrina, #GreenBayPackers, #GustavHolst, #HarryDixon, #HenryPurcell, #HighSchool, #HildegardvonBingen, #IrvingBerlin, #JohannSebastianBach, #JudasMaccabeus, #LivingComposer, #MadisonBoychoir, #MadisonYouthChoirs, #MiddleSchool, #MortenLauridsen, #MusicEducation, #MusicEducator, #NationalEndowmentfortheArts, #NewMusic, #OakwoodCenterforArtsandEducation, #OvertureCenter, #PersonalResponsibility, #PeterYarrow, #PleasantT.Rowland, #PresidentObama, #RandalSwiggum, #SoundtheTrumpet, #St.JohnPassion, #StateOfWisconsin, #SuzukiMethod, #SuzukiStringsofMadison, #SweetHoneyintheRock, #TheCapitalTimes, #TheEar, #TheGoldenVanity, #ThePresidentSangAmazingGrace, #ThisLIttleLightofMine, #ThomasTalliis, #VocalMusic, #W.JeromeFrautschi, #WantingMemories, #WilliamByrd, #WisconsinArtsBoard, #YoungPeople, #ZoeMulford, Aaron Copland, ability, accessible, Agincourt, Album, alumni, Amazing Grace, Amen, American, American Girl, American Girls, announcement, anonymous, Arts, audience, Bach, ballad, Barack Obama, Baroque, beloved, Benjamin Britten, blog, BMO Harris Bank, boy, boy choir, boychoir, Canon, cantabile, cantilena, Capitol Theater, Carrel Pray, celestial, chant, charity, choice, Choir, choral music, chorus, Classical music, classicalmusic, Come Ye Sons of Art, community, Compact Disc, composer, Concert, conductor, connection, contemporary, cultivate, day, Diana Popowicz, Dido and Aeneas, discover, Early music, Earth, Education, educator, Emily Dickinson, Endres Mfg. Company, Evjue Foundation, example, Facebook, Folk music, folk song, folk songs, folksong, forward, foundation, Francesca Caccini, Franz Schubert, Friday, funds, future, general admission, generation, George Frideric Handel, German, girl, golden, grant, Green Bay Packers, Gustav Holst, Hallelujah, Handel, Harry Dixon, Henry Purcell, high school, Hildegard von Bingen, History, hope, House, impact, inquiry', Irving Berlin, Jacob Stockinger, Johann Sebastian Bach, Judas Maccabeus, legacy, level, like, link, live, Madison, Madison Boychoir, Madison Youth Choirs, May, meeting, memories, memory, Middle school, modern, Morten Lauridsen, Mother, Music, Music education, music educator, National Endowment for the Arts, NEA, New Music, Newfoundland, opportunities, oratorio, Overture Center, Ozark, Palestrina, People, performer, Peter Yarrow, philosophy, Piano, plainsong, Pleasant T. Rowland, poem, Poetry, powerful, President, President Obama, program, purchase, Quaker, Randel Swiggum, recording, repertoire, repertory, responsibility, Samson, Saturday, Scottish, sea, seating, self-confidence, share, singers, sister, song, Sound, spirit, St. John Passion, State of Wisconsin, strings, students, Suzuki, Suzuki Method, Suzuki Strings of Madison, Sweet Honey in the Rock, tag, teenager, The Capital Times, The Ear, The Evjue Foundation, The Golden Vanity, The President, This Little Light of Mine, Thomas Tallis, ticket, tradition, traditional, Trumpet, unite, United States, University of Wisconsin–Madison, upcoming, vanity, variety, vocal music, voice, W. Jerome Frautschi, want, weekend, William Byrd, Wisconsin, Wisconsin Arts Board, word, work, young, young people, Youth, YouTube, Zimbabwe, Zoe Mulford
Classical music: The Winter Concert Series by the Madison Youth Choirs next Saturday and Sunday feature the theme of “Resilience” with guest artist Tony Memmel
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By Jacob Stockinger
The Ear has received the following announcement to post:
This semester, the Madison Youth Choirs welcome guest artist Tony Memmel, a singer-songwriter and guitarist whose story of ingenuity and resilience will inspire young singers and audience members alike.
Born without a left forearm or hand, Memmel (below) taught himself to play guitar by building a homemade cast out of Gorilla Tape, and has become an internationally acclaimed musician, thoughtful teacher and ambassador for young people with limb differences. (You can hear Memmel talk about himself in the YouTube video at the bottom.)
On this coming Saturday night, Dec. 8, and Sunday afternoon, Dec., 9, at the Middleton Performing Arts Center that is attached to Middleton High School at 2100 Bristol Street, Memmel will join the Madison Youth Choirs in a Winter Concert Series called “Resilience” because it focuses on the ability to overcome challenges both visible and invisible, and along the way discover the limitless possibilities that exist inside each of us.
Here is the schedule:
Saturday, Dec. 8, at 7:00 p.m. – Purcell, Britten, Holst and Ragazzi choirs
Sunday, Dec. 9, at 4:00 p.m. – Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile choir
Tickets will be available at the door, $10 for general admission; $5 for students 7-18; and free for children under 7.
These concerts are generously endowed by the Diane Ballweg Performance Fund with additional support from our sponsors, American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Madison Arts Commission and the Wisconsin Arts Board with funds from the National Endowment for the Arts.
About Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.
Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
For more information about supporting or joining MYC, go to: https://www.madisonyouthchoirs.org
HERE IS THE COMPLETE REPERTOIRE OF THE MYC 2018 WINTER CONCERT SERIES “RESILIENCE”:
SATURDAY, DEC. 8, at 7:00 p.m. Concert (featuring MYC Boychoirs)
Combined Boychoirs with Tony Memmel
“Clenched Hands, Brave Demands” by Tony Memmel
“Though My Soul May Set in Darkness,” text by Sarah Williams, composer unknown
Purcell
“Who Can Sail” Scandinavian Folk Song, arr. Jeanne Julseth-Heinrich
“Hine Ma Tov” Hebrew Folk Song, arr. Henry Leck
Britten
“Jerusalem,” poem by William Blake, music by Sir Hubert Parry
“This Little Babe” from A Ceremony of Carols by Benjamin Britten
Holst
“Keep Your Lamps,” traditional spiritual, arr. André Thomas
“Out of the Deep” by John Wall Callcott
“Shosholoza,” Traditional song from Zimbabwe, arr. Albert Pinsonneault
Combined Boychoirs
“Angels’ Carol” by John Rutter
Tony Memmel
Selections to be announced
Ragazzi
“Wie Melodien” (Op. 5, No. 1) by Johannes Brahms
“The Chemical Worker’s Song” by Ron Angel, arr. after Great Big Sea
“Abraham Lincoln Walks at Midnight” by Abbie Betinis
Combined Boychoirs with Tony Memmel (below)
“America to Go” by Tony Memmel
SUNDAY, DEC. 9, at 4:00 p.m. Concert (featuring MYC Girlchoirs)
Combined Girlchoirs with Tony Memmel
“Clenched Hands, Brave Demands” by Tony Memmel
Choraliers
“Be Like a Bird,” Text from Victor Hugo, music by Arthur Frackenpohl
“Art Thou Troubled” by George Frideric Handel
“Blustery Day” by Victoria Ebel-Sabo
Con Gioia
“Bist du bei mir” by Johann Sebastian Bach from “The Notebook of Anna Magdalena Bach”
“I Heard a Bird Sing” by Cyndee Giebler
“Ask the Moon” from Three Settings of the Moon by Ron Nelson
“I’ll Overcome Someday” by C.A. Tindley
“We Shall Overcome” arr. by Marie McManama and Con Gioia
“i shall imagine” by Daniel Brewbaker, text by e.e. cummings
South African National Anthem by E.M. Sontonga and M.L. de Villiers
Capriccio
“Resilience” by Abbie Betinis
“Be Like the Bird” by Abbie Betinis
“Esurientes” from Magnificat in G minor by Antonio Vivaldi
“And Ain’t I a Woman!” by Susan Borwick, adapted from a speech by Sojourner Truth
Tony Memmel
Selections to be announced by Tony Memmel
Cantilena
“Vanitas vanitatum” by Jan Pieterszoon Sweelinck
“Chant for a Long Day” by Stephen Hatfield
“Wir eilen mit schwachen doch emsigen Schritten”(from BWV 78) by Johann Sebastian Bach
“The Storm is Passing Over” by Charles Albert Tindley, arr. Barbara Baker
Cantabile
“Ich weiss nicht”(Op. 113, No. 11) by Johannes Brahms, text by Friedrich Rueckert
“Widmung” (Op.25, No. 1) by Johannes Brahms, text by Friedrich Rueckert
“I Never Saw Another Butterfly” by Charles Davidson
Combined Choirs with Tony Memmel
“America to Go” by Tony Memmel
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Classical music: Thanks to the Bach Dancing and Dynamite Society celebrating women, you can hear this beautiful Romance for violin and piano LIVE tonight in Madison and Sunday night in Spring Green
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By Jacob Stockinger
Tonight and Sunday night bring the second of six programs on the 27th annual summer series by the Bach Dancing and Dynamite Society.
The theme of the whole series, along with the number 27, is “Toy Stories” and this particular program is called “American Girls” because it features so much music written by women composers — something in keeping with the timeliness and relevance of the #MeToo movement.
The first performance is TONIGHT, Saturday, June 9, at 7:30 p.m. in The Playhouse at the Overture Center. The second performance is tomorrow, Sunday, June 10, at 6:30 p.m. in the Hillside Theater of Taliesin, the Frank Lloyd Wright compound in Spring Green.
For more information about the BDDS season and about buying tickets ($43 and $48), go to http://bachdancing.org or to: https://welltempered.wordpress.com/2018/06/07/classical-music-this-weekend-kicks-of-the-27th-season-of-bach-dancing-and-dynamite-concerts-with-the-theme-of-musical-works-as-toys-to-be-played-with-for-serious-fun/
Included in the “American Girls” program is the very lyrical and beautiful Romance for Violin and Piano, Op. 23, by American composer Amy Beach (below).
If you want a taste of what awaits you if you go, at the bottom is a YouTube video of Chicago violinist Rachel Barton Pine, who has appeared in Madison with the Wisconsin Chamber Orchestra, performing the Romance by Beach at the Dame Myra Hess Memorial Concert.
Pine also explains the context that includes a very famous American woman violin virtuoso, Maud Powell, whom The Ear — and probably most others –had never heard of before.
The Romance will be performed tonight and Sunday night by BDDS veteran Yura Lee (below). She is an outstanding violinist and violist who hails from New York City and performs with the prestigious Chamber Music Society of Lincoln Center.
The rest of the program includes: “Chambi’s Dreams: Snapshots for an Andean Album” for flute, violin and piano by living composer Gabriela Lena Frank (below top); “Qi” for flute, cello, piano and percussion by Chen Yi (below middle); the Piano Trio in C Major, Hob. XV:27 by Franz Joseph Haydn; and the Piano Trio by American composer Rebecca Clarke (below bottom, above the YouTube video).
Tags: #AmericanComposer, #AmericanGirl, #AmyBeach, #AndesMountains, #BachDancingandDynamiteSociety, #CelebratingWomen, #CelloMusic, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ChenYi, #FemaleComposer, #FluteMusic, #FrankLloydWright, #FranzJosephHaydn, #GabrielaLenaFrank, #HillsideTheater, #LincolnCenter, #LivingComposer, #LyricalMusic, #MaudePowell, #MaudPowell, #MemorialConcert, #MeToo, #MyraHess, #OvertureCenter, #PercussionMusic, #PianoMusic, #PianoTrio, #RachelBartonPine, #RebeccaClarke, #SpringGreen, #ThePlayhouse, #ToyStory, #WisconsinChamberOrchestra, #WomenComposer, #YouTubevideo, #YuraLee, America, American, Arts, BDDS, Cello, Chamber music, Chamber Music Society of Lincoln Center, Chen Yi, Chicago, Classical music, composer, female, flute, Gabriela Lena Frank, Haydn, Jacob Stockinger, LIncoln Center, lyrical, lyricism, Madison, movement, Music, New York City, night, number, Overture Center, percussion, Piano, Piano Trio, program, Rebecca Clarke, relevance, relevant, Romance, Saturday, Sunday, theater, theatre, theme, timeliness, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Veteran, video, Viola, Violin, violinist, violist, virtuoso, Wisconsin, Wisconsin Chamber Orchestra, women, YouTube, Yura Lee
Classical music: This weekend kicks off the 27th annual summer season of Bach Dancing and Dynamite Society concerts with the theme of musical works as toys to be “played” with for serious fun
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By Jacob Stockinger
Four performances on this coming Friday night, Saturday night, Sunday afternoon and Sunday night will open the 27th annual summer concert series of the critically acclaimed but always informal and light-hearted Madison-based Bach Dancing and Dynamite Society (below and in the YouTube video at the bottom).
There will be six programs in 12 concerts performed in three venues over the next three weekends.
The venues are: The Playhouse in the Overture Center (below top) at 7:30 p.m.; the Stoughton Opera House (below middle) at 7:30 p.m.; and the Hillside Theater (below bottom) at Taliesin, the Frank Lloyd Wright compound in Spring Green, at 2:30 and 6:30 p.m.
Ticket prices are $43, or $48 if you want a prime seat at the Overture Center. For more information, go to: http://bachdancing.org/tickets/season-tickets/
This opening weekend features a lot of flute music and a lot of string music plus some unusual arrangements or transcription and music by unknown women composers.
As usual, BDDS has lined up a series of impressive local talent as well as favorite guest performers, including the critically acclaimed soprano Emily Birsan (below top) and bass-baritone Timothy Jones (below bottom).
Also on the schedule is a Madison-based hip-hop dancer and choreographer, Blake Washington (below), for two pieces during the second weekend: Igor Stravinsky’s “The Soldier’s Tale” and Francis Poulenc’s “The Masked Ball.” In addition, four players from the BDDS Dynamite Factory – the apprentice school of BDDS for emerging performers – will take part.
Again, as always, there is a unifying theme to the season. This year it is “Toy Stories,” playing off the idea of “playing” pieces of chamber music.
Here is a background and overview story that appeared this week in The Wisconsin State Journal: http://host.madison.com/wsj/entertainment/music/bach-dancing-and-dynamite-gets-playful-with-toy-stories/article_918d38c4-1eba-5196-822e-2b2616eddb75.html
Here is an explanation from UW-Madison graduate and San Francisco-based teacher and pianist Jeffrey Sykes (below left), who co-founded, co-directs and performs in the series with retired UW-Madison and Madison Symphony Orchestra principal flutist Stephanie Jutt (below right):
“When we were kids, we would ride our hobby horses around the back yard pretending to be knights on a quest. We’d race our Slinkies down the stairs, cheering their contorted yet gymnastic moves. We made crazy cyborgs with our Mr. and Mrs. Potato Heads. The cyborgs would fight for world domination, and then they’d sit down to tea with our dolls. We cuddled our stuffed animals as we prepared for bed, confessing our deepest dreams and aspirations to them. How easily those toys sparked our imaginations and transported us to fantastic realms!
“I’m a grownup now, sort of, and while I might get a short-lived bang out of newfangled tech toys, I’ve mostly left behind the dolls, bears and rubber ducks (below) of my childhood. The “toys” that really light my fire are incredible pieces of chamber music that have their own personalities; that delight me, surprise me, cry with me, and laugh with me.
CHAMBER
“Performing chamber music is called “playing” for a good reason. Ask any artist who joins BDDS for our festival: chamber music is a magical way to recapture the spirit of imaginative play that came to us so easily as kids.
“We cherish favorite old toys — the great chamber works of Bach, Mozart, and Brahms, for example. Yet we can also delight in the new toys that come our way — the music of Gabriela Lena Frank (below top), Paul Wiancko (below middle) and Kevin Puts (below bottom).
“Whether these new playthings become favorite old friends, who’s to say? One thing’s for sure, we’ll never know unless we play with them.
“BDDS’s 27th season theme is TOY STORIES, and co-artistic director Stephanie Jutt and I have organized each of our programs around a quirky take on iconic toys.
“To celebrate the festival’s age, we’ve also scattered various “27s” across our programs. In the spirit of imaginative play, rather than spell ing everything out, here are some clues to what you’ll hear this June.
TEDDY TALKS. Just change the motto “ideas worth spreading” to “music worth hearing” and you have our modus operandi. In this case, we have all sorts of Teddies talking to us through their music: I wonder what they’ll say.
AMERICAN GIRLS. Proud and multi-ethnic, they have been coming on strong as composers for a hundred years, and here’s the proof!
PLAY DO(H). C Major is the most malleable of keys.
GI JOE. War is no game, but it has inspired some seriously imaginative music.
RUBBER DUCKY, YOU’RE THE ONE. Sesame Street’s beloved Ernie adored his bath toy: see who else jumps into the tub.
TRANSFORMERS. I’m amazed how a couple of twists and turns can transform a few unassuming blocks into something breathtakingly complex.
“Join us June 8-24 for TOY STORIES in Madison, Stoughton, and Spring Green. We’ll play together with some irresistible toys and have ourselves some serious fun.
“With a bang!”
For the schedule of performances, with times and places, go to: http://bachdancing.org
For the full programs, including the many new or neglected composers and works to be performed, go to: http://bachdancing.org/concerts/festival-concerts/
For a complete list of performing and helping personnel, go to:
http://bachdancing.org/concerts/cast-crew/
And for a complete and impressive list of BDDS repertoire throughout the years, listed in alphabetical order by the composer’s last name, go to:
http://bachdancing.org/about/repertoire-through-the-seasons/
Tags: #AlbertEinstein, #AlphabeticalOrder, #AmericanGirl, #AmyBeach, #ArtisticDirector, #BachDancingandDynamiteSociety, #BassoonMusic, #BlakeWashington, #BohuslavMartinu, #CamilleSaint-Saens, #CarlPhilippEmanuelBach, #ChamberMusic, #ChenYi, #ClarinetMusic, #CriticallyAcclaimed, #DoubleBass, #EmilyBirsan, #FluteConcerto, #FluteMusic, #FrancisPoulenc, #FrankLloydWright, #FranzJosephHaydn, #GabrielaLenaFrank, #GabrielPierné, #GeorgPhilippTelemann, #GIJoe, #HillsideTheater, #Hip-HopDance, #IgorStravinsky, #JohannesBrahms, #JohannPeterSalomon, #JohannSebastianBach, #KevinPuts, #LivingComposers, #MadisonSymphonyOrchestra, #MaskedBall, #MauriceRavel, #MeadWitterSchoolofMusic, #NewMusic, #OboeMusic, #OperaHouse, #OperaSinger, #OvertureCenter, #PauWiancko, #PercussionMusic, #PianoConcerto, #PianoQuintet, #PIanoTeacher, #PianoTrio, #PlayDoh, #RebeccaClarke, #RichardStrauss, #RobertSchumann, #RubberDucky, #SamuelBarber, #SanFrancisco, #SergeiProkofiev, #SirEugeneGoossens, #Slinky, #SpringGreen, #StoughtonOperaHouse, #StoughtonWisconsin, #StringMusic, #StringSextet, #Taliesincompound, #TeddyBear, #TheodoreDubois, #ThePlayhouse, #TheSoldier'sTale, #TimothyJones, #ToyStories, #ToyStory, #TrioSonata, #TrumpetMusic, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #WaterFowl, #WisconsinStateJournal, #WolfgangAmadeusMozart, #WomenComposers, #YouTubevideo, 27, acclaimed, Albert Einstein, alphabet, Amy Beach, annual, apprentice, arrangement, Artistic director, Arts, Bach, Barber, baritone, Baroque, bass-baritone, Bassoon, BDDS, Beethoven, C.P.E. Bach, Cello, Chamber music, Chen Yi, choreographer, choreography, Classical music, composer, Concert, concerto, continuo, critically, cyborg, dance, dancer, do, double bass, dynamite, Einstein, factory, festival, founder, Friday, Gabriel Pierne, guest, Haydn, hip-hop, House, informal, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, Kevin Puts, local, Ludwig van Beethoven, Madison, Madison Opera, Madison Symphony Orchestra, Martinu, Mozart, Mr.PotatoHead, Music, narrator, New Music, opera, order, Paul Wiancko, percussion, performance, performer, Piano, poem, Poulenc, Prokofiev, Ravel, Rebecca Clarke, repertoire, repertory, Richard Strauss, Robert Schumann, Romance, Saint-Saens, Salomon, Samuel Barber, Saturday, Season, seat, series, sextet, sketch, Sonata, song, soprano, summer, Sunday, symphony, talent, Taliesin, Teddy bear, Telemann, theme, toys, transcription, Trumpet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, Viola, Violin, Virgil, vocal music, weekend, Wisconsin, Wolfgang Amadeus Mozart, YouTube
Music education: Madison Youth Choirs perform their Spring Concert series “Seriously Funny” this Sunday
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By Jacob Stockinger
The Ear has received the following announcement to post:
“This spring, the Madison Youth Choirs singers (below) are exploring the unexpected ways that elements of humor, from irony and incongruity to improvisation and timing, are reflected in a wide variety of classical and contemporary musical compositions.
“We’re learning that music, like humor, is a kind of language, operating with its own sense of logic, patterns, and conventions that composers can twist to surprise us and take our musical journey to new places.
“As we study the complexity of humor as a mode of creative expression, we are discovering the power of satire, wit, and misdirection to help us reexamine our assumptions, musical and otherwise.
“In our culminating concert series, our singers will present works including “No, di voi non vo’ fidarmi” by George Frideric Handel; Timothy Takach’s “I Will Howl” by Timothy Takach; the “Fugue for Tinhorns” from Guys and Dolls; and the second movement of Chichester Psalms by Leonard Bernstein.”
The MYC Spring Concerts, “Seriously Funny: Musical Humor, Wit, and Whimsy” will take place this Sunday afternoon and evening, May 13, at the First Congregational United Church of Christ, 1609 University Ave., across from Camp Randall Stadium.
Performance are: 1:30 p.m. for Girlchoirs; 4 p.m. for Boychoirs; and 7 p.m. for High School Ensembles.
Tickets will be available at the door: $10 for general admission; $5 for students 7-18; and free for children under 7. A separate ticket is required for each performance.
This concert is supported by American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Wisconsin Arts Board with funds from the state of Wisconsin and the National Endowment for the Arts.
About the Madison Youth Choirs (MYC):
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.
Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
For further information, go to www.madisonyouthchoirs.org or call (608) 238-7464.
Here is the Repertoire List for MYC 2018 Spring Concert Series, “Seriously Funny: Musical Humor, Wit and Whimsy”
1:30 P.M. CONCERT (FEATURING MYC GIRLCHOIRS)
Choraliers
“Bee! I’m expecting you!” by Emma Lou Diemer
“A Menagerie of Songs” by Carolyn Jennings
Con Gioia
“When V and I” by Henry Purcell
“The Fate of Gilbert Gim” by Margaret Drynan
“The Cabbage-Tree Hat,” traditional Australian folk song
Capriccio (below)
“Papageno-Papagena Duet” (from The Magic Flute) by Wolfgang Amadeus Mozart
“Ich jauchze, ich lache” (from BWV 15) by Johann Sebastian Bach
“J’entends le Moulin,” French folk song, arr. Donald Patriquin
Combined Choirs
“Funiculi, Funicula” by Luigi Denza
4 P.M. CONCERT (FEATURING MYC BOYCHOIRS)
Combined Boychoirs
“Sumer is icumen in,” Anonymous, 13th century Middle English piece
Purcell Boychoir
“When V and I” by Henry Purcell
“Modern Major-General” from The Pirates of Penzance by Gilbert and Sullivan
“Weevily Wheat,” arr. Dan Krunnfusz
Britten Boychoir (below)
“Gloria Tibi” by Leonard Bernstein
“The Plough Boy,” Traditional, arr. Benjamin Britten
Holst Boychoir
“Il est bel et bon” by Pierre Passereau
“Hopkinton” by William Billings
Ragazzi Boychoir
“I Will Howl” by Timothy Takach
“Rustics and Fishermen,” part V of Choral Dances from Gloriana by Benjamin Britten
“Fugue for Tinhorns” from Guys and Dolls by Frank Loesser
Combined Boychoirs
“Chichester Psalms” II. Adonai ro-i by Leonard Bernstein
7 P.M. CONCERT (FEATURING HIGH SCHOOL ENSEMBLES)
Cantilena
“A Girl’s Garden” from Frosting by Randall Thompson
“Love Learns by Laughing” by Thomas Morley
“Turn, Turn, Then Thine Eyes” from The Fairy Queen by Henry Purcell
“My Funny Valentine” from Babes in Arms by Richard Rodgers and Lorenz Hart
“Etude 1 pour les cinq doigts d’après Monsieur Czerny” by Claude Debussy
Ragazzi
“I Will Howl” by Timothy Takach
“Fugue for Tinhorns” from Guys and Dolls by Frank Loesser
Cantabile
“sam was a man” by Vincent Persichetti, text by e.e. cummings
“No, di voi non vo’ fidarmi” by George Frideric Handel
“Cruel, You Pull Away Too Soon” by Thomas Morley
“This Sky Falls” by Jocelyn Hagen
“Svatba,” Traditional Bulgarian, arr. H.R. Todorov
Cantabile and Ragazzi
Choral Dances from Gloriana by Benjamin Britten
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